Moana is a traditional quest narrative complete with a special object that has to be taken on a journey. It’s a story we’ve all seen before – but we’ve never seen it in this setting, or with a hero quite like this one. Moana is driven, brave, and lacks the improbable Barbie-doll proportions of her predecessors. Though this film is billed as being about her extraordinary journey to return the heart of the goddess Te Fiti, its main focus is actually Moana herself. There is, after all, a reason why the film is named Moana rather than Voyage.
by Mike Vinti
This weekend saw the start of Euro 2016, every European’s second favourite quadrennial football tournament. As I write, football fans of every stripe have descended on France and the op-ed writers of every political persuasion are spending their time priming think-pieces about what the clashes between England fans and the French police say about the EU referendum. However, the arrival of not-quite-the World Cup 2K16 also brings with it a chance to break away from eye-ball gauging mundanity of the referendum – to instead talk about, you guessed it, the relationship between music and football.
Football and music have always been locked in something of a confusing relationship. As someone who doesn’t really watch Football but listens to a lot of music, catching snippets of fan-made chants, usually through Facebook videos, has been my main access to the culture surrounding Britain’s favourite sport. The more attention I’ve paid to how the two interact, the more I’ve come to realise that music plays a huge, often vital role in the world of football.
On 9th and 10th October, the Royal Festival Hall played host to the premier of ‘The Hollow of the Hand’ – a collaboration between musician PJ Harvey and photographer-filmographer Seamus Murphy. It was essentially a book launch, but it will also be a project that includes a film to be released next year. It’s a relatively new breed of art, with politics at its heart, where reportage and art combine to create a particular type of documentary where the genre is combined with artistic photography/videography, poetry, and music.
The project saw Harvey and Murphy travel to Kosovo, Afghanistan, and Washington DC. Murphy stated that they went to these countries without any agenda, without a particular message they wished to convey. It appeared Murphy enjoyed going down the road less travelled, and cited a chicken coop in Kosovo as an example of the kinds of places he liked to visit, and was glad Harvey felt the same way.
The Last Word Festival is a annual festival of spoken word events at The Roundhouse. The organisation supports young artists with their work, giving them a platform to showcase their work, as well as featuring well-established names in poetry, such as East Anglia’s own Luke Wright. The programme was full of acts happening in every crevice of the building, spilling out into bar, where Talking Doorsteps videos were available to listen to on headphones in seating booths. Read on to find more about some of what this year had to offer.