by Alex Valente
Content warning: suicide
On the evening of Friday, 18th October 2019, I attended Massy Books launch of Kai Cheng Thom’s latest book I Hope We Choose Love – A Trans Girl’s Notes from the End of the World, a collection of non-fiction and short poetic pieces that together form a net of radical hope-building for a time – and it has been a long time, as rightly noted in the introduction – when all hope seems lost. I follow Kai Cheng’s work online already, but I wasn’t entirely sure what to expect from the event. I’m glad to say I’m still not entirely sure what happened.Continue Reading
By Laura Potts
Take The Weight Off Your Mascara is Norwich’s up-and-coming drag night, run through The House of Daze drag house. I was lucky enough to interview four key members of The House of Daze: Sylvia Daze, Liv, Bishy Barnabee and Devil Child. Consisting of both regular performers and occasional guests, such as Dolores Deepthroat, The House of Daze are following in the footsteps of previous Norwich drag collectives like The Rose Bud Club and such local drag legends as Luna Howl.
by Carmina Masoliver
On a recent trip to Mexico, I decided to take with me three books by authors of Latin American heritage, including two of Mexican background, and one Cuban. All were women. Aside from eating the most delicious chimichangas, learning about the ancient Mayan ruins, and climbing up the Ixmoja part of the Nohoch Mul, I spent a lot of my time reading these authors by the sea with a strawberry daiquiri. Within just one week I had nearly consumed them all and discovered a new love of Latin American writing.Continue Reading
by Eli Lambe
CW; ableism, suicide, sanctions
Vince Laws’ protest-play, ‘A Very Queer Nazi Faust’ is the stunning result of ongoing development, lack of funding and an “angry depression diary”. It has been performed in a host of untraditional venues including: the streets of Birmingham during the Conservative Party Conference; outside the Houses of Parliament (whilst Ian Duncan-Smith was being interviewed); and, most recently, the Community Tent at Norwich’s ninth Pride celebration. Cast through social media, the performance was anarchically unpolished and filled with righteous, infectious anger. The roles of the “thirteen local legends” brought together in art and solidarity against “state sanctioned torture” were all filled by local queer and disabled activists. Although the title of the show was excluded from the official Norwich Pride 2017 programme, The Community Tent was still filled with an enthusiastic and engaged audience.
The roles of the “thirteen local legends” brought together in art and solidarity against “state sanctioned torture” were all filled by local queer and disabled activists
‘A Very Queer Nazi Faust’ began life as a “depression diary”, which would have been too expensive to publish (another example of barriers faced by disabled or otherwise marginalised authors and this kind of protest art) and developed into a play protesting against the press and government’s ongoing violence towards disabled people in the UK. After receiving some funding and support from Disability Arts Online and The Literary Consultancy, Laws gained “the confidence to build it into something” – and that something is truly incredible.
by Eli Lambe
How can you have anxiety and whatever
and read aloud to rooms.
How do you flinch at loud noises and not stares?
Speaker, the mind is unintelligible
and this unwell mind doubly so.
I do not hyperventilate this performance,
is this performing the cause.Continue Reading
by Eli Lambe
Timeliness occupies this issue. Reflections on what queer writing has been and what it is now are shown through this collection to be vital, contemporary, and necessarily complex. The readings at the launch were accomplished, and the variety of writing spoke to the talents of the editing team in recognising and celebrating each piece. The pieces were arranged and selected to be complementary, to offer common threads and common goals, while still preserving the singularity of each piece – the queer writing here is collected as moments of solidarity, of community.Continue Reading
by Candice Nembhard
In recent years the discussion of gentrification and globalisation has become almost unavoidable – and for the most part, these terms have now been resigned as popular buzzwords in pseudo-intellectual conversations. As glib as this may sound, I shall do my best to explain.
While many a piece has been written on this subject, this is in fact not my primary focus. My intention is not to deny the lived and consequential reality of western mobilisation, but rather look towards the supporters and benefactors of this growing socio-economic practice. In particular, a generation of young people who are forgoing academic careers in favour of acquired/inherited wealth and personal development. More specifically, I will focus on my experience in post-Brexit Germany.Continue Reading