By Bradley Allsop
The only way to make the word ‘politics’, that great indicator of all manner of corruption and trickery, more contemptible is to plonk the word ‘student’ in front of it. It almost feels like you‘re not pronouncing ‘student politics’ right if you do it without a sneer, or at least a shudder. Student politics has an image problem.
by Chris Jarvis
Culture and politics are inseparable. Culture is more than mere entertainment, more than escapism. Culture is central to how we understand the world, build our value sets and perceive our fellow people. It stirs human emotion in unique ways, pulling different levers in the brain. Sometimes overtly, sometimes with subtlety, the dominant cultural practices, institutions, icons and outputs are used to reinforce the dominant political system and defend the status quo. Establishment weaponise culture as a means of influence.
But this isn’t the sole preserve of the political right.
Looking through history, many of the most important moments of popular revolt have an accompanying soundtrack. The resistance to the Vietnam War had the protest folk singers. Rage Against the Machine were agitators of the US anti-globalisation movement. Riot Grrrl acts built feminist infrastructure, led pro-choice campaigns and brought ‘the personal is political’ sentiments to the fore of a cultural phenomenon. And so on, and so on.
This isn’t coincidental.Continue Reading
by Faizal Nor Izham
Science fiction as a literary genre has long been ignored by both the academic and literary world as one that can be taken seriously. However, attitudes towards the genre are slowly changing. It is gradually being accepted and taught by many universities today, with literary modules dedicated to it emerging. It can also be potentially seen as a welcome break by those who are weaned off interpreting the likes of Chaucer or Shakespeare.
Stereotypically, science fiction would traditionally be thought of as a ‘childish’ genre featuring spaceships, Martians, laser guns, and time-travel. In fact, prior to the space race of the 1960s, stories published during the 1920s and ‘30s were often relegated to pulp magazines ordinarily consumed by teenagers and often bore the same kind of literary reputation that comic books had during the same era. For the same reasons, the genre was also not financially lucrative. Numbers of books sold by publishers were limited and writers were often forced to churn out several books per year just to make ends meet. It was also the type of profession many would be reluctant to admit to on social occasions.Continue Reading