by Stu Lucy
In my previous piece I outlined a theory that compared the woes of our current modern condition to a biological model of a disease increasing its prevalence across the planet, particularly in the Western world. Although slightly macabre, I feel it was necessary to characterise the systemic issue of unbridled growth in such a dramatic and sensational fashion – after all it is the fate of humankind, and well… the planet, we are talking about here.
I finished with a simple analogy calling for global treatment of this cancer that has befallen us since the mantra of growth has been so fanatically professed by economists, politicians, and industrialists alike. How though may we undertake such a gargantuan task that requires the remodelling of all aspects of our societies, from our education systems to popular culture to our entire global trade system?Continue Reading
by Stu Lucy
Humans move, we always have done and always will do. Our movement has evolved through the existence of our species from necessity – following the seasonal availability of food – to luxury, such as holidays and recreational travelling. While part of our species has been afforded the opportunity to travel around the planet in our spare time, absorbing the multitude of cultures and landscapes it has to offer, there continues to exist a drive to move to find something better, not for food, as in pre-modern times, but economic and/or environmental security. Economic, climate and conflict migrant populations are increasing year on year, and are so for one very good reason: a global disease.
by Lewis Martin
Content warning: mentions sexual harassment
This month, Spiked launched their newest Freedom of Speech University Rankings for 2018. The fourth edition of the rankings, which started in 2015, are an ‘assessment’ of freedom of speech on our campuses. Spiked’s methodology is simplistic. They look at the policies and actions of both universities and their students’ unions (SUs), ranging from the no-platforming of controversial speakers to their codes of conduct. They then give each uni and each SU a rank of red, amber or green, and give an overall ranking to each institution based on these two scores.
by Stu Lucy
This week I’d like to offer something a little different. Rather than an article gunning for the Western neoliberal establishment and its detrimental effects on a particular aspect of African society, I would like to take a more pensive stance on an issue that many of us, to me at least, seem to have assimilated and normalised into our daily lives. I hope this article provokes a thought towards those in ever more increasing numbers that lose their lives in a desperate attempt to achieve something more than the lot they’ve been given.Continue Reading
by Laura Potts
‘If anything, art is…about morals, about our belief in humanity.
Without that, there simply is no art’
Norwich’s own Space Studios hosted Bridges, a fascinating exhibition by artists Marcia X and Karis Upton, earlier this month. Entering through a small alley, I climb stairs up to the first few works, which I find in a dark setting, immersing me in the exhibition. Up another staircase, long enough for me to begin reflecting on what I’ve seen, is a much lighter space, with works hung from the sloped ceiling. Afterward, I’ll go on reflecting for some time – the themes and issues that Bridges explores are of such magnitude that every viewer is forced to sit up and listen.
by Alex Powell
CW: mentions homophobia and homophobic abuse
Last week marked 50 years since the Sexual Offences Act 1967 entered into law, in the first step towards the decriminalisation of homosexuality. There’s been a great deal of coverage of this milestone in British media, including some brilliant, informative TV programming (I highly recommend the BBC’s drama ‘Against the Law’). But it is Owen Jones’s recent Guardian column ‘Hatred of LGBTQ people still infects society. It’s no time to celebrate’ that seems to have been most prominent. Jones’ arguments are certainly justified, but commentary like his risks misrepresenting the situation that now faces LGBT+ people in this country. It’s not all bad.
by Hannah Rose
Your new book, Illegal, tells the story of your arrest and deportation from Ecuador and your consequent return over the Colombian border with the help of corrupt police. There’s also a love story which runs through it. Crime and love both sell books – was this thematic mix deliberate?
My original intent was to focus on borders and revolution but almost every person who read a draft, especially early on, wanted to know more about the love story. So I kept adding more with each new edit. We’ve all been in love so that shared experience makes it relatable and easier to digest. That common basis is a great launch pad to touch on everything else, too.Continue Reading