CW: sexual assault, rape
David Wiener’s TV adaptation of Huxley’s classic dystopia launched on Sky One and Peacock on July 15th 2020.
Set in New London – in a society where class is enforced by genetic engineering and hypnopaedic indoctrination, the use of the euphoric drug soma is universal, public orgies are wholesome fun and ‘mother’ is a swear word – Brave New World is a novel with many themes. One of them is misogyny and the mechanisms by which it is expressed and perpetuated. Consequently, the portrayal of the novel’s central female character, Lenina Crowne, and her relationship with John the Savage (the emotional core of the story) are huge contributing factors to the success or failure of any adaptation. Wiener faces the challenge of depicting a society he describes as ‘hugely problematic’ without condoning it, which raises questions about how the problematic aspects of the novel could, or even should be, adapted.
Few novels with openly queer protagonists are as enduringly loved, or have achieved such acclaim, as Patricia Highsmith’s The Talented Mr Ripley.
Tom Ripley is a charming, Machiavellian antihero whose talents include ‘forging signatures… and impersonating practically anybody’, and whose unreciprocated worship of Dickie Greenleaf, the prodigal son of a New York shipping tycoon, leads him to kill Dickie and assume his identity. He is also asexual, yet not a single adaptation of Highsmith’s work has addressed this. With a new adaptation in the works, in the form of a Showtime drama directed by Steven Zaillan and starring Andrew Scott, it’s important to acknowledge and reflect on the ways in which this aspect of Ripley’s character has been erased.
by Beth Saward
Have you heard the news? America has solved sex trafficking. With the passage of SESTA/FOSTA, it will become a thing of the past, the internet will be safer and Freedom™ wins again. What’s that? You haven’t heard of this miraculous new law? Here’s how it works.Continue Reading
by Carmina Masoliver
cw: mentions of rape and addiction
For this second part on the Being a Man (BAM) Festival, I’ll be looking at the various panels that addressed men’s body image, different kinds of addiction, and the concept of masculinity – looking beyond gender as something binary, and taking sexuality into account.Continue Reading
by James Anthony
Content warning: article mentions homophobia, religion, Trump, and Farage.
Earlier this week, many of us watched on in horror as one of our potential Prime Ministers spouted his frankly archaic, illiberal views on Good Morning Britain. I thought to myself that alongside all the atheists, progressives and liberals of the UK, Jacob Rees-Mogg’s spin doctors and supporters must also be holding their head in their hands. His interview would have been seen by a large number of people and the further press coverage was extensive – surely this was the death blow to any leadership ambitions.
I suppose I have a lot of faith in our electorate and like to think that outing yourself as anti-choice, homophobic, and quite frankly medieval, on national television would ruin your political career.Continue Reading
by Carmina Masoliver
CW: discussion of domestic violence
An eight episode series, Las Chicas del Cable (The Cable Girls) begins with a woman killing her friend’s husband – part self-defence, part accident – also shooting her friend. It’s a drama full of love stories, as well as crime and mystery, yet domestic violence is a major theme that runs through the series. Set in 1928 in Madrid, it shows the impossibility of leaving an abusive relationship in a patriarchal society, where even the law protects men who are abusers.Continue Reading
by James Anthony
In my first year of university, I had the pleasure to live on Prince of Wales Road in Norwich, one of the most dangerous roads in Norfolk and one of England’s worst drinking areas in terms of late-night violence. While it might not have been for everyone, I honestly loved the feeling of being at the heart of the city’s nightlife and counted myself week in week out as one of the thousands of club-goers descending onto the strip. For me, nightclubs are a way to relive stress, relax and enjoy yourself alongside scores of friends and strangers, and represent a sort of coming together of people of all different backgrounds to lose yourself in the dance.Continue Reading
by Candice Nembhard
Whether it’s Janet Jackson in a purple latex suit, TLC in a spaceship or Aaliyah in the headlights of a motorbike, it is no secret that visual and artistic concepts among RnB artists were undoubtedly ahead of their time. The late nineties/early noughties saw many artists make use of developments in CGI/Camera Technology, fashion, specially-designed sets, and shooting locations. Directors such as Hype Williams and Dave Meyers, noted for their work with Missy Elliot, have gone onto make iconic if not classic visuals young music lovers still reference to this day.
by Tara Gulwell
I was nine years old when I first learnt what lesbian meant. It was a word thrown at me as a measurement of depravity to which I should never want to sink. Little sweetheart notes I was trying to send to another girl were found and I was not-so-kindly made aware that that wasn’t natural. Up until that point, I had assumed, like every child does, that my way of experiencing the world was like everyone else’s. Lesbian, that dirty word tossed about on my playground, brought me out of the naivety that blinded me from realising I was different from my peers, and overshadowed my childhood at my Anglican, Church of Wales, primary school.
by Alex Valente
A quick preface to the following, which also serves as a way to convince myself that I am … allowed to write about this, rather than the Bologna protests, or the political mess in Rome, or the current turmoil on the Italian left-of-centre party PD, or the upcoming women’s general strike. Those are things at the front of my mind – but I will take this week to find a little glimmer of beauty in a sea of constantly rising anger, instead.
