by Alex Valente
2019 is drawing to a close, but the turmoil and trauma of this turbulent year show no signs of abating. As we wrote on the cold, miserable and particularly unfortunate morning of Friday the 13th,
in the coming months and years, many in this country and elsewhere will suffer under a Tory government led by a racist liar. Social services will be dismembered. Workers’ rights will be eroded. Vulnerable people will face violence at the hands of increasingly aggressive immigration authorities and police. All of which will be sanctioned, incited, and protected by the country’s highest authorities and institutions.
The turn of a decade is an important time to review, to remember what the good fight is actually about, and what type of work is expected from us, as people, as a community, as a society.Continue Reading
The Norwich Radical Editorial Team
By now you’ve seen the headlines. There’s no easy way to say this: in the coming months and years, many in this country and elsewhere will suffer under a Tory government led by a racist liar. Social services will be dismembered. Workers’ rights will be eroded. Vulnerable people will face violence at the hands of increasingly aggressive immigration authorities and police. All of which will be sanctioned, incited, and protected by the country’s highest authorities and institutions.Continue Reading
by Sarah Edgcumbe
The monopolization and manipulation of public narratives by the powerful has long been a pernicious political reality on both a national and global level. Invariably, they who shout the loudest somehow assert a claim to legitimacy, despite the commonly ill-conceived and downright harmful nature of the content being peddled. Continue Reading
by Sarah Edgcumbe
“We are fighting for freedom. We are fighting for our smiles. We don’t care what the occupation thinks about us or what they will do. This is an act of defiance.”
The certainty of retribution implied within the above statement seems exaggerative for merely flying kites, but this is the reality in Burin, a village that holds fast among beautiful rolling hills in the countryside of the northern West Bank, and which is also surrounded by three illegal Israeli settlements. Centuries old, with a population of nearly three thousand, the villagers of Burin have long cared for this land. They’ve raised their families here for generations, celebrated births and marriages, supported each other, grown and harvested ancient olive trees, with roots that symbolize the hundreds of years of Palestinian toil that connect the people to this land. This land that Israel wants so badly but will never have. Continue Reading
by Zoe Harding
I wanted to go to the Trump protests so I could say I did. Whatever the final ending of Trump’s story turns out to be – peaceful impeachment or nuclear armageddon – it’s got such disturbing parallels to past dictators already that I get the impression he’s going to be spoken of alongside the great bastards of the last century. It’s getting to the point where I’m starting to wonder why time travellers haven’t started popping up to shoot him. In the world we live in, where photos of crowd size are already a disputed quantity rather than a piece of evidence, and mass protests are a fact of life, I still wanted to say I’d tried to express my feelings about wotsit Hitler and his cadre of bastards.Continue Reading
by Mark Pearson
Info war perverts.
Cold hard cash agendas set.
Truth is not out there.Continue Reading
by Eli Lambe
Hopkinson’s writing is enchanting. Her words wrap around you and inhabit you, they turn your skin to bark, the wind into a goddess, your body lifts and falls with the lines of beautifully crafted prose. To read her work is to be transformed, transported, transcended. Her first novel, Brown Girl in the Ring (1998), explored community, magic, and family in a Toronto “hollowed out” by white-flight and financial catastrophe.
Her second, Midnight Robber (2000), used language — particularly dialect — and mythology to imagine, from a Caribbean perspective, “what stories we’d tell ourselves about our technology – what our paradigms for it might be” and to bring together ideas of storytelling, colonialism and trauma. Since then, she has published several other novels and collections, all of which are thoughtful, accessible and fundamentally affecting, the most recent of which is the subject of this review. Continue Reading