Afghanistan, a country that has been in and out of the news since the 9/11 terror attack and subsequent U.S.-led coalition invasion, is once again at the forefront of media attention this month, as a result of Trump’s decision to cancel peace talks with the Taliban on 9th September. The relentless violence and bombings conducted by Afghan state forces, U.S.-backed Afghan militias, Taliban, religious extremist groups, career criminals and other groups are no longer considered to be remarkable events; they happen so frequently that the international audience has become desensitized to them.
by Jonathan Lee
“New pension plans to work till you die are no cause for alarm” says arch-Tory overlord Ian Duncan Smith. A recent report from the Centre for Social Justice (CSJ), the Tory think-tank which brought us Universal Credit, has recommended the government raise the retirement age from 65 to 70 by 2028, and to 75 by 2035.
The Tories are not content to simply make workers’ lives as miserable as possible through underfunding schools, unaffordable housing, food poverty, and the greatest devaluation of wages in modern history. They now seek to steal the last golden years of life from the majority of working class people who cannot afford a private pension in order to retire early.
Piles of colourful patterned fabrics line the stage, and three women dressed in black Lycra leotards select a fabric and wrap it around their head. The fabrics are drawn across the stage as the performers’ bodies undulate in a backwards crawl, before the scene is set as a hair salon with the colours swept away in a swirl around a chair.
As the title The Hair Wrap Diaries suggests, during this Uchenna Dance production written by Bola Agaje in partnership with director and choreographer Vicki Igbokwe, we hear different stories from each performer. Yet the show is also interspersed with dance, giving it a strong sense of poetics as the words are broken up and repeated with the movements. The stories themselves are carefully selected, offering a rainbow of different generations of black women, exploring their relationship with hair.
This week sees the UEA Students Union officer elections 2018 take place at Norwich’s largest educational institution. The Norwich Radical contacted all candidates in the election for comment on why they’re running and what they stand for. This article and the others in the series are intended to offer an insight into the current and future state of the union and of the UEA more broadly.
UEA students can vote in the elections at uea.su/ueavotes until Tuesday March 6th.
cw: mentions violence
Genesis Cinema, in London’s Whitechapel, is an independent cinema on the site of a pub-turned-music hall that first opened in 1848, and which housed a number of theatres before turning to the silver screen. As part of its Fringe! Queer Film & Arts Fest, it screened German film The Misandrists by Bruce LaBruce. Complemented by a moderated discussion about the film, it raised a range of questions on the importance of author intent, the role of sex and violence in film, and the issue of when satire becomes mockery.
Content warning: mentions sexual violence, abuse, sexual harassment, rape, domestic abuse and violence
Last week saw the hashtag #MeToo achieve viral success, following the accusations multiple women made again Hollywood director Harvey Weinstein. The hashtag started when actress Alyssa Milano, tweeted “If all the women who have been sexually harassed or assaulted wrote ‘Me too’ as a status, we might give people a sense of the magnitude of the problem”.
The next week, social media was bombarded with personal account of sexual harassment, abuse, rape, assault and domestic violence. Famous celebrities talked about their experiences and within 24 hours, Facebook reported that 4.7 million people engaged with the #MeToo hashtag with over 12 million posts and comments. Most of the media’s reaction has been positive – finally we are acknowledging that sexual violence is a pervasive problem rather than a few isolated incidents, they say.