by Tesni Clare

Sunday’s events in Bristol have made headlines. Predictably, however, mainstream media has fallen into the trope of shortsighted reporting, indulging in simplistic, one-sided narratives of protestors as ‘mobs of animals’ who ‘attacked’ and ‘badly injured’ police officers. Whilst they make good headlines, these intentionally inflammatory discourses, alongside powerful images of burning vans, serve to eclipse the bigger story. 

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by Eli Lambe

Crude Apache is a local community theatre company which has been running, in one form or another, for the last 24 years. They are committed to producing accessible and thought-provoking theatre, and their tradition of using non-theatre spaces for their productions allows for innovative use of space and setting. The industrial, bare-bones space of The Shoe Factory Social Club in St Mary’s Works played well with the theme of their latest production, Howard Brenton’s Magnificence – a timely, if sometimes surface-level, exploration of the 1970’s squatters movement.

The play touches on the rise of neoliberalism, state-sanctioned brutality, homelessness and the effects of state brutality in turning resistance into a determination to hurt, and hurt spectacularly. Directed by Tom Francis, this was a solid adaptation of the original, and very successfully captured the arguments we are still having – with ourselves and each other – almost 50 years on.Continue Reading