I was told that The Empty Horizon was a sequence of poems written in the voice of Roisin, a writer and illustrator of children’s books who is losing her sight due to the genetic condition Retinitis Pigmentosa. Initially, I wondered why – if Rosin is a writer – why she could not write these poems herself. Although it seems obvious that there is a mutual relationship established, why should a man tell the story of a woman who is a writer, and thus capable of writing it herself? Although losing her sight, as a writer, would it not be better to tell her own story through her own spoken words, rather than Carney being the author of this text?
Are you looking for a way to get your voice heard? Do you have a book of poems on your bedside table that nobody ever reads? Isn’t it time somebody listened to you?
If you answered yes to any of these questions then you may be suitable for “Words w/ Friends Vol II”.
by Alex Valente
I moved back to Prato, Italy, last March. I thought I’d left behind the UK poetry scene, so very different in Italy in so many ways. Then, my own hometown organises a whole series of free events, including poetry nights – and invites Inua Ellams to perform his An Evening with an Immigrant show. Did you really think I wouldn’t attend, notebook in hand?
(in support of Black Lives Matter)
a, pustule, fleshspun, pierced, when,
echoes, become, loud, and, silenced—loudly silenced—
when, burdens, are, called, gifts—processes, of, unintuition,
when, killing, becomes, justified, as, horror, of, the, natural,
As the dust continues to settle on soon to be post-EU Britain, I’ve been thinking a lot about the place I call home. Norwich has been my city for quarter of a century now, and as my Granny says of such milestones, “You get less time for murder.” Norwich is infamously disconnected from the world, with visiting football fans often singing “there’s only one road in Norfolk” to Guantanamera at Carrow Road – and as much as it pains me to admit it, the isolation is a real problem.
The fact we’re so cut off from outsiders rubs off on our city’s attitudes towards culture in particular – with a quintessentially Little England village-mentality that boasts of being an UNESCO City of Literature in a town perpetually threatening its libraries with cuts, and renders us fiercely defensive of our ‘doing different’ status-quo, who year on year wheel out the same tired Lord Mayor’s procession, Castle firework display, and cover-band music festival, while remaining collectively suspicious, and sometimes even hostile to new ideas.
by Asia Patel
by Asia Patel