RAVENOUS – A BRIEF HISTORY OF CANNIBAL CAPITALISM

by Jack Brindelli

Released a year before the turn of the Millennium – a year which drew its primary significance as a milestone from being an anniversary of Jesus’ birth – Antonia Bird’s Ravenous took us on a darkly comic journey into that most sinister yet persistent aspect of the human condition; cannibalism. What is to be noted though, is that the film clearly foregrounds the fact cannibalism is not just a literal act, committed by black-eyed psychopaths in the American wilderness, it is the metaphorical process of manifest destiny, of the consumption of lands and human energy for profit that would underwrite the world that birthed our own 21st century world.Continue Reading

CORONAVIRUS AND THE POLITICS OF THE DEAD

by Jack Brindelli

Until recently, it turns out people all had rather twee conceptions of what they would do in the zombie apocalypse. Over the catastrophic few weeks it has taken for the coronavirus outbreak to become a seemingly uncontainable pandemic, the idea that everyone would easily assemble rag-tag bands of self-sufficient survivors, each with a set of key skills to contribute to staving off the undead horde – or even that they could coolly stroll to The Winchester and wait for this all to all blow over while sitting in the dark, cramming monkey-nuts into their faces – has somewhat been blown out of the water.

It turns out while the Keep-Calm-and-Carry-On-Blitz-Spirit-I’m-Alright-Jack-Brexit-Means-Brexit brigade who until recently seemed to have the nation in a never-ending strangle-hold might have slightly overestimated themselves. Instead, the ‘hardened survivors’ in the dog-eat-dog rat-race of neo-liberal Britain have largely prepared for the end times by hording enough TP to last six life-times of shit, and hanging timidly on every word of advice from a serial-fibber hermetically sealed in 10 Downing Street who seems to want their grandparents to die.

With regards to that though, as a horror enthusiast, I feel one of the few positives to come out of the UK’s rapid disintegration into an island-death-cult is that it surely ends the facile debate around whether zombies need to be fast to be scary. For years, casual fans of the horror genre would casually bleat that slow-moving zombies would be far too easy to contain. Not only could the all-powerful state machinery of the police and army quite simply outflank the shambling masses, the theory was that civil society – and its mass-dissemination of information through ever faster means in the late 20th and early 21st century –would mean the masses would all be more than ready and able to do their part in stopping a pandemic. What the last few weeks of utter disarray prove beyond doubt is that that was wilful ignorance.

one of the few positives to come out of the UK’s rapid disintegration into an island-death-cult is that it surely ends the facile debate around whether zombies need to be fast to be scary

The incumbent Government has spent a decade dismantling the very healthcare infrastructure it turns out Britain needs to weather a pandemic, while its sustained campaign of austerity has weakened the economy to the point a gust of wind could send the whole house of cards tumbling down. Realising his previously unassailable majority in the House of Commons is unlikely to survive the death of hundreds of thousands of his voters, as well as a recession of his making, Boris Johnson has engaged in a dogged exercise of covering his own arse via a campaign of disinformation, while consolidating his position by investing himself with emergency powers before shit hits the fan.

In the fallout of this, while ‘Keep Calm and Carry On’ panic buyers strip the shelves of essentials they have more than enough of, and London’s commute is still crammed with gig-economy slaves too poor to self-isolate, under-resourced hospitals are having to kit nurses with improvised masks and re-used gloves. Not disconnectedly, the number of Covid-19 cases is still booming, and the body-count mounting.

https://www.youtube.com/watch?v=c7ynwAgQlDQ

Sitting back and watching the chaos ensue, it is now thoroughly clear that the Rage virus of Danny Boyle’s 28 Days Later did not sweep the nation simply because the infected could  run, jump or vomit blood, but because it actually took place in an alternative timeline, where there was a Tory Government in 2002.

In deleted scenes, fictitious Prime Minister Joris Bohnson no doubt blundered his way through manic press-conferences, suggesting that “for all we know there could be 100,000 cases of Rage already, so really is there any point in trying to fight it?” Later he may even have suggested it was better to “just let it move through the population” in order to achieve the fabled herd immunity – before concluding in the meantime, the best thing we could do is go to crowded public places and stimulate the economy by purchasing blunt objects with which to defend ourselves from the growing horde of the undead.

The desperation to maintain the status-quo that had enriched the rich and influential meant they would obscure the bigger picture from the population

Indeed, on a global level, the level of wilful ignorance, gross negligence and criminal incompetence exhibited by the majority of the world’s governments (based in the Netherlands, I can tell you Mark Rutte’s management of this crisis has been every bit as bad as Boris’) – paired with the odious disregard for human life exhibited by businesses bent on ‘keeping the beaches open’ at all costs – show exactly how prescient filmmakers like George A. Romero were. In those films, the determination of the state and the private sector to maintain their wealth and power were truly the most horrific element of the story.

