by Carmina Masoliver
cw: mentions domestic violence
At the end of September, I attended and took part in Hastings Fringe Festival and got the chance to watch Spinal Krapp by Darren Maher, a ‘stand-up tragedy’ based in Dublin in the 1980s. Although initially uncertain, I ended feeling thoughtful about the piece, which explored the impact of violence on children, as well as looking at the ‘making of a monster’. When it comes to domestic violence, whoever the victim or perpetrator, it is ultimately about power and control. It was interesting to see this prior to attending the fundraiser for Penny Beale Memorial Fund, which similarly weaved tragedy and comedy together, bringing a different kind of poignancy to the night.
The Penny Beale Memorial Fund was started by the mother of Penny Beale (of the same name), whose daughter was murdered in 2001 after years of abuse by her partner. The charity aims to offer information and advice about domestic abuse through various means. The fundraiser opened with an introduction by Penny Beale, and a song by Carol Prior, who also compered the evening. Also on a musical note, Las Pasionarias’ powerful folk songs had an uplifting effect and there was a great feeling of sisterhood as they sang together, wearing in red and white flowers pinned to their clothes. The audience joined in for a song about Mother Earth, where we were united in its message of care and respect. Mellow Baku took to the stage with a guitar, referencing having grown up in a cult. Although the details were not spoken of in the same specificity as others, the emotions of this were shown through song. Baku not only delivered songs on guitar, but also recited poetry, making use of loop pedals and her incredible voice.
by Carmina Masoliver
CW: sexism, war
Who knew there was an arms fair happening in London? Well, it was news to me before I went to Art The Arms Fair for an event of protest poetry – just one night in a series of events aiming to raise awareness about this issue. All profits from events go to CAAT (Campaign Against the Arms Trade), with original artwork and prints for sale. Work has been donated from all over the world, including both established artists and emerging. It was rumoured that Banksy had a piece there too, which was later confirmed, raising £205,000 for Reprieve and Campaign Against Arms Trade.
by Billy Pilgrim With The Heartsease Kid
Are you looking for a way to get your voice heard? Do you have a book of poems on your bedside table that nobody ever reads? Isn’t it time somebody listened to you?
If you answered yes to any of these questions then you may be suitable for “Words w/ Friends Vol II”.
by Laura Potts
CW: Mentions violence against children
More than any other art form, spoken word performance art allows an audience to directly interact with the thoughts of the artist. This kind of interaction can often change minds more effectively than argument or statistic, making spoken word art a very progressive medium. As a spoken word enthusiast and an artist on a student budget, I was therefore excited to attend Matt Abbott’s pay-what-you-can preview of his Edinburgh Fringe show ‘Two Little Ducks’ at the Norwich Arts Centre recently. And my excitement was certainly justified – Two Little Ducks is a powerfully thought-provoking, politically driven work.
by Eli Lambe
The Poetry Collective’s bi-monthly poetry open-mic has been running for three years, hosted in a variety of venues across Norwich. Yet it’s the trendy hub, The Birdcage that has become a favourite platform for both new and established performers. Described by one of the performers (Johnny Raspin) as “The best poetry night in Norwich”, it’s easy to see how this endorsement was earned. The hosts, Freddie and Jodie, are enthusiastic and lovely, the venue filled up very quickly, despite the weirdly autumnal weather, and the casual back and forth between host, performers and audience created an atmosphere of community and support.
The night began with an endearingly honest set by one of the hosts, Jodie Santer, who moved through topics including politics, coming-of age and love. She shared a poem written for her younger sister, bringing together fears about growing up with social expectations and misogyny; a powerful and relatable piece. Eoghan Lavery followed with a vividly Shakespearean monologue about ageing, technology and remorse entitled “Winter”, which was masterfully and dynamically delivered. He performed the poem as its narrator, bringing the audience through the reflections of an old man viewing his childhood on a projector.