By Lewis Martin
Once again, an array of academics have signed a letter complaining about the increased efforts by universities to recognise and support Trans* and Non-Binary students on their campuses. Their reasons for doing so aren’t worth exploring, as they are based on the same logic, or lack thereof, as many transphobes about the realities of gender, sex and identity. The problem we should focus on is that the academics who have signed this letter, and the ones before it, hide behind the claim of ‘Academic Freedom’ in order to try and justify their views.Continue Reading
by Carmina Masoliver
Female sexual dysfunction is a topic rarely spoken about, and according to Fran Bushe’s show Ad Libido, it’s also something that is light years away in terms of medical research when compared with male sexual dysfunction. Hello patriarchy! This show presents us with projected images of what “solutions” she has come across to dealing with pain during sex, all of which are both hilarious and hideous at once. It is clear that this is not the same for male sexual issues, where there are actual solutions which are often available to buy over the counter.
by Carmina Masoliver
Vault Festival, consisting of eight weeks of London-based arts and entertainment shows, had opened again last week and this year I’ve decided to go all out. I’ve got a spreadsheet of the seventeen shows I’ve narrowed it down to seeing after scouring the programme, and a membership card to get discounts on the food and drink I’ll undoubtedly be consuming throughout the next few months. So far, I have seen two shows and tried the ‘Spanish’ dish from the EU-inspired menu – deliciously sweet yet spicy chorizo. I’d recommend both the food and the shows: Isa Bonachera’s The Great Emptiness; a one-woman comedy about her love of space, and Snapper Theatre’s Thomas; a play centered around two cousins and ideas of masculinity and neurodivergence. As the festival kicks off, I’m going to focus here on five of my top feminist picks that I’m looking forward to seeing.
by Stu Lucy
Professional sport is possibly one of the most challenging and competitive ways to earn a living these days. With national fame and glory as rewards, many dream of representing their country on the international stage and bringing home a medal, earning their place in their country’s sporting history. Imagine then that you were one of the lucky few that made it to the top, that had that chance to take gold and did so, multiple times, earning a revered reputation in the field as the one to beat, then imagine you were told it could all be taken away because you were too much like the opposite sex. Where would you start?!Continue Reading
by Beth Saward
Have you heard the news? America has solved sex trafficking. With the passage of SESTA/FOSTA, it will become a thing of the past, the internet will be safer and Freedom™ wins again. What’s that? You haven’t heard of this miraculous new law? Here’s how it works.Continue Reading
cw: sexual assault, PTSD
There’s something weirdly intimate about being curled up in a corner of a bed, completely naked and sobbing uncontrollably, unable to catch your breath and being very conscious of the wet space between your legs where a warm body was just seconds ago. The face belonging to this body is now centimetres away from my face, asking too many questions, and panicking more than I am.Continue Reading
by Laura Potts
Salò Press is a Norwich-based independent publisher of poetry, prose and experimental writing. The surreal nature of much of the work by the imprint allows a new ground for experimental writing, and the eventual outcomes that follow. Their most recent book – MILK: an anthology of eroticism – has just been published and I have the pleasure of reviewing the work.
The first thing evident within MILK is the importance of independent publishing as an arena to allow a multitude of voices, as there is a very broad range of writers with varied backgrounds and circumstances included. It shows a much wider cross section of society, and the creative work embodies that greatly: we find a freedom to pen emotions so strong that you wouldn’t initially think literary testimony could do them justice. Writers such as Jessica Rhodes, Rosie Quattromini, and Jane Jacobs have done just that.Continue Reading