Enter then, one of the two films I saw this year that made me think about language, and how we use it, and how it is used in the media. The other is Arrival, and so much has been written about it already, I decided to focus on Makoto Shinkai’s gorgeous animated film 君の名は (‘Kimi no na wa’), released in English as Your Name.Continue Reading
In the aftermath of the Women’s March — a worldwide protest in resistance to Donald Trump on Saturday January 21st 2017 that saw an estimated 4.6million people take to the streets in the US alone — The Norwich Radical’s Tara Debra G and Cadi Cliff put a call out. This article is the product of that call out, which asked for thoughts from those who identified as women and who attended one of the many Women’s Marches on why they marched. These are just some voices, but they speak from across the UK and the US in an act of collaboration, solidarity, and resistance. Continue Reading
by The Norwich Radical
2016 was a bleak year for many. Across the world, the forces of liberty, of social progress, and of environmental justice lost time and again in the face of rising fascism, increased alienation, and intensifying conflict. That notwithstanding, there have been moments of light. In the Austrian Presidential election, the electorate confirmed the independently Green candidate Alexander van der Bellen; the #noDAPL water protectors gained a soft victory in early December; in fact, there is a full list of positives from the past year, if you want cheering up.
2016 saw our team expand to more than 25 writers, editors, and artists as well as host our first ever progressive media conference, War of Words. Our readership has grown from 5,000 per month to more than 6,500 per month. In total, nearly 80,000 people have read content on The Norwich Radical website this year.
In 2017, The Norwich Radical will turn three years old, with plans to grow our team and publication more than ever before. We’ll also be returning to Norwich to bring debate and discussion on the future of the media, with War of Words back for a second year. Continue Reading
by Jess Howard
Earlier this month, Warner Bros and DC released their latest superhero film Suicide Squad, sending mixed reactions across the internet as viewers commented on the film’s plot line and the sexualisation of squad member Harley Quinn. Audience and critics’ opinions aside, what is explicitly noticeable within the film is the lack of LGBTQ+ characters, such as DC character Batwoman, for example – if Batman can make a cameo, why not her? In a world with superheroes, Killer Crocs, and witches, why are production companies still refusing to feature LGBTQ+ characters in their films?Continue Reading
by Emmanuel Agu
Content warning: mass shooting, homophobia, mental health
In the wake of the Pulse nightclub shooting, myself members of queer societies and wider society are yet again pulled into self-reflection in this time of despair. The tragedy stands as a solid reminder that those who live queer lives are aberrant; there are those who can never accept us — our death is the only thing that can appease them. A solid reminder that when these atrocities strike our communities — those who are struck hardest will be the queer people of colour, our trans siblings and disabled siblings. It was a solid reminder of the extent of homophobia within our society leads to; whilst simultaneously exposing the exclusion of faith within our spaces of activism and self-organization. It is entirely uplifting to see people from across the world and many facets of society declare their solidarity following #weareorlando trend; I am filled with pride and affirmation that the life style myself and my kinfolk live are valid, we deserve recognition, we deserve to be able to celebrate our cultures — to simply exist, without fear of decimation and harm.
I do not mean to detract from these displays of solidarity, but it is necessary to also ask one another to what extent are we responsible for the development of Omar Mateen?Continue Reading
by Joshua Ekin
Content warning: mentions suicide, homophobia, Islamophobia, xenophobia, mass shooting, murder
A massacre in an LGBT+ space, by a Muslim, with a legal gun, and alleged connections to Daesh. It’s easy to see how contemporary American anxieties converge in the political aftermath of the Orlando shooting. The media response to this — the largest massacre in modern American history — exposes how truth is controlled by the present political regime.
For those who do not spend their days fretting about radical social discourse, homophobia can be difficult to define. Before Obama legalised same-sex marriage federally, it dominated the media conversation, establishing rights as the fulcrum of group empowerment. While the LGBT+ movement focused on this, statistics revealed that LGBT+ kids across the world were entering sex-work and committing suicide at an alarming rate. If such statistics were ever mentioned, it was to bolster marriage as the unequivocal endowment being denied to the LGBT+ community. The institution Australian Marriage Equality claims that the ‘higher rates of drug and alcohol abuse, homelessness, early school leaving, conflict with peers and parents and suicide ideation [are] all directly related to the discrimination.’ Marx might have called this ‘bridal false-consciousness.’Continue Reading
by Carmina Masoliver
I have a strange memory of Christina Aguilera performing Genie in a Bottle on Top of the Pops and my dad asking if I liked her songs. Strange, because it’s so unremarkable to be kept inside my head. At this stage I her career, she had made her big break, and soon enough I was listening to her album, with hits such as What a Girls Wants and Come On Over (All I Want Is You). Yet, it was three years later, when she released what I will always think of as her best album: Stripped.