The desperation to maintain the status-quo that had enriched the rich and influential meant they would obscure the bigger picture from the population (the chaotic double-speak in Dawn of the Dead’s media coverage is scarily similar to that of the Covid-19 outbreak) for fear of prompting calls for governments and bosses to be held accountable for the mounting crisis, or to support the vulnerable people who would be the first victims. On top of this, it often meant they would brutally seek to put down the masses’ attempts to improve the situation, or to reclaim any power ceded to them during the collapse of society (as seen in Land of the Dead).

Running or walking then, the zombie genre stands as a stark warning to us, especially in times like these. When a crisis suddenly illustrates all the weak-points in a socio-economic system we are trained from birth to believe is not only superior, but natural, we must be ready to learn on our feet – and fight to upend the economic and governmental norms which are guaranteed to fail us in a time of crisis. Our very survival is on the line.

Since this was written, Covid-19 has been stricken by having to share a body with Boris Johnson. Our thoughts and prayers are with the virus at this trying time.

(originally published on IndyFilmLibrary, republished with permission)

 

Indy Film Library

Until recently, it turns out people all had rather twee conceptions of what they would do in the zombie apocalypse. Over the catastrophic few weeks it has taken for the coronavirus outbreak to become a seemingly uncontainable pandemic, the idea that everyone would easily assemble rag-tag bands of self-sufficient survivors, each with a set of key skills to contribute to staving off the undead horde – or even that they could coolly stroll to The Winchester and wait for this all to all blow over while sitting in the dark, cramming monkey-nuts into their faces – has somewhat been blown out of the water.

It turns out while the Keep-Calm-and-Carry-On-Blitz-Spirit-I’m-Alright-Jack-Brexit-Means-Brexit brigade who until recently seemed to have the nation in a never-ending strangle-hold might have slightly overestimated themselves. Instead, the ‘hardened survivors’ in the dog-eat-dog rat-race of neo-liberal Britain have largely prepared for the end times by hording enough TP…

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THE RIGHT TO RIDICULE: SATIRE AS PROTEST

By Jess O’Dwyer

“There is a political power in laughing at these people.”

So say Led By Donkeys, a “Brexit accountability project” created by four friends who wanted to “[channel] frustration into action and [hold] politicians to account with a bit of humour.” The group go around the country putting up billboards with quotes or Tweets from pro-Brexit politicians, as well as projecting or broadcasting previous interviews on Brexit. This is to show a side-by-side comparison of their changes in stance, highlighting contradiction and hypocrisy.

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EXTRACTING THE HITLER URINE

by Zoe Harding

Article contains strong language.

I went to a counter-protest last week.

Chances are you did too, if you’re reading this. The protest, by a group called Unity UK, was opposite the Norwich town hall and was probably against immigrants, although most of the people there seemed to think it was in favour of Brexit and one chap wanted to Drain The Swamp (an odd choice of slogan in a county that would be little more than Thetford and a lot of dry mud if we drained it, but I digress.) The counter-protest, on the other hand, was a who’s who of Norwich’s local lefties, turning up with drums, flags, megaphones and a generally good-natured if slightly intense demeanor, to stand opposite them and drown them out.Continue Reading

FOOL BRITANNIA: LET’S ALL HAVE A DISCO

By Jonathan Lee
Content warning: minor instances of crude language and a mention of blackface (all used for satirical effect)

Oyez! Oyez! It has been announced by our most beneficent leader, Theresa Mary May, that on this two hundred and twenty second year of our Lord, a fayre of Britannic proportions shall be held, on every pleasant village green and suburban cul-de-sac, throughout this land of the South East of England.

The Tories have pulled another joker from the pack, this time with months to go until B-Day, and announced with much bravado a post-Brexit ‘Festival of Britain’. Or to everyone north of Grantham and west of Bristol: Festival of the Home Counties. The glorified Sunday fête will aim to replicate the Labour Party’s event of 1951, which celebrated the successes of the post-war consensus, growing internationalism, and an era of rebuilding and growth through social democracy.Continue Reading

THE MYTH OF THE MILLENNIAL

by Jonathan Lee

Ten Things Every Successful Social Justice Blogger Does.
Exasperated Writer Was About to Give Up, What Happens Next Will Have You In Tears!
The Five Worst Millennial Clickbait Headlines That You Just Won’t Believe.

