by Lewis Martin
If it’s not one thing it’s another with UEA. Weeks after their announcement that they’ve finally divested from fossil fuel companies, People and Planet UEA have discovered that the university has nearly £23 million invested with Barclays Bank. This won’t be particularly surprising to most – there is a branch on campus after all – but it shows the university’s ongoing decision to disregard the unfolding environmental and ethical situation of the world it operates in.
by Eli Lambe
Almost exactly one year ago, I attended a conference at UEA on ‘hybrid writing’, organised by Seam Editions. The last presentation before lunch absolutely captured the theme of the conference. Anna Metcalfe presented ‘I hope to Show’, or the Last Thing out of Pandora’s Box, a creative-critical reflection on academic writing, optimism and Hesiod. Last Tuesday, in an unassuming brown padded envelope, my advance copy of A Hope on The Wall arrived. I keep describing it to myself as “a beautiful little book” and it truly is; Francesca Romano has done an amazing job of making a deceptively minimalist-looking home for a complex and engaging read. I can see it conveniently sitting inside my notebook, ready for me to dive into whenever doubt sets in.
by Lewis Martin, on behalf of Fossil Free UEA
I can’t quite believe I’m writing this, but after 4 long years of campaigning, UEA has finally divested from fossil fuels. People and Planet UEA received the following statement from the University yesterday:
“Over the past 50 years UEA’s researchers have played a leading role globally in developing the science and understanding of climate change and links with carbon emissions. The University remains committed to reducing its own carbon emissions and is investing £6.5million to reduce our carbon footprint from 23,000 tonnes to 12,800 tonnes by 2020. We can confirm that UEA does not have any investments in fossil fuel companies.”*
by James Anthony
It has been suggested that the world famous Colman’s brand may soon break with a tradition more than 200 years old, of producing mustard and other products here in Norwich. Make no mistake – this is not nearly as trivial as it sounds, and would be nothing short of a local tragedy.
This may seem exceptionally daft, but Colman’s has so much history here in Norwich, it is tough not to be upset by this news. Colman’s Mustard has been based in Norfolk since 1814 when Jeremiah Colman formally set up his mustard and flour business in Stoke Holy Cross, just outside of the current Norwich city boundary. Later, Jeremiah Colman’s great-nephew Jeremiah James Colman established the production factory in Norwich in 1858, which still exists today. With business booming, royal approval was gained in 1866 with the granting of a Special Warrant as manufacturers to ‘Her Majesty the Queen Victoria’, helping our local mustard gain a global reputation and put Norwich on the culinary world stage.Continue Reading
by Lewis Martin
Last semester at University I was diagnosed as suffering from learning disabilities (Specific Learning Difficulties (SpLDs)). Whilst the diagnoses of having ADHD, Dyspraxia and Dysgraphia didn’t come to much of a shock to me, the fact that I then had to pay £100 in order to be diagnosed did.Continue Reading
by James Anthony
There are a lot of stresses that come with moving house. Earlier in August, I spent a fair number of days experiencing both as I shifted location in Norwich.I was making sure I had all of my belongings, desperately trying to cover up any damage or stains, and trying to work out the logistics of carrying my entire life from one house to another. The only saving grace in this process was the fact that I have only moved about five minutes down the road – across what is known as the ‘Golden Triangle’ – an especially desirable area to live in Norwich. For years, it has been considered one of the best places to be just outside the city centre, even gaining national coverage for its popularity. A reasonable judgement, to this day.Continue Reading
by Eli Lambe
There is a new independent publishing house in Norwich. Seam Editions has already published some amazing pieces (seriously I am ashamed of everything I’ve ever written in comparison). Focusing on the emerging field of creative-critical writing, they provide a platform for interactive, experimental and formally disruptive writing. I was lucky enough to be able to sit down with four of the team to talk about the incredible progress they have made since their launch late last year. I met Sara Helen Binney, Sarah A. Jones, Simon Pook and Rob Ward at the Playhouse.Continue Reading