DEAD PEOPLE DON’T CLAIM – DISABLED PEOPLE AGAINST THE CUTS AT TORY CONFERENCE

By Lewis Martin

Last week’s Conservative Party conference in Birmingham was met with sizeable protests, as you’d expect given the party’s actions in its eight years in power. Groups such as the People’s Assembly opened the weekend with their usual rally and march against the continued austerity measures being implemented across the country, to the detriment of many in society. I was lucky enough to witness and be involved in one of the most powerful protests, on the final day of the conference, when Disabled People Against the Cuts (DPAC) led action against the continued rollout of the failing universal credit system and the ongoing cuts to benefits by the Department of Work and Pensions (DWP).

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REVIEW: A VERY QUEER NAZI FAUST AT NORWICH PRIDE 2017

by Eli Lambe

CW; ableism, suicide, sanctions

Vince Laws’ protest-play, ‘A Very Queer Nazi Faust’ is the stunning result of ongoing development, lack of funding and an “angry depression diary”. It has been performed in a host of untraditional venues including: the streets of Birmingham during the Conservative Party Conference; outside the Houses of Parliament (whilst Ian Duncan-Smith was being interviewed); and, most recently, the Community Tent at Norwich’s ninth Pride celebration. Cast through social media, the performance was anarchically unpolished and filled with righteous, infectious anger. The roles of the  “thirteen local legends” brought together in art and solidarity against “state sanctioned torture” were all filled by local queer and disabled activists. Although the title of the show was excluded from the official Norwich Pride 2017 programme, The Community Tent was still filled with an enthusiastic and engaged audience.

The roles of the  “thirteen local legends” brought together in art and solidarity against “state sanctioned torture” were all filled by local queer and disabled activists

‘A Very Queer Nazi Faust’ began life as a “depression diary”, which would have been too expensive to publish (another example of barriers faced by disabled or otherwise marginalised authors and this kind of protest art) and developed into a play protesting against the press and government’s ongoing violence towards disabled people in the UK. After receiving some funding and support from Disability Arts Online and The Literary Consultancy, Laws gained “the confidence to build it into something” – and that something is truly incredible.

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