By Laura Potts
Take The Weight Off Your Mascara is Norwich’s up-and-coming drag night, run through The House of Daze drag house. I was lucky enough to interview four key members of The House of Daze: Sylvia Daze, Liv, Bishy Barnabee and Devil Child. Consisting of both regular performers and occasional guests, such as Dolores Deepthroat, The House of Daze are following in the footsteps of previous Norwich drag collectives like The Rose Bud Club and such local drag legends as Luna Howl.
by Eli Lambe
In preparation for their upcoming show at Brighton fringe, Eliott Simpson and Elliot Wengler took the stage armed with their Tinder profiles – to proposition the audience for friendship. Closing a mixed bag of a night, their set contained some much needed reminders of how comedy can work without the tired, “edgy” humour that so often seems to haunt the stand-up world and which, in my mind, ruined so many of the night’s previous performances.
by Joe Rutter
Graffiti: the obstinate, acne-covered teenager of the Arts. It wants to be noticed, to be valued, but at the same time shirks acceptance, awkwardly lurking in the shadows of society, preferring nocturnal thrills and bricked-wall canvases to sober gallery exhibits. And Street Art divides opinion like no other medium. Depending on where you stand – you might be an anarchistic advocate or an unimpressed traditionalist – graffiti can dazzle or disgust. But whether you think it’s the scourge of the city or a vibrant channel of urban expression, graffiti is finding itself a home in Norwich. Should it stay?Continue Reading
by Eli Lambe
The Poetry Collective’s bi-monthly poetry open-mic has been running for three years, hosted in a variety of venues across Norwich. Yet it’s the trendy hub, The Birdcage that has become a favourite platform for both new and established performers. Described by one of the performers (Johnny Raspin) as “The best poetry night in Norwich”, it’s easy to see how this endorsement was earned. The hosts, Freddie and Jodie, are enthusiastic and lovely, the venue filled up very quickly, despite the weirdly autumnal weather, and the casual back and forth between host, performers and audience created an atmosphere of community and support.
The night began with an endearingly honest set by one of the hosts, Jodie Santer, who moved through topics including politics, coming-of age and love. She shared a poem written for her younger sister, bringing together fears about growing up with social expectations and misogyny; a powerful and relatable piece. Eoghan Lavery followed with a vividly Shakespearean monologue about ageing, technology and remorse entitled “Winter”, which was masterfully and dynamically delivered. He performed the poem as its narrator, bringing the audience through the reflections of an old man viewing his childhood on a projector.