After the government’s U-turn on GCSE and A-level moderation, widespread celebration has broken out among student and teaching communities alike. But, drowned out by the cheering, a yet unsolved problem remains: the injustice and uncertainty for those taking BTECs, who have been left behind in the race to secure places at chosen further and higher education institutions.
Last week, young people across Scotland reached the end of years of schooling and were presented with their final grades. Due to the coronavirus pandemic, these results were based not on a summer exam series, but on predicted grades from teachers and subsequent moderation by examining bodies. As many as a quarter of grades were lowered, hitting working-class pupils in poorer regions and schools the hardest. Further south, A level and GCSE students are still awaiting similarly-calculated results, due for release on the 13th and 20th of August respectively. But, with individual pupils’ futures at the mercy of wildly varying school averages, the most disadvantaged students are facing even more barriers to higher education.
by Laura Potts
Last week saw the government’s Autumn budget released for public scrutiny. The report starts by stating that the United Kingdom has “a bright future”, with talk of an independent economy forging new relationships with the EU. This long term plan is meant to give voters the belief to take the long road with the government for a better Britain, but their sweeping statements do not at all sit in line with what I and many others would see as a ‘brighter future’. This is as true in the field of education as any other.
by Laura Potts
As a fine art student, I spend my time surrounded by others engaged in creative practices or on creative career paths. However, as I’ve progressed through the first year of my degree I’ve noticed a major stigma attached to these paths. Even within my own arts university there is a perception that fine art students are less ‘realistic’ than those on other creative courses in the university, like graphic design or fashion. This perception, usually held by people who haven’t taken the time to ask fine art students and other creatives about our work, has spread widely through society. Modern artists do not warrant the same level of interest and respect as the great painter-philosophers of previous centuries.