I was having a hard time at school, and listening to this album was the very definition of empowering. I had been pushed out of a friendship group during a time where looking back, I honestly believe I was depressed, and this escalated to the extent where I felt I was a target for lots of different groups at school. I did make some new friends, and remember connecting with one of them through a shared love of this album. This was before we had learnt to talk about why it is that Beautiful holds so much resonance with us, but fourteen years later and we are still friends, now sharing a love of bell hooks.Continue Reading
by Paige Selby-Green
It’s not just the Netflix account that has parental controls. Life itself comes riddled with rules about what’s appropriate for children. Considering how important childhood is to the person they will grow up to be, it’s understandable that we want to shield them from any negative influences. It’s unfortunate then that this well-meaning idea of childhood censorship also includes queerness as being among topics that are ‘too adult’ for children to know about. This censorship of queerness hurts more than it helps, leading to lots of confused teens and twenty-somethings who are still figuring out their identities thanks to childhoods where the only kind of relationships they were exposed to were heterosexual ones.
by Jess Howard
This week Tracey Emin – creator of the infamous My Bed piece – announced that she had married a rock. The press, understandably, reacted vehemently, with many rolling their eyes at Emin’s well-known performance artist ways, or mocking her for doing something so seemingly comical. What the press have failed to discuss is what Emin’s recent marriage, and the backlash she has received, has done for people who identify as objectum sexual.Continue Reading
by Jess Howard
Content warning: the article mentions menstruation and physical discomfort.
In 2013, performance artist Casey Jenkins from Melbourne, Australia, caused a storm on the internet by knitting for 28 days in a gallery space using wool she had inserted into her vagina. The piece was titled Casting Off My Womb, but was christened Vaginal Knitting by the press. Almost 3 years later, Jenkins is knitting from her vagina once more, producing a commentary on the abuse she received when her original piece went viral.Continue Reading
by Beth Saward
Bringing in a staggering $132.7million, Deadpool had the biggest opening weekend for an R-rated movie, beating The Matrix Reloaded’s previous 2003 record. It’s safe to say that the Merc with a Mouth has been a success. Tim Miller’s direction combined with Rhett Reese and Paul Wernick’s screenplay manage to stay true to the comic’s sense of humour.
Those fans who were worried about how Deadpool’s infamous fourth-wall smashing would translate to the screen weren’t disappointed (even if a beautiful opportunity was missed during Stan Lee’s obligatory cameo). Reynolds, who’s said in interviews that he’s waited 11 years to make Deadpool, plays Wade Wilson with an infectious glee that you can’t help but enjoy. Despite all of this, the film leaves a somewhat unpleasant aftertaste.Continue Reading
by Faizal Nor Izham
We keep reading news reports on the Islamic State, immigration from Syria and all-round growing Islamophobia that we often forget that there are other real, everyday problems affecting Muslim countries that are very easy to overlook. The increasing trend in focusing on much broader, impersonal issues by the international media has a tendency to de-humanise Muslims altogether, making it easy to forget that they too face ordinary problems, which often have nothing to do with the abovementioned huge issues.
In an increasingly globalised world, it is inevitable to encounter people from families who have settled in host nations with customs and norms that are different from their own. Coping with this culture clash and confusion of identities is therefore an increasingly common complaint, albeit one that is not always raised publicly. For example, Arabs who have been raised in the West not only have to endure daily Islamophobia (whether they are actually Muslims or not — other religions in the Middle East also include Christianity, Judaism, Baha’i, Druze, Yazidism and Zoroastrianism), they also have to deal with the inevitable clash of East meets West.Continue Reading
by Chris Jarvis
In one form or another, I have been ‘out’ for about eight or nine years. Obviously the concept of being ‘out’ is far more nuanced than a simple one stage event, act or process. The reality is of course much, much more complicated. Each time you meet a new person, each time you move to a new town, each time you start a new job that process has to start again, from the beginning.
