by Candice Nembhard
To this day, I am unable to pinpoint what exactly about sport coverage brings out numerous forms of oppression and respectability politics. It should come as no surprise that something as global and consistent as the Olympics should regularly undermine or overstate the achievements of many hard-working sportsman – thus propagating outdated and sexist narratives within competitive sport.
by Mike Vinti
This week, racial tensions in America have been reignited by the fatal shootings of Alton Sterling, Philando Castle and five members of the Dallas police. The response from the the majority of people of all races has been one of shock and sadness, with many black musicians and artists using their platforms to voice their solidarity with the victims and their support for the BlackLivesMatter movement.
Beyoncé and husband Jay-Z both released statements following the attacks, with Jay-Z even releasing his first new song – Spiritual – in years to support the BLM movement. UK rappers Stormzy and Novelist, two increasingly political artists in their own right, have spoken out, highlighting the issue of police violence in the UK as well as the US. RnB icon Miguel has recorded a song listing the names of black Americans killed by police with plans to update it every week. These are just some of the interventions made by high profile musicians in the last week. Continue Reading
by Emmanuel Agu
Lemonade, Beyoncé’s latest album, is aptly named. In the political climate we live in with constant reminders of the atrocities that black people face, and a music industry that seems to be losing its greatest and brightest this year, nothing could have been more refreshing than this album for popular culture and especially for black women. This is undoubtedly the strongest piece of work Beyoncé has ever produced; musically, visually, and politically. With features and samples from a wide variety of artists including James Blake, Jack White, Diplo and for a second time another sample from Outkast’s’ ‘Spottieottiedopaliciousness’ (which I will never complain about), Knowles-Carter goes from strength to strength and I am truly left to question if it is ever possible for her to release an album less brilliant than its predecessor.
by Emmanuel Agu
Let’s face it, the history we are exposed to in this state is white-oriented, Eurocentric and frequently glamourizes the power and history of Britain’s Imperialism. School curriculum’s explain theorems, recount stories and literature of white heroes, white professors and white creatives. Our history museums and art establishments are filled to the brim of treasures looted from Africa and Asia that continue to remain in our state for claims of ‘greater accessibility’ for the rest of the world– Infact even within the castle of our Monarch sits the remains of buried princes forcibly taken from their homes. In the supremacist society we live in- white history is celebrated and panegyrized daily, don’t be so ignorant as to ask for your time of remembrance when society does not exclude you.
Black history month exists in defiance of the structures that chose to exclude those that supremacy excludes- but one must, ask what does it mean to be black?