THE GREAT COPYRIGHT SCAM

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by Alex Valente

Consider this example: Marvel Comics publishes Spider-Man, Sony makes a Spider-Man film or videogame, and your local queer fan-artist sells an art zine or print inspired by that film. There is a cost associated with each of these items: the floppy or trade collected comic; a cinema ticket or streaming subscription; the art print itself. But, there is no ethical consumption. ‘Illegally’ downloading or streaming the film, torrenting or finding a hosting site for the comic, or pirating the zine are all the same act: you are overcoming the monetary gatekeeping of art. With one exception: if you ‘steal’ from Marvel, Sony or any other megacorp you might even be doing some good (with reservations); if you do it to an artist who is trying to pay their bills, you’re an asshole.

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REVIEW: MOONRISE BY ELLA CHAPPELL

by Lewis Buxton

Moonrise’s publisher, As Yet Untitled, is an ‘independent press that specialises in limited edition, handmade works that embrace the breadth of possibility in the book’s form’. The book is beautifully made, a fragile thing one worries about reading with a cup of tea too close. Interesting then to consider the fragility of the book’s form with the robustness of the poems. Moonrise, by Ella Chappell, is a book about sex and love and flowers and moons and stones and good nights and bad nights and scientific theories and the gravity that pulls at us all. These aren’t new themes. But that’s what I like about this book; there is at once a familiarity to it but still a newness in the words, a fresh light on the scene.Continue Reading