Coming out is never an enjoyable experience for me, no matter how many times I have to do it. Throughout my life, there have been few things that have terrified me more than coming out to new people. I am not yet actively or consciously come out to my parents, despite now being 23. So much of the time it seems much easier to sit in silence and not rock the boat rather being upfront with the truth, even if that truth forms an important, albeit not defining, part of my identity. Why would I choose to risk potential isolation and victimisation when things could sit so much more comfortably in ignorance?Continue Reading
by Carmina Masoliver
Hannah Silva’s work can be difficult to penetrate; there is not necessarily a fixed meaning, and in the notes given prior to ‘Schlock!‘ she quotes Kathy Acker by saying to ‘get rid of meaning. Your mind is a nightmare that has been eating you. Now eat your mind.’ This in itself requires interpretation: we place so much emphasis on meaning in our lives, this can destroy our minds, and so perhaps the best way to remove the self-doubt that I’m going to be “wrong” in my view of the work is to eat my mind, take control of the way the dots connect, and the ways they don’t.Continue Reading
by Alex Valente
In the beginning, there were giant evil gods. Then we arrived, and started telling stories of things that go bump in the dark, of what lies between the cracks, of what lurks under the bed. Fears began to take shapes, looking more like tales of caution and of danger. They took the shape of bogeymen and chainsaw wielding killers, nightmare creatures and monsters from the deep. Afraid of sexuality? Vampires, werefolk and secluded cabins will tell you not to. Alcohol and drugs also covered. Religious terrors? We have possessions, exorcists, ghosts and devils aplenty. Coulrophobia, arachnophobia, nyctophobia? Here’s a clown-looking spider that waits for you at night.
Whatever new things we discover scare us, we create a monster for them. We try to impose order, and keep it under control. We give it a recognisable, if unsettling and still scary, frame. Then, at some point, we pushed too far.Continue Reading
by Blythe Aimson
According to The Tab’s William Lloyd, I am not Cara Delevingne. Damn. I wish someone had told me sooner. No wonder DKNY aren’t returning my calls.
In all seriousness, The Tab recently published Lloyd’s article ‘Saying you’re bisexual is no substitute for being interesting’ (original article found here via donotlink). The central points of his argument are as follows: most people who identify as bisexual are lying; you must have slept with someone of the opposite sex to be ‘legitimately’ bisexual; bisexuality is a largely modern phenomenon caused by the desire to be dramatic and interesting on social media.
The first error in Lloyd’s pretty abysmal article is the assertion ‘So this is it: the gay-straight binary is collapsing’, as though gay and straight are the only two sexualities to have ever existed before social media told us otherwise. It’s true that the media has recently fixated on bisexuality as hip subversive trend, as more celebrities open up on the subject, such as his example Cara Delevingne, but this certainly doesn’t mean that bisexuality never existed before Miley Cyrus said so.Continue Reading
by Carmina Masoliver
I didn’t know what to expect from The Institute of Sexology, exhibited at the Wellcome Collection, but it was probably not the mass of phallic and explicit penis-shaped trinkets, supposedly associated with power. What would have been nice is the inclusion of similar vagina-inspired adornments. Nevertheless, it was bound to be that an exhibition about sex would highlight patriarchal power and women’s submissive role throughout history.
by Jack Brindelli
It is Valentine’s week – apparently that’s a thing now – a time of saccharine sweetness, hollow gestures, and empty consumerism in place of romance. In-keeping with the seasonal spirit, then, I want to talk to you today about hearts that long ceased to beat; about a festering horde of blank-faced ghouls, hungering to sink their teeth into human flesh. No, not the populace of shag-app Tinder. Today I am talking about actual zombies.
The undead have always possessed a special place in my own heart – sating more than a simple blood-lust in my own cinematic tastes. Zombies often shamble above and beyond the call of duty, creeping and clawing their way into socio-political territory rarely visited by the supernatural silver-screen. They often act as crude agents of social commentary – and sometimes even of justice. The reanimated corpses who so often fill our post-apocalyptic screens aren’t really a thing to be ‘feared’ by us as such; they are a cultural representation of us. Zombies are the fictional embodiment of the dominant section of society’s fear of a mobilisation of the filthy, impoverished masses.
As Robert Kirkman’s famous comic series (and subsequent televisual smash hit) so often reiterates, “We are the walking dead.”Continue Reading
by Hannah Jerming-Havill.
First inspired by Allen Ginsberg’s Kral Majales.
Originally posted on leonpoetry.
And I am the Sun of Youth round and fat
I am the Sun of Youth lean and boned
boy-shaped man suspended in mourning
and I am the Sun of Youth exploding clouded skies
skimming ozoned minds with UV-waves
sweeping radio faces shock-wave burnt
bored and dry
I am the Sun of Youth bursting balloon
stretched with canister thirst
bursting papered borders dividing
families dividing tolerance collecting
heavy guilted green infected
fat green capitalist dam burst
burst like young bodies ferociously fucking
and comingContinue Reading