by Lisa Insansa Woods
Colston is in the river. Winston Churchill is quivering. Cecil Rhodes glares brazenly at the Oxford University governors threatening to tear him down, his maniacal eyes finding flickers of solace in the realisation that whether he remains or not, the society he served over a century ago still slithers in its self-made pool of white supremacy (enough to still make his cold hard mouth turn into a grin).
The taking down of statues is a powerful display of justice. Every day, the Black community has had to endure looking up at its oppressors whilst simultaneously being battered by the system that those same glorified figures acted to perpetuate. Each statue that falls is a nod of recognition to the Black experience – an experience which has been subdued for hundreds of years as something that is not worthy of our knowledge. However, whilst pulling down a statue is a strong gesture, it does not annihilate the insidious manifestation of racism that courses through every part of our society. We need to do more.Continue Reading
by Richard Worth
If you’re reading this you are doubtlessly already aware of Kristen Visbal’s sculpture Fearless Girl, that has taken up residence on Wall Street opposite Arturo Di Modica’s Charging Bull. Sculpted by Visbal and funded by State Street Global Advisors Fearless Girl appeared on March 7th, 2017 (the eve of the Women’s March) and went viral. Its intention is to address the lack of women at the top of huge corporations.
Most people would have to agree this is a worthwhile cause; unfortunately, Di Modica isn’t exactly happy about Fearless Girl’s placement and is currently campaigning for its removal. Before we decry this as sexism or fear of the power of women, in any fair society he should be allowed to state his claim, so let’s hear it.
by Jake Reynolds
give me a piss pot I’ll call it
you are what you read so I’m
Economic and Business History in Venezuela
does it feel like I am watching you
not go to a midweek lectureContinue Reading