GO SET A WATCHMAN

by Jake Reynolds

In response.

Atticus, he was real nice. – Harper Lee, To Kill A Mockingbird

the room is ripe with adolescent sweat
pressed periwinkle to our backs as flies swoon
in circuits around our teacher perched on a table
with her feet inches from the ground
and whoever is still awake quietly questions
her decision to imitate Calpurnia’s accent
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TO KILL A MOCKINGBIRD – IS IT JUST ME?

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by Carmina Masoliver

Recently, I went on a school visit to see To Kill a Mockingbird at The Barbican, and whilst I think the actors played their parts incredibly well – especially Zackary Momoh, who played the role of the falsely accused Tom Robinson – I’m not writing here to give a glowing review. I read the book around the time I started my job at the school three years ago, yet the play, adapted by Christopher Sergel, had a different impact on me.

Actors slipped in and out of character to read directly from the book, narrating through a multitude of different accents, obviously showing that they were each sentimentally and emotionally affected by the text. This sentimentality, however, was lost on me, and as the production drew on, I came to think of it as unnecessary that it was being heralded to such acclaim in 2015.

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WHY IT’S A SIN TO KILL A MOCKINGBIRD

by Cadi Cliff.

The reality of UKIP topping the polls in the UK European election with 4,352,051 votes still stings and outrages. Over at Westminster a nationalist Union Flag appears to be flying from our education department as the Tory education secretary Michael Gove proposes a GCSE English Literature syllabus out of the 1940s. We’ve somehow just painted ourselves as purple, nationalistic, and self-important. What happened to looking outward?Continue Reading