August saw the five-year anniversary of Lauren Kaye’s ‘I’m All In’, a poetry collection described as a ‘seductive collection of romantic and sensual poems that speak on the inevitable episodes of love, sex and relationships’. The occasion was marked on social media – at a time where artists are forced to be more resourceful than ever when the stage is taken away. As Kaye outlines in the introduction, her poetry ‘is written much how I speak’, and it is best to have seen her live or see live videos so you can then hear her voice as you read coming through the pages.
By Lewis Martin
Once again, an array of academics have signed a letter complaining about the increased efforts by universities to recognise and support Trans* and Non-Binary students on their campuses. Their reasons for doing so aren’t worth exploring, as they are based on the same logic, or lack thereof, as many transphobes about the realities of gender, sex and identity. The problem we should focus on is that the academics who have signed this letter, and the ones before it, hide behind the claim of ‘Academic Freedom’ in order to try and justify their views.
Female sexual dysfunction is a topic rarely spoken about, and according to Fran Bushe’s show Ad Libido, it’s also something that is light years away in terms of medical research when compared with male sexual dysfunction. Hello patriarchy! This show presents us with projected images of what “solutions” she has come across to dealing with pain during sex, all of which are both hilarious and hideous at once. It is clear that this is not the same for male sexual issues, where there are actual solutions which are often available to buy over the counter.
Vault Festival, consisting of eight weeks of London-based arts and entertainment shows, had opened again last week and this year I’ve decided to go all out. I’ve got a spreadsheet of the seventeen shows I’ve narrowed it down to seeing after scouring the programme, and a membership card to get discounts on the food and drink I’ll undoubtedly be consuming throughout the next few months. So far, I have seen two shows and tried the ‘Spanish’ dish from the EU-inspired menu – deliciously sweet yet spicy chorizo. I’d recommend both the food and the shows: Isa Bonachera’s The Great Emptiness; a one-woman comedy about her love of space, and Snapper Theatre’s Thomas; a play centered around two cousins and ideas of masculinity and neurodivergence. As the festival kicks off, I’m going to focus here on five of my top feminist picks that I’m looking forward to seeing.
by Stu Lucy
Professional sport is possibly one of the most challenging and competitive ways to earn a living these days. With national fame and glory as rewards, many dream of representing their country on the international stage and bringing home a medal, earning their place in their country’s sporting history. Imagine then that you were one of the lucky few that made it to the top, that had that chance to take gold and did so, multiple times, earning a revered reputation in the field as the one to beat, then imagine you were told it could all be taken away because you were too much like the opposite sex. Where would you start?!
by Beth Saward
Have you heard the news? America has solved sex trafficking. With the passage of SESTA/FOSTA, it will become a thing of the past, the internet will be safer and Freedom™ wins again. What’s that? You haven’t heard of this miraculous new law? Here’s how it works.
cw: sexual assault, PTSD
There’s something weirdly intimate about being curled up in a corner of a bed, completely naked and sobbing uncontrollably, unable to catch your breath and being very conscious of the wet space between your legs where a warm body was just seconds ago. The face belonging to this body is now centimetres away from my face, asking too many questions, and panicking more than I am.
by Laura Potts
Salò Press is a Norwich-based independent publisher of poetry, prose and experimental writing. The surreal nature of much of the work by the imprint allows a new ground for experimental writing, and the eventual outcomes that follow. Their most recent book – MILK: an anthology of eroticism – has just been published and I have the pleasure of reviewing the work.
The first thing evident within MILK is the importance of independent publishing as an arena to allow a multitude of voices, as there is a very broad range of writers with varied backgrounds and circumstances included. It shows a much wider cross section of society, and the creative work embodies that greatly: we find a freedom to pen emotions so strong that you wouldn’t initially think literary testimony could do them justice. Writers such as Jessica Rhodes, Rosie Quattromini, and Jane Jacobs have done just that.
cw: mentions violence
Genesis Cinema, in London’s Whitechapel, is an independent cinema on the site of a pub-turned-music hall that first opened in 1848, and which housed a number of theatres before turning to the silver screen. As part of its Fringe! Queer Film & Arts Fest, it screened German film The Misandrists by Bruce LaBruce. Complemented by a moderated discussion about the film, it raised a range of questions on the importance of author intent, the role of sex and violence in film, and the issue of when satire becomes mockery.
by Alex Powell
CW: mentions homophobia and homophobic abuse
Last week marked 50 years since the Sexual Offences Act 1967 entered into law, in the first step towards the decriminalisation of homosexuality. There’s been a great deal of coverage of this milestone in British media, including some brilliant, informative TV programming (I highly recommend the BBC’s drama ‘Against the Law’). But it is Owen Jones’s recent Guardian column ‘Hatred of LGBTQ people still infects society. It’s no time to celebrate’ that seems to have been most prominent. Jones’ arguments are certainly justified, but commentary like his risks misrepresenting the situation that now faces LGBT+ people in this country. It’s not all bad.