VAGABONDS, RASCALS, AND RUNAWAYS – A REVIEW OF CRUDE APACHE’S RICHARD III

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by Hannah Rose

Director Tim Lane’s adaptation of Richard III is bone-chilling—and that’s not only down to the lack of heating in the Shoe Factory Social Club in Norwich. Shakespeare’s story of the wicked and rapacious King Richard is superbly located by Crude Apache in the disused factory space, which has been turned into a frightening vision of the future, an urban hinterland where people live in makeshift communities of cardboard boxes and behind wire fences. Exposed lights, metal girders and old sofas furbish the old factory; I could have been inside a modish bar in Hackney, or a punk squat in Berlin. The thumping techno beats made it all the more ethereal, and for a moment I was back at an illegal rave I once went to when I was twenty, except this one sold gin and tonics and cups of tea.Continue Reading

NOW IS THE WINTER OF OUR DISCONTENT – PREVIEW

by Hannah Rose

Now is the winter of our discontent
Richard III reimagined by The Crude Apache Theatre Company

23rd Nov – 3 December

The Crude Apache Theatre Company will be performing a striking adaptation of Shakespeare’s bloodthirsty Richard III at the Shoe Factory Social Club in Norwich. A post-industrial dystopian world awaits audiences, as the Company prepares to throw them into this sinister tale of the power-mad and murderous.Continue Reading

SHAKESPEARE’S 400TH ANNIVERSARY — A CELEBRATION, PART 1

by Molly Pearson, Nándor Révész, Beth Saward

From an idea by Jake Reynolds.

April 23rd will mark four hundred years since the death of William Shakespeare. I won’t patronise you by introducing him. I contacted ten people — some undergraduates, some Master’s students, some UEA alumni — and asked them who their favourite Shakespeare character is. Or, more specifically, which character had the most profound effect on them. The responses have been read in a variety of different and fascinating ways. Some ground the character in the text, while others branch across to discuss film portrayals, personal experience, and cultural commentaries. The characters you will see championed here over the next three weeks come from current and former students of literature, creative writing, American studies, film studies, scriptwriting and performance, politics and international relations, and more. What binds them is their passion — the Shakespearean character, whoever he, she, or they may be, still survives the death of their creator, alive and rattling in our minds as they did to Shakespeare’s contemporaries. Continue Reading