GEORGE OF THE DEAD: THE RADICAL CINEMA OF GEORGE A. ROMERO

by Jack Brindelli

George A. Romero passed away in his sleep on 16th of June 2017, after a short battle with cancer, at the age of 77. Over a long, incredible career spanning five decades, Romero rightly earned his reputation as a, perhaps the, Master of Horror.

Through films like bio-weapon conspiracy The Crazies (1973) and Martin (1978) – a film where a young man whom today’s media would undoubtedly call a ‘disturbed loner’ indulged his patriarchal privilege, through vampiric acts of sexual violence – Romero drew out the political unconscious that underpins so much of our societal mythology. While he did branch out however, he devoted the majority of his best years to the sub-genre which made his career, and which will undoubtedly see him immortalised.Continue Reading

THE HORRORS OF HORROR

by Alex Valente

In the beginning, there were giant evil gods. Then we arrived, and started telling stories of things that go bump in the dark, of what lies between the cracks, of what lurks under the bed. Fears began to take shapes, looking more like tales of caution and of danger. They took the shape of bogeymen and chainsaw wielding killers, nightmare creatures and monsters from the deep. Afraid of sexuality? Vampires, werefolk and secluded cabins will tell you not to. Alcohol and drugs also covered. Religious terrors? We have possessions, exorcists, ghosts and devils aplenty. Coulrophobia, arachnophobia, nyctophobia? Here’s a clown-looking spider that waits for you at night.

Whatever new things we discover scare us, we create a monster for them. We try to impose order, and keep it under control. We give it a recognisable, if unsettling and still scary, frame. Then, at some point, we pushed too far.Continue Reading

VALENTINE’S AND ZOMBIES: A POLITICAL REFLECTION

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by Jack Brindelli

It is Valentine’s week – apparently that’s a thing now – a time of saccharine sweetness, hollow gestures, and empty consumerism in place of romance. In-keeping with the seasonal spirit, then, I want to talk to you today about hearts that long ceased to beat; about a festering horde of blank-faced ghouls, hungering to sink their teeth into human flesh. No, not the populace of shag-app Tinder. Today I am talking about actual zombies.

The undead have always possessed a special place in my own heart – sating more than a simple blood-lust in my own cinematic tastes. Zombies often shamble above and beyond the call of duty, creeping and clawing their way into socio-political territory rarely visited by the supernatural silver-screen. They often act as crude agents of social commentary – and sometimes even of justice. The reanimated corpses who so often fill our post-apocalyptic screens aren’t really a thing to be ‘feared’ by us as such; they are a cultural representation of us. Zombies are the fictional embodiment of the dominant section of society’s fear of a mobilisation of the filthy, impoverished masses.

As Robert Kirkman’s famous comic series (and subsequent televisual smash hit) so often reiterates, “We are the walking dead.”Continue Reading