SATIRICAL SABOTAGE

by Richard Worth

Sean Spicer made an appearance at the Emmys on Sunday evening and an institution I hold incredibly dear to my heart almost destroyed itself. It was unexpected and extremely upsetting, but with time I think things could be alright.  I am not referring to the Emmys of course, but to the tradition of satire.

Since the dawn of the Trump Era (a TARDIS-like section of time that hopefully, history will see as quite brief but which feels eternal to those in it), satire has arguably become more important than ever before. I’ve written about it a number of times for The Norwich Radical and I genuinely believe that mockery of the maniacal and mighty serves as a psychological sword and shield, at once cutting into the ego of demagogues and simultaneously protecting us from being pummelled into submission by their beliefs.

These past few years, as the Right, the Centre and, though it pains me to admit it, the Left have started to construct their own realities, satire has become more confusing as writers around the globe have all but given up trying to match the farcical nature of the world, but we still fought on under the banner of “this is not normal”.

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REVIEW: DICKO/MATTHEW DICKERSON IN YALLOPS

by Carmina Masoliver

Along St Augustine’s Street in Norwich, you will find a collection of gallery spaces that are part of Nunns Yard. These include Nunns Yard itself, Yallops and Thirteen A. They offer small unconventional spaces to exhibit contemporary art work, including a smaller hire fee of £10 per day for students.

During a recent visit to Norwich, I spent some time at Yallops Gallery and saw the private view of Matthew Dickerson’s fine art illustration work. He is known more for digital illustration and concept art, yet this exhibition featured nine framed original hand-painted ink pieces on A3 paper. These were on sale for an affordable price of £150.Continue Reading