Horrific isn’t it.

I was recently asked what my biggest pet peeve is about the way people talk about my generation. Perhaps the phrase pet peeve is one of my pet peeves. Maybe the fact that even the words – pet peeve – make me cringe, may say something about me and my reluctant membership of Generation Y.Continue Reading

YOU’RE HAVING A LAUGH

by Alice Thomson

Life is hard. For everyone. We’re all trying to find some meaning to our lives, trying to figure out where we belong and what our purpose is. Amongst that, we see what is going on the world, either connected to us or globally. Our environment can be tough to digest.

My last article was about the cuts the government is in the process of implementing to benefits for disabled people. I spent a lot of time researching the article and it really brought me down. I already knew it was a problem and needed to be spoken about, bknowledge,ut to learn the extent of the issue and read personal experiences, made me feel hopeless. The news can easily do that. Making it difficult, not only to take control and make positive changes to our environment, but to make those changes for ourselves. It’s a trick that’s as old as the book. Since the time people were able to establish a hierarchy, those on top kept everyone else in the dark to keep them in their place. Knowledge is power. Muddy the water of knowledge, and we disengage and disenfranchise the masses.Continue Reading

REVIEW: THE MISANDRISTS BY BRUCE LABRUCE

by Carmina Masoliver

cw: mentions violence

Genesis Cinema, in London’s Whitechapel, is an independent cinema on the site of a pub-turned-music hall that first opened in 1848, and which housed a number of theatres before turning to the silver screen. As part of its Fringe! Queer Film & Arts Fest, it screened German film The Misandrists by Bruce LaBruce. Complemented by a moderated discussion about the film, it raised a range of questions on the importance of author intent, the role of sex and violence in film, and the issue of when satire becomes mockery.

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SATIRICAL SABOTAGE

by Richard Worth

Sean Spicer made an appearance at the Emmys on Sunday evening and an institution I hold incredibly dear to my heart almost destroyed itself. It was unexpected and extremely upsetting, but with time I think things could be alright.  I am not referring to the Emmys of course, but to the tradition of satire.

Since the dawn of the Trump Era (a TARDIS-like section of time that hopefully, history will see as quite brief but which feels eternal to those in it), satire has arguably become more important than ever before. I’ve written about it a number of times for The Norwich Radical and I genuinely believe that mockery of the maniacal and mighty serves as a psychological sword and shield, at once cutting into the ego of demagogues and simultaneously protecting us from being pummelled into submission by their beliefs.

These past few years, as the Right, the Centre and, though it pains me to admit it, the Left have started to construct their own realities, satire has become more confusing as writers around the globe have all but given up trying to match the farcical nature of the world, but we still fought on under the banner of “this is not normal”.

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MAKE PUNK VENUES PERIOD ACCESSIBLE

by Sara Harrington

CW​: graphic imagery, menstruation

Wads of tissue swaddle the gushed gusset of my soon to be late underwear. DIY panty-lining for a DIY punk show. Tissue becomes currency as it is discovered that none of the loos in the entire venue have any – my stash acquired from the Wetherspoons further down the road. No cubicle provides the menstrual cup removing privacy of an old fashioned door. Instead, makeshift curtains swathe the space between yourself and a sorry stranger as the feat of dealing with your period in a space that assumes you do not have one trickles down your hand in all its bloody glory.

Do not have your period at a punk gig.

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STRIPTEASE: ADMIRATION FOR SATIRICAL CARTOON

by Richard Worth

If you have read my work here at The Norwich Radical and elsewhere (shameless self-promotion, I know) it should be apparent that I enjoy satire. And as reality subtly blends in a dystopian crap-scape, one of the very few plus sides is that the satire game is booming. In addition to the plethora of late night hosts to match personal preference (Colbert does it for me) keeping us informed and helping us to laugh instead of cry, the humble illustration has been holding a mirror up to the corrupt, the cruel, and the incompetent and making them look ridiculous, and they know it.Continue Reading

WHY I DISAGREE WITH THE ‘EXIT FROM BREXIT’ FLOAT IN NORWICH

by James Anthony

Content warning: article mentions suicide, and features a carnival float depicting suicide

To mark the arrival of BBC’s Question Time in Norwich on Thursday, a rather controversial float turned up in our city. Created for a festival in Dusseldorf, an impressively sized and eerily lifelike representation of the Prime Minister with a ‘Brexit’ gun in her mouth, was rolled around nearby streets to attract attention and to supposedly draw support for the pro-EU cause.

