THE LAST WORD FESTIVAL: HERE AND NOW

By Carmina Masoliver

One Sunday, in the quiet folds of The Albany in Deptford, a group of womxn came together to talk about our place in the arts, and specifically poetry. We came to listen, to write, and to share our voices.

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REVIEW – THE HAIR WRAP DIARIES

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by Carmina Masoliver

Piles of colourful patterned fabrics line the stage, and three women dressed in black Lycra leotards select a fabric and wrap it around their head. The fabrics are drawn across the stage as the performers’ bodies undulate in a backwards crawl, before the scene is set as a hair salon with the colours swept away in a swirl around a chair.

As the title The Hair Wrap Diaries suggests, during this Uchenna Dance production written by Bola Agaje in partnership with director and choreographer Vicki Igbokwe, we hear different stories from each performer. Yet the show is also interspersed  with dance, giving it a strong sense of poetics as the words are broken up and repeated with the movements. The stories themselves are carefully selected, offering a rainbow of different generations of black women, exploring their relationship with hair.Continue Reading

LIBERATIONS & ETHICAL ISSUES – UEA VOTES 2018

This week sees the UEA Students Union officer elections 2018 take place at Norwich’s largest educational institution. The Norwich Radical contacted all candidates in the election for comment on why they’re running and what they stand for. This article and the others in the series are intended to offer an insight into the current and future state of the union and of the UEA more broadly.

UEA students can vote in the elections at uea.su/ueavotes until Tuesday March 6th.Continue Reading

REVIEW: THE MISANDRISTS BY BRUCE LABRUCE

by Carmina Masoliver

cw: mentions violence

Genesis Cinema, in London’s Whitechapel, is an independent cinema on the site of a pub-turned-music hall that first opened in 1848, and which housed a number of theatres before turning to the silver screen. As part of its Fringe! Queer Film & Arts Fest, it screened German film The Misandrists by Bruce LaBruce. Complemented by a moderated discussion about the film, it raised a range of questions on the importance of author intent, the role of sex and violence in film, and the issue of when satire becomes mockery.

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REFLECTIONS ON #METOO FROM A TIRED SURVIVOR

by Anonymous

Content warning: mentions sexual violence, abuse, sexual harassment, rape, domestic abuse and violence 

Last week saw the hashtag #MeToo achieve viral success, following the accusations multiple women made again Hollywood director Harvey Weinstein. The hashtag started when actress Alyssa Milano, tweeted “If all the women who have been sexually harassed or assaulted wrote ‘Me too’ as a status, we might give people a sense of the magnitude of the problem”.

The next week, social media was bombarded with personal account of sexual harassment, abuse, rape, assault and domestic violence. Famous celebrities talked about their experiences and within 24 hours, Facebook reported that 4.7 million people engaged with the #MeToo hashtag with over 12 million posts and comments. Most of the media’s reaction has been positive – finally we are acknowledging that sexual violence is a pervasive problem rather than a few isolated incidents, they say.Continue Reading

FiLiA: A FEMINISM FOR ALL WOMEN

by Carmina Masoliver

CW: contains references to femicide, racism, violence against women, rape, child abuse

Across the weekend of 14-15th October, FiLiA held its annual conference. The organisation formerly known as ‘Feminism in London’, has recently been renamed after gaining charitable status. One of the goals they outlined from the onset was to make feminism for all women, not only certain groups. With this stance in mind, I wanted to see whether the conference would live up to expectations of inclusivity, as previous years had seen panel members shut down audience questions in regard to pornography and sex work. Would there be more open discussion in these areas?

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SHIFTING THE SPOTLIGHT IN THE VC PAY DEBATE

by Lewis Martin

Throughout the summer the debate around vice chancellor pay has continued to play out. Government and media figures have joined students in their long standing expression of outrage at absurd rates of pay, whilst the VCs themselves have come out to defended their salaries, some with a remarkable lack of self-awareness. Oxford VC Louise Richardson recently joined the fray with this startlingly uncaring remark: “My own salary is £350,000. That’s a very high salary compared to our academics who I think are, junior academics especially, very lowly paid.”

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