by Linda Russo
I wrote To Think of her Writing Awash in Light as a way to investigate aspects of literary women’s lives that tend to be overlooked. The questions that interested me – how do lived spaces (domestic, urban, or natural spaces or environments) effect women’s relationships to their materials and ideas and language? How do women navigate these spaces and their various prescriptions for what women should or can do? – suggested a geographic inquiry, one that required leaving my desk and books behind to wander about and write in various environments, literal and imaginary.Continue Reading
by Adam Edwards
The start of spring brings with it one of the fixtures of Norwich’s cultural landscape. Norwich Fashion Week 2015 is now drawing to a close, and the more I reflect on it, the uglier it seems.
I’m sure I’m not alone in the reservations I have about this, or any other event that tries to promote fashion as a force for good in our communities, lives and world. That said, I’d also like to try to move the debate beyond the realms of body idealism, anti-feminism and classism that are inherent in the fashion industry, and not remotely obfuscated in provincial events such as our city’s. I want to progress the argument into the realm of the truly terrifying, into which Norwich Fashion Week readily transports us.
We’re all aware of the uncomfortable truths that tremble at the edge of thought when we consider disposable fashion, but I want those truths dragged under the light of scrutiny.