Content warning: racism, xenophobia, homophobia, examples of racist abuse
Children in Norfolk schools are usually taught about Black history within the context of the American Civil Rights movement — predominantly through figures such as Martin Luther King Jnr. or Rosa Parks. However, despite there only being a relatively small community in the county, Norfolk has a rich Black history going back centuries, much of which has largely been forgotten.
The oldest known song in the British Isles dates back 1,400 years and it’s written in Welsh.
Pais Dinogad was sung in Rheged, a kingdom of Yr Hen Ogledd (the old North), in what is now modern day Cumbria and the Scottish Lowlands. The song is a simple lullaby, telling a baby of his father, Lord Dinogad, who is out hunting in a time long before Anglo-Saxons or even Gaels had arrived in this part of Britain.
It probably wouldn’t be described as an absolute banger if we’re completely honest (although this lyre-wielding, tattooed, metal-head gives it a real good go). It’s nonetheless incredible that it’s still being sung at all today, and that its lyrics are broadly comprehensible to modern Welsh speakers.Continue Reading
So says lead singer Amy MacKown on Simple Tune, the penultimate track of the debut album from Oxford’s current premiere Reggae outfit, ZAIA. We wouldn’t say they break the rules so much as blend and bend them, juggling genres and playing with preconceptions throughout this fascinating and infectious summertime record.
Last week, Music That Matters looked at the 40th anniversary of punk and how our understanding of its history is typically one which erases the efforts and achievements of women musicians and people of colour. Today, the scene is often still seen as a male and white space, with punk shows frequently having male dominated crowds queuing up to see white men thrashing on guitars in shabby venues.
But it looks like things are changing. 2016 feels like it is becoming a rebirth of women in punk, and critically, as if it is women of colour who often are leading the way. More women are touring, more are getting bigger stages and longer sets, and more are getting the media coverage that they deserve. Among the nostalgic reflection, this year, dozens of punk albums will be released. Some will become instant classics, others will fade from memory as quickly as they came. Here are 10 bands leading the British punk scene this year, and the women that are making them shape the future of the genre.Continue Reading
For most, Norfolk boys Shock ! Hazard will appear as something of an antilogy. Their sound and aesthetics are clearly rooted in and influenced by early heavy metal pioneers like Led Zeppelin and the less flamboyant hair metallers of the 1980s – thumping riffs, extended guitar solos and screeching vocals galore. More than anything, this sound and this scene has been known for its bone-headed hedonism, its sex, drugs and rock ‘n’ roll attitude, and the carefree and unrestricted antics of its participants; hardly the place you go to find revolutionary calls to action or heavily politicised lyricism. Putting aside the question as to whether participation in a counter-culture is an inherently political act for a minute, unlike other musical movements, from punk to folk to hip-hip, this straight-up, hard hitting, in your face rock and roll, has made its name in part for being almost overtly apolitical.
For years, Josh Chandler Morris was known as the energetic frontman of skacore band Anti-Vigilante, whose powerful stage presence, piercing sax segments and fast paced vocals thrilled crowds across the country including on tours with veterans of the ska scene such as King Prawn and Inner Terrestrials. Nowadays, Josh has teamed up with Carly Slade to form Hope in High Water, a two piece acoustic folk band, whose focus is much mellower and whose lyrics are less focussed on the political issues that Anti-Vigilante were well known for. But because of Josh’s background, The Norwich Radical decided to discuss with Josh his political outlook, how it interplays with his musical outputs and why his most recent outfit has decided to steer away from the politics as part of our series Music That Matters.Continue Reading
With the formerly radical New Musical Express projected to become a free hand-out for corporate partners like Top Shop, former writer Paul Wellings talks Rock Against Racism, Jeremy Corbyn and Monty Python with Jack Brindelli and the Norwich Radical.
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