REVISITED: JACOB SAM-LA ROSE – BREAKING SILENCE

by Carmina Masoliver

Inspired by my experience of Being a Man Festival, I attended an evening in appreciation of poet and educator, Jacob Sam-La Rose. The night consisted of speeches and moving poetry in tribute to his teachings. The energy was reminiscent of the Burn After Reading nights, and despite this occasion being a one-off, it captured what I love about live literature events. Often, it can seem that poetry is such a niche medium, that outsiders can struggle to find their place. However, these spaces provide a place where people can share both pain and joy, and connect with others through words. Sam-La Rose is mostly known for the incredible work he does with young people. He has tremendous influence on poetry today, and on the opportunities that many young people have to be exposed to, and enveloped by, this art form. It comes as no surprise then to read on the back cover of Breaking Silence, that his work ‘is grounded in a belief that poetry can be a powerful force within a community’.

It felt right to return to the well-thumbed pages of my copy of Sam-La Rose’s debut book-length collection from Bloodaxe, one of the most reputable poetry publishers in the UK. Breaking Silence was shortlisted for the Forward Prize for Best First Collection and the Aldeburgh First Collection Prize, but many feel it has not had the recognition it deserves. Linking with themes from Being a Man Festival, the collection explores issues of manhood and masculinity, and how these intersect with race and dual heritage, as well as  broader issues of identity.

Continue Reading

BLACK WOMEN AND THE FUTURE OF RNB

by Candice Nembhard

Whether it’s Janet Jackson in a purple latex suit, TLC in a spaceship or Aaliyah in the headlights of a motorbike, it is no secret that visual and artistic concepts among RnB artists were undoubtedly ahead of their time. The late nineties/early noughties saw many artists make use of developments in CGI/Camera Technology, fashion, specially-designed sets, and shooting locations. Directors such as Hype Williams and Dave Meyers, noted for their work with Missy Elliot, have gone onto make iconic if not classic visuals young music lovers still reference to this day.

Continue Reading

BILL MAHER: A JOKE

by Richard Worth

CW: discussion of racial slur

Twiglets, I have an unusual and likely unhealthy relationship with twiglets. Everything about them disgusts me. Their burnt and bitter flavour, their odd withered and gnarled appearance and the quantity in which I consume them.  Likewise, I have an unusual and likely unhealthy relationship with Bill Maher and his show Real Talk.

Continue Reading

YOUNG GERMANS AND URBAN GLORIFICATION

by Candice Nembhard

In recent years the discussion of gentrification and globalisation has become almost unavoidable – and for the most part, these terms have now been resigned as popular buzzwords in pseudo-intellectual conversations. As glib as this may sound, I shall do my best to explain.

While many a piece has been written on this subject, this is in fact not my primary focus. My intention is not to deny the lived and consequential reality of western mobilisation, but rather look towards the supporters and benefactors of this growing socio-economic practice. In particular, a generation of young people who are forgoing academic careers in favour of acquired/inherited wealth and personal development. More specifically, I will focus on my experience in post-Brexit Germany.Continue Reading

MEANWHILE, BACKSTAGE IN SONIC BOOM SIX’S WORLD

Content Warning: Racial slurs, homophobia

by Chris Jarvis

A few minutes’ walk from the dreaming spires for which the city is famed lies East Oxford’s Cowley Road – the hub where ‘kids of the multiculture’ grow up. An area undergoing rapid gentrification, it still retains its working class heritage, ethnic diversity, and unique character under the strains of the expansionist middle classes settling, with students and university professors increasingly filling the nearby terraces.

Cowley Road is home to the O2 Academy. Previously the Zodiac, the venue is emblematic of other changes in the area – a corporate takeover of a formerly independent music venue. Across the road sit branches of Subway and Costa, but a little further down is the Truck Store – the pivot of the local independent music scene. Here, at Oxford’s O2 Academy, Manchester-born Sonic Boom Six get set to tear up the stage on a Friday evening. Continue Reading

BUT HE’S NOT RACIST

1

by Candice Nembhard

I have been living in Berlin for around two months now and generally the transition from the UK to mainland Europe has been a relatively easy process. If we put rising rent prices, endless German bureaucracy, and the future of Brexit aside, Berlin in some ways is a safe haven for a young black Brit such as myself.

Undoubtedly, my ability to move, live and work in Germany is not possible without an immense amount of privilege. I, unlike many people, do not face the same amount of adversity by simply being here; irrespective of my feelings towards my nationality, having a British passport is a golden ticket I didn’t have to work for. However, even with its numerous working and academic advantages, my citizenship does not defend me against the microaggressions of prejudice and racism that I receive almost on a daily basis.Continue Reading

LONE WOLF: THE RACIALISING OF TERROR

by Candice Nembhard

I was fortunate enough recently to discuss race and race relations with a dear friend of mine. We covered numerous standpoints and theories, but the heart of the conversation was all about exposing the power of language – specifically, how it is inherently embedded with racist structures.

Continue Reading