by Eli Lambe
CW; ableism, suicide, sanctions
Vince Laws’ protest-play, ‘A Very Queer Nazi Faust’ is the stunning result of ongoing development, lack of funding and an “angry depression diary”. It has been performed in a host of untraditional venues including: the streets of Birmingham during the Conservative Party Conference; outside the Houses of Parliament (whilst Ian Duncan-Smith was being interviewed); and, most recently, the Community Tent at Norwich’s ninth Pride celebration. Cast through social media, the performance was anarchically unpolished and filled with righteous, infectious anger. The roles of the “thirteen local legends” brought together in art and solidarity against “state sanctioned torture” were all filled by local queer and disabled activists. Although the title of the show was excluded from the official Norwich Pride 2017 programme, The Community Tent was still filled with an enthusiastic and engaged audience.
The roles of the “thirteen local legends” brought together in art and solidarity against “state sanctioned torture” were all filled by local queer and disabled activists
‘A Very Queer Nazi Faust’ began life as a “depression diary”, which would have been too expensive to publish (another example of barriers faced by disabled or otherwise marginalised authors and this kind of protest art) and developed into a play protesting against the press and government’s ongoing violence towards disabled people in the UK. After receiving some funding and support from Disability Arts Online and The Literary Consultancy, Laws gained “the confidence to build it into something” – and that something is truly incredible.
by Hannah Rose
Your new book, Illegal, tells the story of your arrest and deportation from Ecuador and your consequent return over the Colombian border with the help of corrupt police. There’s also a love story which runs through it. Crime and love both sell books – was this thematic mix deliberate?
My original intent was to focus on borders and revolution but almost every person who read a draft, especially early on, wanted to know more about the love story. So I kept adding more with each new edit. We’ve all been in love so that shared experience makes it relatable and easier to digest. That common basis is a great launch pad to touch on everything else, too.Continue Reading
by Chris Jarvis
CW: torture, rape, political violence
Less than a decade ago, left-wingers across the globe turned towards Latin America as something of a road map towards a more progressive and socialist politics. Many a left tradition could be identified in the range of regimes, leaders and parties that had come to power throughout the region. Evo Morales in Bolivia, Luiz Inacio Lula Da Silva in Brazil, Rafael Correa in Ecuador, Ollanta Humala in Perù, Jose Mujica in Uruguay, Daniel Ortega in Nicaragua, the ever present Castros in Cuba, and Hugo Chávez in Venezuela. The “Pink Tide”, as this phenomena became loosely known, was high, and international awe developed among the left.
Breaking out of the 1990s, in which the global institutions of neoliberalism, from the IMF and the World Bank to the US state and multinational corporations drove an agenda of austerity, privatisation of services and market liberalisation, Governments of the “Pink Tide” brought promise of a better deal for the various Latin American nations which elected them. To greater or lesser degrees, these Governments sought to recentre economies away from international capital and towards the needs of people, increase spending on and provision of welfare and public services – whether through anti-hunger initiatives, healthcare programmes or education projects, and deepen democracy. Across the region, the Pink Tide brought with it decreasing levels of economic inequality, higher literacy rates, reduced poverty and greater levels of health.
In 2017, the legacy of these leftist Governments lies tarnished – and perhaps the most emblematic of this turn is Venezuela.Continue Reading
by Carmina Masoliver
CW: discussion of domestic violence
An eight episode series, Las Chicas del Cable (The Cable Girls) begins with a woman killing her friend’s husband – part self-defence, part accident – also shooting her friend. It’s a drama full of love stories, as well as crime and mystery, yet domestic violence is a major theme that runs through the series. Set in 1928 in Madrid, it shows the impossibility of leaving an abusive relationship in a patriarchal society, where even the law protects men who are abusers.Continue Reading
by Richard Worth
We’ve just got through the new Tory annual tradition of having the nation vote on internal party issues and having the result batter the incumbent Prime Minister. And, whilst the result is somewhat bittersweet with comedy boob-patting socialist Jeremy Corbyn – aka ‘the future liberals want’ – tearing chunks out of the Conservative mandate, we are still left with a government formed of a crypto-nationalist, sexist, and regressive party and an actual nationalist, sexist, and regressive party.
The truth of the matter is that no one was sure what would happen before the election, or during it and now we’re on the other side it’s only fitting that British democracy remains chimerical, confusing and dare I say it, unstable (take that May!). As such I’d like, as I do every fortnight, to say a few words about the current position of the Arts.Continue Reading
by UEA Islamic Society
On Wednesday, a group of Muslim students at UEA, including committee members of UEA Islamic Society, found out that the university is intending to close one the Muslim prayer spaces on campus this Sunday. UEA didn’t tell them – they only heard about it by chance. There has been no consultation with Muslim students. As they start a campaign to call out UEA for this unacceptable, dismissive action, we spoke to ISoc members and other involved students about the importance of the spaces and their reactions to the news.
by Lotty Clare
Content warning: mentions violence against women, abuse, rape, self-harm, suicide, racism, harassment, homophobia.
Last Saturday, a group of UEA students and Norwich residents travelled to a protest at Yarl’s Wood Immigration Removal Centre in Bedfordshire. This protest was the fifth Movement for Justice by Any Means Necessary (MFJ) has organised to shut down detention centres. As I approached the building, hidden inside an industrial estate, surrounded by fields, in the middle of nowhere, it was just as intimidating and depressing as 6 months ago when I went to Yarl’s Wood for the first time. It looks like a prison, except that it is ‘worse than prison, because you have no rights’, as former detainee Aisha Shua put it. Some women are in Yarl’s Wood because their visa expired, others because their asylum claim was unsuccessful. They have committed no crime. And yet they can be detained there indefinitely.