#KILLTHEBILL PROTESTS – WHO GETS TO DECIDE WHAT COUNTS AS VIOLENCE?

By Howard Green

The most important intergovernmental organisation of the last year, the World Health Organisation, defines violence as:

the intentional use of physical force or power, threatened or actual, against oneself, another person, or against a group or community, that either results in or has a high likelihood of resulting in injury, death, psychological harm, maldevelopment, or deprivation.

The media in this country have used the terms ‘violence’ and ‘violent’ to categorise the recent civil disruption surrounding the Kill The Bill protests. Norwich’s recent protests couldn’t be called ‘violent’ by any stretch of the imagination, but there have still been reactionary responses attempting to write off their importance, including from the EDP. However in the case of places like Bristol, the word ‘violence’ has been openly used against protestors by the media and influential reactionary figures.

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MADE BY SEA AND WOOD, IN DARKNESS BY ALEXANDROS PLASATIS – REVIEW

By Carmina Masoliver

Content warning: references to and short descriptions of sexual harassment, sexual violence, xenophobia, homophobic & transphobic abuse.

Made by Sea and Wood, in Darkness, the debut novel by Alexandros Plasatis, weaves together a collage of stories that tell the experience of Egyptian immigrants in Greece through a variety of voices. The stories are primarily set in and around Café Papaya in Kavala, where Pavlo the waiter works nights, acting as both a main character and an observer of the Egyptian fishermen. In snapshots of a male underworld, violence dominates this narrative, as the central female character Angie the barmaid fights against being cast as a victim.

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IS THIS DEMOCRACY?

by Samantha Rajasingham
The background shows an anonymous police officer in yellow high-viz jacket over washed out black background, black gloves, blue face mask, and black UK police hat, but blacked out face; the foreground shows an orange femme silhouette, holding a placard in her right hand; the placard reads 'IS THIS Democracy?'
Image description: A visual watercolour response to the Sarah Everard case, Reclaim These Streets, Sisters Uncut and the violence of the police across the country against all women protesting for their safety and loss.
The background shows an anonymous police officer in yellow high-viz jacket over washed out black background, black gloves, blue face mask, and black UK police hat, but blacked out face; the foreground shows an orange femme silhouette, holding a placard in her right hand; the placard reads ‘IS THIS Democracy?’

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WHAT NEXT AFTER THE SIEGE OF CAPITOL HILL?

by Sarah Edgcumbe and Clyde Collins

The storming of Capitol Hill in Washington on the 6th January and the ongoing aftermath has dominated western media over the past few days with good reason. White Americans fuelled by bizarre QAnon conspiracy theories and egged on by Trump’s false narrative of fraudulent election results, forced their way into the building, ransacked the interior, hung confederate flags, stole items and generally behaved like a bunch of supremacist football hooligans who had been binge-drinking for several hours, and whose team had just lost. In doing so however, they demonstrated the extent to which they have become empowered by Trump – and that is terrifying. When Trump leaves the White House (hopefully in handcuffs; tears streaking his fake tan), his manifest right-wing extremist legacy is going to remain present for years to come.

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RIGHT-WING CONSPIRACY THEORIES AND VIOLENCE IN THE TRUMP ERA

by Lotty Clare

Content warning: mentions of gun violence, child sex abuse

Look closely at a Trump rally and you will see banners and signs with cryptic slogans like ’Q’ or ‘WWG1WGA.’ These are the signs of a growing far right pro-Trump cult-like conspiracy theory that has slid into the mainstream and is growing rapidly. 

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BRAVE NEW WORLD IS (STILL) HERE

By Vyvyan René

CW: sexual assault, rape

David Wiener’s TV adaptation of Huxley’s classic dystopia launched on Sky One and Peacock on July 15th 2020.

Set in New London – in a society where class is enforced by genetic engineering and hypnopaedic indoctrination, the use of the euphoric drug soma is universal, public orgies are wholesome fun and ‘mother’ is a swear word – Brave New World is a novel with many themes. One of them is misogyny and the mechanisms by which it is expressed and perpetuated. Consequently, the portrayal of the novel’s central female character, Lenina Crowne, and her relationship with John the Savage (the emotional core of the story) are huge contributing factors to the success or failure of any adaptation. Wiener faces the challenge of depicting a society he describes as ‘hugely problematic’ without condoning it, which raises questions about how the problematic aspects of the novel could, or even should be, adapted.

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GLINNER’S GONE – WHAT NEXT IN THE FIGHT AGAINST TRANSPHOBIA?

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By Robyn Banks

Content warning: discussion of transphobia, genitalia

In June, the news broke that Graham Linehan, former comedy writer turned full time transphobe, was finally removed from twitter for his continued attacks on the trans* community. Whilst it is positive that twitter is finally taking the action that the trans* community have long been asking for, this should have happened years ago, when Linehan started doxing people who dared challenge him.

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RACIST FOOTBALL CHANTS ARE JUST THE TIP OF THE ICEBERG IN BULGARIA

by Jonathan Lee

Content warning: sexual assault, racist slurs, violence

On Monday 14th October, a UEFA Euro Qualifiers match between Bulgaria and England was forced to stop on two occasions after racist abuse from Bulgarian fans was aimed at Black players on the England team. The match, which was already subject to a partial stadium ban for previous incidents of racism, saw black clad, nazi saluting, monkey-chanting skinheads hijack the proceedings and force the stadium to issue announcements and the refereee to halt the game.

The three step UEFA protocol (which reached the second step on Monday night, the third would have abandoned the match) has been criticised for being ineffective and too soft to counter discrimination. Whilst UEFA’s public reaction to the racism has been firm, calling for “football’s family” to “wage war on the racists”, whether or not neo-nazis should be given two free gos at abusing Black English players before they are punished is a valid point.Continue Reading

CALL THEM BY THEIR NAME: CONCENTRATION CAMPS

never again action protest camps

by Tamar Moshkovitz

It’s hard to look at photos of the US Border Patrol Facilities and not be horrified. Cramped and overcrowded rooms, sometimes stuffed with double the maximum capacity; people confined for well over the allowed period; children separated from their parents and thrown in rooms with strangers. And this may not be the worse yet, as a Trump administration lawyer went viral when she argued that the government was not obligated to provide basic hygiene products and beds to immigrant children detained at these facilities.Continue Reading

ENGLAND FOOTBALL FANS BACK TO OLD (HOMOPHOBIC) WAYS IN PORTUGAL

england fans portugal

by Jonathan Lee

After the 2018 FIFA World Cup in Russia, England football fans had enjoyed a slightly improved reputation internationally for behaving themselves a bit better at away games in Europe. This illusion was shattered last week in Portugal for all the world to see, as boozy lads in shorts and polos attacked locals with bottles, wrecked cars, and clashed with police on the streets of Porto. It turns out that, without Russian ultras and law enforcement to keep them in line, England’s lads-on-tour stag party of intolerance and imperialist nostalgia is just as present in the travelling fan culture as it always has been. Embedded homophobia, a staple of the hooligan culture of old, also reared its ugly head again in Portugal with some England fans feeling unsafe among their own supporters.

I experienced more homophobia in 3 hours here than I did in 3 weeks in Russia,” said Joe White, an English football fan and co-founder of LGBT+ supporters group Three Lions Pride. “And this has all come from England fans” he added. “LGBT+ is clearly not welcome.

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