by Justin Reynolds
There was some apprehension as a Chinese ‘Heavenly Palace’ fell to Earth last week. The 8.5 tonne Tiangong-1 space station, adrift since China’s space agency lost connection with it two years ago, made an ‘uncontrolled’ re-entry into Earth’s atmosphere early on Easter Monday.
Fortunately there was never much cause for concern, the European Space Agency calculating the chances of being hit by debris as ’10 million times smaller than the yearly chance of being hit by lightning’. Most of the station burned up on contact with Earth’s atmosphere and the remaining fragments plunged into the South Pacific. But the episode had a eerie resonance, symbolising something of the West’s prevailing perception of China as an enigmatic, technologically advanced state, glowing with – rather like its wayward satellite – a nebulous sense of danger.Continue Reading
by Laura Potts
Artistic culture and practice has changed drastically over the past few centuries. From Renaissance painting and its high-minded focus on aesthetic and documentary purpose, to the eruption of absurdist Dada work in 1915, to the stark political statements of much modern art. The aesthetics of art and its chosen themes are not the only thing that has changed though; the spaces where we encounter art have also transformed.
by Zoe Harding
Let’s leave the sordid world of Earth behind for a bit, and explore the potential of a concept that’s kind of easy to dismiss out of hand.
In his venerable Culture series, Iain M Banks describes a future society based around Minds, unimaginably super-intelligent AIs that control vast ships and space-going habitats, on which a massive collection of alternately hedonistic and depressed lesser-biological beings (assumed to be human, although it’s never made explicit) live pampered and comfortable lives. The Culture is semi-utopian, although, if it resembles any society, it resembles the US in its relations with other civilisations, The books frequently focus on both the skulduggery necessary to keep the civilisation running and the injustice of being born outside it. Nonetheless, it is a portrait of a society in which humans (probably) are protected, cared for and treated equally through advanced technology.
Because utopias aren’t easy or fun to write, few societies like the Culture have appeared in fiction before or since. There is one notable version, however, in the form of an oddly idealistic leftie meme: Fully Automated Luxury Gay Space Communism.Continue Reading
by Alex Valente
Original Italian by Biancamaria Frabotta (1946 – ), ‘L’estate delle stelle…’
The summer of stars less striking
encouraged locals and strangers
to hope in a return of ancient climates.
On the yellow grass unstable in the sparse
humours drinks remained half-full
another fuel to have sleepless nights.Continue Reading
by Candice Nembhard
I have always been fascinated by the dynamics of space; how we utilise it, what we decide to fill it with and what our own space says about us. If we think globally about ‘space’, its conception works in tandem with a few other fundamental principles of our existence; time, energy and space work in accordance with each other allowing us to exist, perceive and theorise.
by Paige Selby-Green
I stand in the shadow of a yawning cave mouth bristling with brightly coloured crystals and glowing mushrooms. The sky is emerald, the hills are teal. A scarlet starship squats, smoking, on the ground. A polite voice tells me that my life support is low. The planet is Peonidas. The game is No Man’s Sky. Continue Reading
by Alex Valente
Original Italian by Selenia Bellavia, ‘Criterio’
From the closed recesses of a star
you ask me the real portion
of the clothed hypothesis
you cannot imagine
you do not know the rustle
of the river undivided by an ethosContinue Reading