by UEA Exodus
Every year, UEA’s School of Literature, Drama and Creative Writing decide a season of plays, performed and produced by third year Drama Students. This year, they present Exodus, ‘two plays on power and conflict’; both works of dramatic literature set during the 20th century but inspired by legends of antiquity. John Steinbeck’s ‘The Grapes of Wrath’, and Bertolt Brecht’s ‘The Caucasian Chalk Circle’. Both plays look at mass departures of people, engendering the ever present plight of refugees having to leave their homes.
by Sarah Edgcumbe
Owen Jones recently pointed out that the far right is now at its strongest since the 1930s. A horrifying reality of today’s populist Europe. These groups have been unfailingly and cynically opportunistic in using terrorist attacks in Europe to galvanize hatred against Muslims, whilst presenting themselves as protecting white European innocents from the depravity of the Qu’ran, or simply as “not racist” concerned citizens who feel that we should help “our own” (read: white) homeless before helping others. This mindset has contributed to the election of far right governments in Poland, Hungary and Italy and demonstrates that we should not view these groups as fringe street-movements – they are effecting political change with horrifying efficiency through influencing voters.
Mainstream media is in on this, of course. As Chris Jarvis wrote in October 2016, the media’s reaction to refugees and migrants has been nothing short of inflammatory. The influence of mistruths presented in the media has led to vilification of refugees and migrants. In our failure to protect vulnerable people who are unable to seek protection in their country of origin, we have failed to learn history’s lesson. Enoch Powell would be proud of us. We should all be fucking ashamed of ourselves.Continue Reading
by Jonathan Lee
Content warning: article mentions racism, anti-Roma sentiments, and contains offensive and discriminatory language.
It’s been almost two weeks since Slovak investigative journalist, Ján Kuciak, and his partner Marina Kusnirova were found shot dead in their Velka Maca apartment. The couple were both murdered by single gunshots, with the crime bearing the hallmarks of a contract killing according to Slovak police.
Prior to his death, Kuciak had been investigating the theft of EU funds by businessmen linked to the Ndrangheta Calabrian Mafia, and to high-up ministers in Prime Minister Robert Fico’s office. In his final unfinished article, Kuciak names the Secretary of the State Security Council, and the Chief State Advisor to Fico, as being linked to the corruption. Both of whom have taken indefinite leaves of absence while the investigation continues, in an attempt to avoid their names being used against the Prime Minister they say.
The deaths have plunged Slovakia into turmoil. Not even during the communist regime was a journalist ever murdered in the country, and it has highlighted the already considerable concerns surrounding corruption in the Slovak government.Continue Reading
by Yali Banton Heath
Content warning: ethnic cleaning, sexual violence.
Myanmar and Bangladesh have just signed an agreement which concerns the repatriation of over 600,000 Rohingya refugees who have fled their homeland in Rakhine state since August. What many are now rightfully calling out as genocide, the persecution, murder and rape of Rohingya people and the burning of their villages has left deep scars. Continue Reading
by Laura Potts
‘If anything, art is…about morals, about our belief in humanity.
Without that, there simply is no art’
Norwich’s own Space Studios hosted Bridges, a fascinating exhibition by artists Marcia X and Karis Upton, earlier this month. Entering through a small alley, I climb stairs up to the first few works, which I find in a dark setting, immersing me in the exhibition. Up another staircase, long enough for me to begin reflecting on what I’ve seen, is a much lighter space, with works hung from the sloped ceiling. Afterward, I’ll go on reflecting for some time – the themes and issues that Bridges explores are of such magnitude that every viewer is forced to sit up and listen.
by Laura Potts
CW: Mentions violence against children
More than any other art form, spoken word performance art allows an audience to directly interact with the thoughts of the artist. This kind of interaction can often change minds more effectively than argument or statistic, making spoken word art a very progressive medium. As a spoken word enthusiast and an artist on a student budget, I was therefore excited to attend Matt Abbott’s pay-what-you-can preview of his Edinburgh Fringe show ‘Two Little Ducks’ at the Norwich Arts Centre recently. And my excitement was certainly justified – Two Little Ducks is a powerfully thought-provoking, politically driven work.
By Laura Potts
More than 43 000 people come every year from overseas to study in the UK; a vast spectrum of people with differing backgrounds, cultures and interests/abilities. An international student’s experience of learning abroad goes further than just their degree. They encounter a different way of life that may enrich and enhance their own. They each bring with them a unique set of capacities, a wealth of ideas and innovative potential solutions that create a stimulating multicultural academic environment for all. But adapting in this way is often difficult, as I’ve learned recently speaking to international students at my university.