by Carmina Masoliver
For the past few months, the Barbican has been host to Jean-Michel Basquiat’s first large-scale exhibition in the UK, featuring work spanning his whole working life. His premature death at the age of 27 is tragic, yet it is astounding what he managed to achieve in such a short space of time.
Upon entering the exhibition, the first room features some of his early work from the 1981 exhibition, New York/New Wave, which also included work by Andy Warhol, Nan Goldin and William Burroughs. On first impressions, those who aren’t familiar with Basquiat’s archetypal ‘naïve’ or ‘primitive’ style could be forgiven for thinking his art is something a child produce, a criticism all to often laid upon contemporary art. However, for me, art is about both aesthetics and meaning, and art in which technical ability is more obvious, isn’t necessarily more interesting. Basquiat was known to mix supposed ‘high’ and ‘low’ culture in his work, and as his career progressed, so too did its level of detail and scale.
by Alex Hort-Francis
We examine Corbyn’s new campaign video to find all of his secret clues…
It’s been four months since Jeremy Corbyn sold his soul to a crossroads demon in exchange for leadership of the Labour Party, and he puzzlingly still hasn’t been discovered to have accidentally brutally stabbed himself in the stomach while shaving. This can only mean that the Conservatives have forgotten about poor old J-Corbs amongst the understandable orgy of anus cocaine and fox strangulation that normally follows a majority Tory general election result. To remedy this, Much Newer Labour have commissioned a party political broadcast to remind us all what our favourite unshaven underdog has been up to before he unmysteriously convinces himself to commit suicide in a wood with no witnesses at some point later this year.Continue Reading
by Mike Vinti
2015 has been a pretty incredible year for music, especially that of a socially conscious political nature. Kendrick Lamar cemented his position as the year’s GOAT (Great of All Time for you non-rap-nerds out there) with To Pimp a Butterfly, Sleaford Mods gave a voice to the victims of austerity with their acerbic, bassline backed rants and grime blew up so fast that half the teenagers in the country switched from Hypebeast to Road Man in the space of a month. As it’s the time of year where every goddamn publication lists their top 10, 20, 50, 100 etc. albums we figured we’d run through the year’s best moments, in no particular order, with a special end of year Radical Playlist. Continue Reading
by Srishti Dutta Chowdhury
Disclaimer: Mentions female foeticide, abortion, and domestic abuse.
As part of the Vogue Empower project, that was initiated in October 2014, to commemorate the seventh year for Vogue in India, Homi Adajania’s video ‘My Choice’ features some prominent faces in the country of India. Besides Deepika Padukone, there’s Adjania’s wife, actress Nimrat Kaur, film critic Anupama Chopra, and Director Zoya Akhtar, among others.
The video went viral on social networking sites, such as Facebook and Twitter, in a matter of days — which is great news except it garnered negative criticisms everywhere. The reservation against the video by feminists and gender activists is understandable. According to a large number, while the video seeks to raise questions such as ‘If men can do what they want, why should women be deprived of the same right?’, it falls short of effectively addressing the question of women empowerment.