By Laura Potts
In recent weeks, Damien Hirst’s anatomical sculpture Hymn (1999–2005) has been installed outside of my university, Norwich University of the Arts (NUA), where it will be on show until July 29th as part of his exhibition at Houghton Hall. Although the term ‘hymn’ refers to a form of praise, there are a number of reasons why neither Damien Hirst nor the institutions choosing to associate with his work should be praised.
The Norwich Radical 