THE NORWICH RADICAL YEAR IN REVIEW 2016

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by The Norwich Radical

2016 was a bleak year for many. Across the world, the forces of liberty, of social progress, and of environmental justice lost time and again in the face of rising fascism, increased alienation, and intensifying conflict. That notwithstanding, there have been moments of light. In the Austrian Presidential election, the electorate confirmed the independently Green candidate Alexander van der Bellen; the #noDAPL water protectors gained a soft victory in early December; in fact, there is a full list of positives from the past year, if you want cheering up.

2016 saw our team expand to more than 25 writers, editors, and artists as well as host our first ever progressive media conference, War of Words. Our readership has grown from 5,000 per month to more than 6,500 per month. In total, nearly 80,000 people have read content on The Norwich Radical website this year.

In 2017, The Norwich Radical will turn three years old, with plans to grow our team and publication more than ever before. We’ll also be returning to Norwich to bring debate and discussion on the future of the media, with War of Words back for a second year. Continue Reading

THE 20 BEST RADICAL MUSIC RELEASES OF 2016

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By Chris Jarvis

Yes, yes, we all know that 2016 has been an unmitigated cluster-fuck, with rising fascism, worsening humanitarian crises and intensifying conflict. In moments of darkness, many of us turn to the arts world – especially music – for comfort, for release, for explanation. With David Bowie, Prince, George Michael, Glenn Frey, Paul Kantner, Maurice White, George Martin, Phife Dawg, Erik Petersen, Leonard Cohen, Nick Menza, Greg Lake, Sharon Jones, and too many others all having passed away, many have found music to have also fallen on dark times.

That notwithstanding, 2016 has been a year of some undeniably and uniquely brilliant music too, especially music that espouses messages of a better world, of political analysis, of radical alternatives. Here are the 20 best of those radical releases from the past year.

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SKEPTA AND THE RETURN OF THE BLACK PUNK ETHOS

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by Candice Nembhard

Grime’s re-emergence into mainstream channels of music should be viewed as nothing less than a testament to the masses of hungry music listeners searching for an angry energy tandem with their feelings of creative distrust with the music industry complex. Whether you see its re-surfacing as positive or negative; its influence has grown so much so, we are willing to finally give it long overdue credibility.

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“WE’RE FIGHTING A DOUBLE BATTLE IN THIS WHITE-DOMINATED WORLD” – AN INTERVIEW WITH THE TUTS

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by Chris Jarvis

2016 will be the year of the Tut. After a crowdfunding campaign that achieved double its original target, The Tuts are set to release their debut album – Update Your Brain – in September. The all-woman three piece from Hayes have nurtured a loyal and growing fan base in their first few years, with tours alongside UK veterans Kate Nash, The Selecter and Sonic Boom Six helping to build a wide creoss-genre appeal.Continue Reading

TWO STEPS FORWARD, ONE STEP BACK – AN INTERVIEW WITH ERIK PETERSEN OF MISCHIEF BREW

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by Chris Jarvis

In the early 2000s, American punk music underwent one if its periodical renovations on the underground scenes. Bringing together punk rock’s anger, pace and aesthetic and meshing it with the instruments, skill and stories of folk music, folk-punk shifted the goalposts of what it meant to be a punk band. While Against Me! are probably the most famous, Defiance, Ohio the most innovative and influential, Mischief Brew are probably the best. A decade after their first full-length release Smash the Windows they continue to produce rebel rousing and exciting music, with last year’s This is Not for Children shows their ongoing versatility and eclecticity endures.Continue Reading

WOMEN AND PUNK: SHAPING THE GENRE 40 YEARS ON

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by Chris Jarvis

Last week, Music That Matters looked at the 40th anniversary of punk and how our understanding of its history is typically one which erases the efforts and achievements of women musicians and people of colour. Today, the scene is often still seen as a male and white space, with punk shows frequently having male dominated crowds queuing up to see white men thrashing on guitars in shabby venues.

But it looks like things are changing. 2016 feels like it is becoming a rebirth of women in punk, and critically, as if it is women of colour who often are leading the way. More women are touring, more are getting bigger stages and longer sets, and more are getting the media coverage that they deserve. Among the nostalgic reflection, this year, dozens of punk albums will be released. Some will become instant classics, others will fade from memory as quickly as they came. Here are 10 bands leading the British punk scene this year, and the women that are making them shape the future of the genre.Continue Reading

PUNK AND ERASURE: 40 YEARS LATER

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by Chris Jarvis

Anniversaries are strange things. Almost exclusively, they consist of rose-tinted, uncritical and nostalgic assessments of whatever they seek to commemorate. 2016, forty years since the ‘birth’ of punk, appears no different. Expect Union Jacks, safety pins galore and excessive images of John Lydon in BBC sanctioned documentaries. Expect descriptions of how important Malcolm Mclaren was to punk’s success, claims that New Rose was without contention the first punk rock single and a neat lineage where pub rock became punk – a very British phenomenon.

Inadequate as such histories are, they are demonstrative of the problem we have with understanding punk as a cultural occurrence. Debate rages amongst fans about whether punk was ever grassroots, whether it was ever political, whether any of the anti-establishment ethos was ever genuine, or instead fabricated by an astute record industry seeking to find the new zeitgeist. Adherents to either theory will read selectively into the evidence and ignore anything which would disprove their dogma.Continue Reading