JOAN LEE: THE MARVELOUS MUSE

by Richard Worth

The story goes that Stan Lee was dragging his feet on Marvel’s latest bid to catch up with the Distinguished Competition. He was becoming bored with the monster-matinée mags he made with Kirby and uninspired by the sci-fi parables he produced with Ditko and now his bosses had tasked him with making a book to rival DC’s newest hit, Justice League.

Stan wasn’t one for superheroes. They were too perfect, too unflawed, and too unfit for the hyper-dramatised, purple prose that was Stan’s hallmark. He moped and complained about his artistic integrity, as writers are wont to do, boring all around him until his perpetually patient wife finally told him to get on with it. Continue Reading

DEADPOOL AND SEXUALITY: MINIMUM EFFORT

by Beth Saward

Bringing in a staggering $132.7million, Deadpool had the biggest opening weekend for an R-rated movie, beating The Matrix Reloaded’s previous 2003 record. It’s safe to say that the Merc with a Mouth has been a success. Tim Miller’s direction combined with Rhett Reese and Paul Wernick’s screenplay manage to stay true to the comic’s sense of humour.

Those fans who were worried about how Deadpool’s infamous fourth-wall smashing would translate to the screen weren’t disappointed (even if a beautiful opportunity was missed during Stan Lee’s obligatory cameo). Reynolds, who’s said in interviews that he’s waited 11 years to make Deadpool, plays Wade Wilson with an infectious glee that you can’t help but enjoy. Despite all of this, the film leaves a somewhat unpleasant aftertaste.Continue Reading