by Hannah Rose
This is a missive from the past (June 3rd) to the future (June 10th). Futures are shady places where the detail is rubbed out; they nearly always keep us in darkness, because we saturate them in too much hope. Perhaps that’s where it all went wrong: we should have shone a finer light between hope and cynicism. In Back To The Future, Marty McFly asks his girlfriend:“What happens to us in the future? Do we become assholes or something?”Continue Reading
by Eli Lambe
The Underpass Anthology launch was a real testament to the work and co-operation evident in the newly student-run EggBox publishers – a packed celebration of new talent and potential, and a true contribution to the uniquely welcoming and encouraging style of the Norwich arts scene.
The anthology itself worked in the same way, amplifying both familiar and new voices, and bringing them together in a truly collaborative and beautiful book. The experimental and the traditional complement each other, and every writer and editor involved should feel immensely proud of themselves.Continue Reading
by Alice Thomson
Point of view is surprisingly important. As a child, I was always being told by my mother to ‘put my feet in another’s shoes’. It’s surprisingly difficult for children to actually do this.
According to Piaget’s theory of cognitive development, children between the age of 2 and 7 are in the preoperational stage. During this stage, children are egotistical in the purest sense. They display Centration and Egocentrism which means the child has a tendency to focus on one aspect of a situation at one time and they have an inability to see a situation from another’s point of view.Continue Reading
by Carmina Masoliver
The cover of Better Watch Your Mouth displays a set of lips and teeth pulling the kind of expression you would make after being told such a thing. It suggests an unapologetic rejection of censorship, which is later reflected in the poem ‘Ugh, Men’ with the statement ‘we will not censor ourselves (x3)’.
This is a collection that mixes everyday language with profound metaphor, and beautiful imagery with emotive stories. It begins with the telling of others’ stories and gradually becomes more personal, yet in a way that is also relatable, as time skips back and forth like the mind floating back to memories, some singed with pain and others with nostalgia.
by Eli Lambe
Rich with reference and metaphor, Ali Smith’s Autumn is a triumph. Published incredibly quickly following the chaos of the EU Referendum in June 2016, it fully captures the feelings of isolation, division, and distrust that seems to have characterised the 12 months since. The atmosphere of unreality is masterfully tied together with dream-sequence, ekphrasis, and lies. The principal character, Elisabeth sums it up concisely as an eight year old in 1993: “It’s about history, and being neighbours.”Continue Reading
by Eli Lambe
The Power is a profoundly affecting read. In it, Naomi Alderman envisions a switching of roles and of power dynamics, deftly parodying and reflecting back the ways in which we justify, enforce and understand gender roles.
It asks the question: “What if women were stronger than men; What if men had to be afraid of women?” and follows its core characters – Roxy, the daughter of a British crime boss; Tunde, a Nigerian journalist; Allie, an American foster kid who escapes an abusive household; and Margot, an American Mayor trying to balance her city in the wake of this sudden shift, and protect her daughters Jocelyn and Maddie – as the world progresses towards “Cataclysm.” Continue Reading