by Zoe Harding
Nearly every building in east Mostar bears war wounds. Tumbledown ruins stud the streets like broken teeth. The imposing concrete hulk of an abandoned bank juts into the sky over midtown, surrounded by parks and covered in graffiti. The famous Old Bridge over the river Neretva is notable both for its beauty and the fact that these marks are absent. Destroyed in 1993 by Croat tanks, the Old Bridge is one of the few things in this wounded city that has been properly rebuilt.
UNESCO plaques stud Old Town, listing countries that donated money to rebuild the bridge and the surrounding areas. It was a tourist landmark before the war, and it feels like the only part of Mostar the world really cares about — certainly, there doesn’t seem to be any money to clear the minefields on the surrounding hillsides, or to treat Bosnia’s tens of thousands of post-war PTSD victims. Tourists don’t visit them, after all, so it’s not like the spirit of international co-operation applies in the way it does to the pretty scenery in Old Town.Continue Reading
by Chris Jarvis
Last week, Music That Matters looked at the 40th anniversary of punk and how our understanding of its history is typically one which erases the efforts and achievements of women musicians and people of colour. Today, the scene is often still seen as a male and white space, with punk shows frequently having male dominated crowds queuing up to see white men thrashing on guitars in shabby venues.
But it looks like things are changing. 2016 feels like it is becoming a rebirth of women in punk, and critically, as if it is women of colour who often are leading the way. More women are touring, more are getting bigger stages and longer sets, and more are getting the media coverage that they deserve. Among the nostalgic reflection, this year, dozens of punk albums will be released. Some will become instant classics, others will fade from memory as quickly as they came. Here are 10 bands leading the British punk scene this year, and the women that are making them shape the future of the genre.Continue Reading
by Matilda Carter
Over the Christmas period, I had the unusual experience of being asked to speak with the Burgess Hill Labour Party about why I don’t believe a Green vote splits the left. With the rising profile of the Greens due to controversy of their proposed exclusion from the upcoming leaders’ debates and Sadiq Khan’s appointment to deal with the ‘threat’ posed to Labour by the Green Party, it seemed a germaine subject, but it was quite a difficult sell. Burgess Hill Labour party is a branch of Labour that behaves as if Tony Blair never happened and I am all the more sympathetic towards them for it, but when I hear members of the radical left talk about fighting their corner within the Labour party, I begin to despair at the state of political discourse in this country.