With the announcement on 4 January of a third national lockdown, the majority of students at the UEA have been unable to return to the University following the end of the Christmas holidays. However, a campaign was set up several days before the lockdown announcement by a group of students calling for a rent strike at UEA.
This month, many returning university students are settling into house-shares in the private rental sector, as the first-year intake prepares to move into halls of residence shortly after. However, for students whose families live in poverty, there are a number of barriers to accessing rental homes, which have worsened this year due to the coronavirus pandemic, which has also constructed new obstacles to prevent poorer students from relying on campus accommodation.
By Lewis Martin
Content warning: mentions transphobia
As the Green Party lets its members elect its third member of the House of Lords, one candidate’s name has jumped to my attention more than the rest: Rupert Read. For those who don’t know, Read is an Associate Professor in Philosophy at the University of East Anglia, a former Green Party Councillor in Norwich and, according to his website, a ‘climate and environmental campaigner’. Whilst this can be seen as an impressive list of roles and beliefs, these aren’t the reason that Read’s name caught my eye.
We the undersigned are writing to complain about the mistreatment of the university’s staff, and the fact that their mistreatment has led to such a major impact on our education. We wholeheartedly believe that the staff are the greatest asset to the university. The fact that they have been forced to take strike action shines a harsh light on the lack of care UEA’s executive and you, our Vice Chancellor, have for university staff.
It has been suggested that the world famous Colman’s brand may soon break with a tradition more than 200 years old, of producing mustard and other products here in Norwich. Make no mistake – this is not nearly as trivial as it sounds, and would be nothing short of a local tragedy.
This may seem exceptionally daft, but Colman’s has so much history here in Norwich, it is tough not to be upset by this news. Colman’s Mustard has been based in Norfolk since 1814 when Jeremiah Colman formally set up his mustard and flour business in Stoke Holy Cross, just outside of the current Norwich city boundary. Later, Jeremiah Colman’s great-nephew Jeremiah James Colman established the production factory in Norwich in 1858, which still exists today. With business booming, royal approval was gained in 1866 with the granting of a Special Warrant as manufacturers to ‘Her Majesty the Queen Victoria’, helping our local mustard gain a global reputation and put Norwich on the culinary world stage.
by Lewis Martin
Last semester at University I was diagnosed as suffering from learning disabilities (Specific Learning Difficulties (SpLDs)). Whilst the diagnoses of having ADHD, Dyspraxia and Dysgraphia didn’t come to much of a shock to me, the fact that I then had to pay £100 in order to be diagnosed did.
by Laura Potts
Each university is different from one another. Moreover, they are very different from most other institutions of all types. On one hand they are educational institutions; on the other they are businesses. As businesses they make investments, though this is not something we would usually think of as a priority of educators. It is worth taking the time to investigate what your university is truly involved with and if their investments are ethical, not only for moral peace of mind but also to have a clearer idea of what your tuition fees are being put toward.
by Eli Lambe
The Underpass Anthology launch was a real testament to the work and co-operation evident in the newly student-run EggBox publishers – a packed celebration of new talent and potential, and a true contribution to the uniquely welcoming and encouraging style of the Norwich arts scene.
The anthology itself worked in the same way, amplifying both familiar and new voices, and bringing them together in a truly collaborative and beautiful book. The experimental and the traditional complement each other, and every writer and editor involved should feel immensely proud of themselves.
by Tony Moore
Content warning: article mentions suicide.
World famous art comes to campus and it looks wonderful, works subtly with Lasdun’s buildings to eulogise their monumental quality whilst highlighting the interplay of light with the elements.
What’s not to like?
Then those pesky snowflake students start moaning that the figure might be perceived as about to jump and could be a ‘suicide’ trigger.
What is not to like, is that the snowflake students are fundamentally right to make their views known: they are confronting an authoritarian, elitist art work imposed on their community from ‘above’.
by Lewis Buxton
Despite being called A Book of Fragments and Dreams, the poems in Rebecca McManus’ collection are far from fragmentary. They speak loudly to one another and are rooted decisively in the people, places, and objects of her life. Unthank Cameo has released this collection posthumously after Rebecca McManus was killed by a speeding driver whilst waiting at a bus stop. She was 21 and just weeks away from graduating from the University of East Anglia.