While I can appreciate the enthusiasm behind the protest, I can’t help but think it’s the wrong way to go about building a campaign focused on ensuring a future close to Europe.Continue Reading

KARL MARX DEFENDS HENRY KISSINGER BEFORE THE INTERNATIONAL CRIMINAL COURT

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by Gary Olson

Content warning: mentions mass murder and drone warfare

Mr. Robert Walpole
Editor-in-Chief
The Onion
1000 Michigan Avenue
Chicago, IL 60611

Dear Mr. Walpole:

I read in The Atlantic that Cole Bolton, The Onion’s editor in 2015, said that his publication is devoted to “calling out bullshit” and has “had an anti-corporate rebellious streak throughout [their] editorial history.”

Taking that mission seriously, I submit to you the satire below.

In the spirit of speaking truth to power,

Gary Olson


In a parallel universe, Henry Kissinger is being prosecuted for war crimes and crimes against humanity before the International Criminal Court at The Hague in the Netherlands. Seated at the table with Kissinger is his cunning choice for Chief Defense Counsel, none other than Karl Marx.

The ICC’s Chief Prosecutor addresses the three-judge Trial Chamber, reminding them that the preamble of the Rome Statute establishing the court states “that the most serious crimes of concern to the international community as a whole must not go unpunished.”

She draws upon a myriad of impeccable sources, including historian Greg Grandin’s new book Kissinger’s Shadow. The judges are stunned by the prosecutor’s searing portrayal of the defendant’s alleged responsibility for so many deaths — six million in Indochina alone. An anguished look crosses the face of Norwegian judge Olaf Ingeborg as he watches some unspeakably macabre visual evidence.Continue Reading

HOME OFFICE STATEMENT

by Zoe Harding

(Note: The below is based on an actual statement released by the Home Office, which can be found in its unadulterated version here. The adulterator takes no responsibility for the government seeing that you’ve visited this web page, even though they will)

Dear Concerned Citizen

The Investigatory Powers Act dramatically increases transparency around the use of investigatory powers by making it so we can see everything. It protects both privacy and security for MPs only and underwent an unprecedentedly low level of scrutiny before becoming law because everyone was distracted with Brexit.

The Government is clear that, at a time of heightened security threat (Current threat level: Be Very Afraid, Trust Us. We Won’t Tell You Why), it is essential our law enforcement, security and intelligence services have the powers they need to keep people safe. And the powers they need to see what you’ve been doing on the internet even if you aren’t a criminal. Maybe you’re buying them Christmas presents but they hate surprises. Have you thought of that?Continue Reading

THERE’S A SNAKE IN MY BOOT — CHECKING IN WITH ITALY

by Alex Valente

It feels like the international landscape of politics is readying itself for some massive shift, in the geological, tectonic plate sense. We’ve had the rightwing rising across European countries, from Hungary to France, via the UK and Austria, to name a few. We have the constant shitshow that is the US presidential election campaign. We have the war stages of Syria, Lybia, Iraq, with Daesh’s fluctuating relevance and interference. We have the stifling of oppositions and minorities across India, Hungary, Turkey. We could go on.

So what is Italy up to, in all this joyous mess? Italy which is, I’ll remind you, the inadvertent (except for all things geographical) front stage for the Mediterranean migration fluxes, one of the minor players in the EU’s whatever-it-is-it’s-doing-right-now, and trying so very hard to stay internationally relevant — as it has been strenuously doing for the past however many years.Continue Reading

TODAY’S ‘INTERSECTIONALITY’

by Asia Patel

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PLEASE DON’T LET GODZILLA BOMB MY CITY

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by Zoe Harding

Can anything stop Donald Trump? The recent presidential debate between the Man with the Golden Skin and Madame Nixon has been heralded as another in a series of candidate-ending screw-ups, Trump appearing rambling and incoherent while Clinton seemed uncharacteristically cheerful and unscripted. Trump was called out repeatedly for lying, and his awkwardly unreleased tax returns were dragged ever closer to the cold light of day. Even his post-debate spin was desperate, with Trump claiming imaginary poll victories and showing a surprising measure of the political correctness his supporters are rabidly opposed to. He even blamed his microphone for his weak performance, giving Clinton a chance to drop one more zingy soundbite.

