EDINBURGH FRINGE 2018 – PT 3

By Carmina Masoliver

The third and final instalment of a series of short summaries of a wide variety of performances, from the comedic to the dramatic to the bizarre, direct from the Edinburgh Festival Fringe. Each entry is preceded by the title of the work in question, and the venue(s) at which it is being performed as part of the Fringe.

Content warning: Mentions of racism, sexual assault.

Continue Reading

EDINBURGH FRINGE 2018 – PT 2

By Carmina Masoliver

The second instalment of a series of short summaries of a wide variety of performances, from the comedic to the dramatic to the bizarre, direct from the Edinburgh Festival Fringe. Each entry is preceded by the title of the work in question, and the venue(s) at which it is being performed as part of the Fringe.

Content warning: mentions eating disorders, sexual assault, domestic abuse, childhood trauma.

Continue Reading

EDINBURGH FRINGE 2018 – PT 1

1

By Carmina Masoliver

The first instalment of a series of short summaries of a wide variety of performances, from the comedic to the dramatic to the bizarre, direct from the Edinburgh Festival Fringe. Each entry is preceded by the title of the work in question, and the venue(s) at which it is being performed as part of the Fringe.

Content warning: mentions suicide, sexual assault

Continue Reading

REVIEW: SCRATCH IT! AT THE NORWICH ARTS CENTRE

1

by Lewis Martin

On Sunday 6th May I attended Scratch It! hosted by Hack Theatre at the Norwich Arts Centre. Aimed at attracting new writers and ongoing projects, the evening looks to give a platform to work that is happening in the area so it can be developed and flourish. The arts varied across the evening, ranging from comedy to drama and using different styles and formats.Continue Reading

REVIEW: 4.48 PSYCHOSIS

by Carmina Masoliver

When I saw that 4.48 Psychosis was on at The Lyric in Hammersmith, I jumped at the chance to see it. When it was first there in 2016, I wasn’t in the country, and having studied the play for my university dissertation, I am always keen to view a new interpretation of the text (all those I’ve seen thus far haven’t warranted writing about).

For those who haven’t come across the play before, it was playwright Sarah Kane’s final play before her suicide in in 1999. For this reason, and that fact the its focus is on the experience of clinical depression, some, such as Michael Billington, have considered the text a kind of “ 75-minute suicide note”. However, it contains many truths that most people would be able to relate to, whether suffering from depression or not.

Continue Reading

REVIEW – THE HAIR WRAP DIARIES

1

by Carmina Masoliver

Piles of colourful patterned fabrics line the stage, and three women dressed in black Lycra leotards select a fabric and wrap it around their head. The fabrics are drawn across the stage as the performers’ bodies undulate in a backwards crawl, before the scene is set as a hair salon with the colours swept away in a swirl around a chair.

As the title The Hair Wrap Diaries suggests, during this Uchenna Dance production written by Bola Agaje in partnership with director and choreographer Vicki Igbokwe, we hear different stories from each performer. Yet the show is also interspersed  with dance, giving it a strong sense of poetics as the words are broken up and repeated with the movements. The stories themselves are carefully selected, offering a rainbow of different generations of black women, exploring their relationship with hair.Continue Reading

BAD FAITH

by Carmina Masoliver

I was invited to the premiere of Bad Faith, a collaborative piece by by English poet, Jemima Foxtrot, Belgian choreographer, Tara D’Arquian and Icelandic designer Fridthjofur Thorsteinsson. They worked with poetry, lighting design and dance to explore Sartre’s concept of bad faith through themes of womanhood and loss.

Continue Reading