by Rowan Gavin
Since their formation in the early ‘90s, Californian Rock & Rollers The BellRays have befuddled the expectations of music media and the industry, just as much as they have thrilled audiences. They’ve taken an open-minded approach to the genre that has defined American music for the past seven decades, and they’ve been an independent outfit that whole time.
The BellRays have self-published their nine albums through a variety of independent labels, including Upper Cut and Alternative Tentacles. 2017 saw the release of EP Punk Funk Rock Soul vol 1, the long-awaited follow up to 2010’s Black Lightning, and last month gave us the album-length Punk Funk Rock Soul vol 2. I caught up with Lisa Kelaula & Bob Vennum, the band’s permanent members, before they went on stage at Norwich Arts Centre last Friday.Continue Reading
By Chris Jarvis
For most, Norfolk boys Shock ! Hazard will appear as something of an antilogy. Their sound and aesthetics are clearly rooted in and influenced by early heavy metal pioneers like Led Zeppelin and the less flamboyant hair metallers of the 1980s – thumping riffs, extended guitar solos and screeching vocals galore. More than anything, this sound and this scene has been known for its bone-headed hedonism, its sex, drugs and rock ‘n’ roll attitude, and the carefree and unrestricted antics of its participants; hardly the place you go to find revolutionary calls to action or heavily politicised lyricism. Putting aside the question as to whether participation in a counter-culture is an inherently political act for a minute, unlike other musical movements, from punk to folk to hip-hip, this straight-up, hard hitting, in your face rock and roll, has made its name in part for being almost overtly apolitical.