The frame is divided into three sections, with the top heading – ‘United States of America In’. All three section has a United States Airforce aircraft, visually moving from one section to another. In the first frame, on the left, the US Airforce aircraft is coming in dropping weapons like assault rifles and stringer missile launchers, each attached to a parachute. They are being dropped to the ground where a sign board pointing ahead appears on which Afghanistan is written. On the top of this first frame, 1979 is written, to indicate the US support to the Mujaheddin in Afghanistan, who later formed the Taliban.
In the second section, in the middle, the US aircraft is dropping bombs on Afghanistan (a sign board is visible on ground) and on the top 2001 is written marking the US invasion of Afghanistan. The third and last section, with the text 2021 written at the top shows the US aircraft flying away with two people falling off the plane to the ground with a sign board ‘Afghanistan’ pointing back, representing the actual incident of Afghans, trying to leave the country after US withdrawal and Taliban takeover, falling off a US air force aircraft during take off from Kabul International Airport.
This year’s Last Word Festival at The Roundhouse has been a mixture of online and in-person events. Although I had hoped to be able to attend more events, and accessing the festival hasn’t been easy, it was a pleasure to listen to poets Cecilia Knapp and Alexandra Huỳnh in conversation as I tucked into my dinner at home.
Norwich City’s glossy matchday programme for their home match against Stoke on February 13th is emblazoned with the face of fan favourite winger, Onel Hernández. Hernández, a famously bubbly and humorous character who has played for the Canaries since the beginning of the 2018/19 season, made a late substitute appearance against Stoke during Norwich’s 4-1 win. On this occasion it was a brief outing for the programme cover star – but recent developments in Hernández’s career are much more significant than this match might suggest.
The storming of Capitol Hill in Washington on the 6th January and the ongoing aftermath has dominated western media over the past few days with good reason. White Americans fuelled by bizarre QAnon conspiracy theories and egged on by Trump’s false narrative of fraudulent election results, forced their way into the building, ransacked the interior, hung confederate flags, stole items and generally behaved like a bunch of supremacist football hooligans who had been binge-drinking for several hours, and whose team had just lost. In doing so however, they demonstrated the extent to which they have become empowered by Trump – and that is terrifying. When Trump leaves the White House (hopefully in handcuffs; tears streaking his fake tan), his manifest right-wing extremist legacy is going to remain present for years to come.
On December 16th, the UN General Assembly passed a proposal entitled ‘Combating glorification of Nazism, neo-Nazism and other practices that contribute to fuelling contemporary forms of racism, racial discrimination, xenophobia and related intolerance’. 130 out of 193 UN members voted in favour of it, and only two against: the United States and Ukraine. Similarly alarmingly, all EU member states and the UK abstained from the vote. Why are the nations who take so much pride in having defeated Nazism 75 years ago now refusing to vote in favour of combating it?
The last days of Trump have come at last, heralding an inevitably vast amount of journalistic analysis. Trump has been criticised continually through his presidency from many angles by commentators across the media spectrum. Now, as we seek to understand the terrifying exceptionalism of the past four years, classical political thought has once again reared its head. In order to criticise Trump, many invoke writers who have become associated with a collective anxiety – Orwell, Kafka, and, most frustratingly, Machiavelli. Niccolò Machiavelli and his writings have been associated with despotism and evil ever since his works were placed in the Index Librorum Prohibitorum by the Catholic church. But to describe Trump as Machiavellian is a misunderstanding of the controversial but frustratingly correct political theorist who warned against tyrants like him.
First, the good news: Donald Trump has been kicked out of the Oval Office.
The proto-fascist, far-right enabling, climate change denying, racist, misogynist is out. The man who held up a mirror to the worst of America, and gave old fashioned racists all the encouragement they needed to express themselves publicly, has been finally removed through the United State’s idiosyncratic, pseudo-democratic electoral process. Barring civil unrest and armed militias causing problems in the transition period, he will be gone in a matter of months.
Every 4 years, the world’s attention turns to the US presidential election. It is widely seen as the most important election in the world, and it’s hard to argue that it will be any less than that this year. In a time of racial injustice, climate crisis and global pandemic, many in America have been looking for their politicians to put forward an inspiring, achievable vision of the future. Instead they have a choice between an egomaniacal incumbent and a lacklustre opposition.
Content warning: mentions of gun violence, child sex abuse
Look closely at a Trump rally and you will see banners and signs with cryptic slogans like ’Q’ or ‘WWG1WGA.’ These are the signs of a growing far right pro-Trump cult-like conspiracy theory that has slid into the mainstream and is growing rapidly.
Between 2013 and 2019, an era of ‘austerity’, most of us noticed a marked deterioration in the quality of our public spaces and infrastructure – existing roads and pavements not maintained, school buildings getting shabbier, public facilities closing. During that period, Norfolk County Council oversaw at least £725m of funded infrastructure projects. Incredibly, more than £650m of this was for building or widening roads.
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