But here’s the thing: this isn’t going to slow Trump down. This won’t turn his supporters off him. To drop into a metaphor I’ve seen employed elsewhere, Trump is Godzilla. Continue Reading

NOW THAT’S WHAT I CALL BREXIT

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by Mike Vinti

Are you hungover and full of existential dread? Do you have a crippling fear that life will never be the same? Have you said the phrase ‘let’s face it, we’re fucked’ in the last 24 hours? If you have, then boy, do we have just the songs for you.Continue Reading

REVIEW – THE BOOK OF MORMON

by Carmina Masoliver

“You’re not going to like that,” my partner said, when I told him I was going to see The Book of Mormon. Made by the creators of South Park, Trey Parker and Matt Stone, I was aware it was a controversial production. I had also seen Avenue Q, which shared the same musical composer/lyricist, Robert Lopez. I knew there might be “offensive jokes”, despite South Park always being on after my bedtime when I was at primary school; I was relatively unfamiliar with the programme beyond 10-year-olds singing about chocolate salty balls in the playground… But I had heard good things, so I asked my Gran for us to see it as my Christmas present.Continue Reading

LABOUR’S NEW PARTY POLITICAL BROADCAST ANALYSED

by Alex Hort-Francis

We examine Corbyn’s new campaign video to find all of his secret clues…

It’s been four months since Jeremy Corbyn sold his soul to a crossroads demon in exchange for leadership of the Labour Party, and he puzzlingly still hasn’t been discovered to have accidentally brutally stabbed himself in the stomach while shaving. This can only mean that the Conservatives have forgotten about poor old J-Corbs amongst the understandable orgy of anus cocaine and fox strangulation that normally follows a majority Tory general election result. To remedy this, Much Newer Labour have commissioned a party political broadcast to remind us all what our favourite unshaven underdog has been up to before he unmysteriously convinces himself to commit suicide in a wood with no witnesses at some point later this year.Continue Reading

THE MYTH OF ASIAN DEMOCRACY

by Faizal Nor Izham

Although Asia as a whole will always be making great strides economically, much more remains to be seen in the way of democracy and human rights. There has always been the myth that Asian values and democracy are incompatible — a well-known fact in Asia, especially in the more developing countries — but in the Internet and social media age, there appears to be a renewed demand for freedom, especially when people’s livelihood and most basic rights are in jeopardy.

However, despite these assumptions, a more thorough analysis shows that Asian history is actually rich in philosophies and traditions that are well-steeped in democratic ideals.Continue Reading

TIDAL ANNOUNCED NEW ELECTION STREAMING SERVICE FT. MUMFORD AND SONS

by Mike Vinti

On May the 7th our fair isles will take to the polls. Across this (hopefully) green and pleasant land, the great multi-headed beasts, known to our political class as hard-working families, will be herded into schools and council buildings to cast their vote. It’s going to be, without a doubt, the most anti-climactic, and longest, election of our times. And what’s worse, E4 won’t be on all day.

But there’s good news guys!  Jay Z’s new streaming service, Tidal, and your corporate Media overlords have teamed up to bring you a brand spanking new, musical, multi format, interactive #Election2k15!

To a soundtrack of thundering synthetic drums and the beeps of Britain’s metaphorical life support machine, the great shamans of the BBC, Channel 4, ITV and *whisper it* Sky, will debate, debunk and defibrillate #Election2k15:  Now That’s What I Call Democracy.Continue Reading

I AM BECOME THE EATER OF WORLDS: BRAY WYATT, UNDERTAKER, AND THE AMERICAN NIGHTMARE

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by Jack Brindelli

Wrestlemania is here – and I have a challenge for you. I dare you to watch. I literally dare you. Yes, that’s right, WWE, ‘make-believe fighting’ if you really must label it that, where grown men and women play-fight on television for the entertainment of billions worldwide. “But Jack,” I hear you cry, “You’re a culture writer for the Norwich Radical! Surely you know better than to revel in such uncultured pastimes?!”

Now, in order to refute that, I could go into a lengthy and tedious history of the marriage between art, philosophy and combat. I could talk to you about wrestling in the world’s first democracy of ancient Greece, at the dawn of western civilisation. I could talk to you about the ancient Eastern martial arts that inspired Bruce Lee to greatness. I could reference Roland Barthes famous essay on the subject if I wanted. I could, but frankly, I don’t fancy pandering to the inherent class-snobbery behind suggesting wrestling is a ‘lowly’ distraction.

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MUST NOT MOCK: PARIS AND THE FAILURE OF ‘SATIRE’

by Jack Brindelli

In the fallout of the Charlie Hebdo shootings, there are so many avenues of investigation that require a spectrum of analysis – and in due course the tragedy will no doubt be discussed from every angle, and in excruciating detail. Over the past week, there has been comparatively little debate on the idea supposedly central to the Parisian publication itself though – satire. In an age of seemingly perpetual outrage, offensive material is routinely accepted because it dresses in the clothes of ‘satire’. But in the wake of Charlie Hebdo, somebody needs to ask the question “what exactly is satire, and who should it serve?”

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