by Jonathan Lee
Ten Things Every Successful Social Justice Blogger Does.
Exasperated Writer Was About to Give Up, What Happens Next Will Have You In Tears!
The Five Worst Millennial Clickbait Headlines That You Just Won’t Believe.
Horrific isn’t it.
I was recently asked what my biggest pet peeve is about the way people talk about my generation. Perhaps the phrase pet peeve is one of my pet peeves. Maybe the fact that even the words – pet peeve – make me cringe, may say something about me and my reluctant membership of Generation Y.Continue Reading
by Alice Thomson
Life is hard. For everyone. We’re all trying to find some meaning to our lives, trying to figure out where we belong and what our purpose is. Amongst that, we see what is going on the world, either connected to us or globally. Our environment can be tough to digest.
My last article was about the cuts the government is in the process of implementing to benefits for disabled people. I spent a lot of time researching the article and it really brought me down. I already knew it was a problem and needed to be spoken about, bknowledge,ut to learn the extent of the issue and read personal experiences, made me feel hopeless. The news can easily do that. Making it difficult, not only to take control and make positive changes to our environment, but to make those changes for ourselves. It’s a trick that’s as old as the book. Since the time people were able to establish a hierarchy, those on top kept everyone else in the dark to keep them in their place. Knowledge is power. Muddy the water of knowledge, and we disengage and disenfranchise the masses.Continue Reading
by Carmina Masoliver
cw: mentions violence
Genesis Cinema, in London’s Whitechapel, is an independent cinema on the site of a pub-turned-music hall that first opened in 1848, and which housed a number of theatres before turning to the silver screen. As part of its Fringe! Queer Film & Arts Fest, it screened German film The Misandrists by Bruce LaBruce. Complemented by a moderated discussion about the film, it raised a range of questions on the importance of author intent, the role of sex and violence in film, and the issue of when satire becomes mockery.
by Richard Worth
Sean Spicer made an appearance at the Emmys on Sunday evening and an institution I hold incredibly dear to my heart almost destroyed itself. It was unexpected and extremely upsetting, but with time I think things could be alright. I am not referring to the Emmys of course, but to the tradition of satire.
Since the dawn of the Trump Era (a TARDIS-like section of time that hopefully, history will see as quite brief but which feels eternal to those in it), satire has arguably become more important than ever before. I’ve written about it a number of times for The Norwich Radical and I genuinely believe that mockery of the maniacal and mighty serves as a psychological sword and shield, at once cutting into the ego of demagogues and simultaneously protecting us from being pummelled into submission by their beliefs.
These past few years, as the Right, the Centre and, though it pains me to admit it, the Left have started to construct their own realities, satire has become more confusing as writers around the globe have all but given up trying to match the farcical nature of the world, but we still fought on under the banner of “this is not normal”.
by Sara Harrington
CW: graphic imagery, menstruation
Wads of tissue swaddle the gushed gusset of my soon to be late underwear. DIY panty-lining for a DIY punk show. Tissue becomes currency as it is discovered that none of the loos in the entire venue have any – my stash acquired from the Wetherspoons further down the road. No cubicle provides the menstrual cup removing privacy of an old fashioned door. Instead, makeshift curtains swathe the space between yourself and a sorry stranger as the feat of dealing with your period in a space that assumes you do not have one trickles down your hand in all its bloody glory.
Do not have your period at a punk gig.
by Richard Worth
If you have read my work here at The Norwich Radical and elsewhere (shameless self-promotion, I know) it should be apparent that I enjoy satire. And as reality subtly blends in a dystopian crap-scape, one of the very few plus sides is that the satire game is booming. In addition to the plethora of late night hosts to match personal preference (Colbert does it for me) keeping us informed and helping us to laugh instead of cry, the humble illustration has been holding a mirror up to the corrupt, the cruel, and the incompetent and making them look ridiculous, and they know it.Continue Reading
by James Anthony
Content warning: article mentions suicide, and features a carnival float depicting suicide
To mark the arrival of BBC’s Question Time in Norwich on Thursday, a rather controversial float turned up in our city. Created for a festival in Dusseldorf, an impressively sized and eerily lifelike representation of the Prime Minister with a ‘Brexit’ gun in her mouth, was rolled around nearby streets to attract attention and to supposedly draw support for the pro-EU cause.
While I can appreciate the enthusiasm behind the protest, I can’t help but think it’s the wrong way to go about building a campaign focused on ensuring a future close to Europe.Continue Reading