IN DEFENCE OF STUDENT POLITICS

By Bradley Allsop

The only way to make the word ‘politics’, that great indicator of all manner of corruption and trickery, more contemptible is to plonk the word ‘student’ in front of it. It almost feels like you‘re not pronouncing ‘student politics’ right if you do it without a sneer, or at least a shudder. Student politics has an image problem.

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THE CABINET OF DR JOHNSON

By Lewis Martin

In 1920, the movie The Cabinet of Dr. Caligari was released to the general horror of theater-going audiences. The film told the story of a hypnotist (Dr. Caligari) who uses a somnambulist to commit murders on his behalf. Through the character of the Doctor, the films presents a very vivid and real depiction of brutal, irrational authority in the inter-war period. Flash forward 99 years, and it is a very different type of cabinet but very similar type of character that is looking to reinforce their own brutal and irrational authority upon others.

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SAM FENDER – REVIVING RADICAL POLITICS WITHIN INDIE MUSIC

by Ananya Wilson-Bhattacharya

tw: mentions of suicide

In recent years, the indie-rock revival has gained traction across the UK, spurning artists such as Circa Waves, The Magic Gang, Sea Girls and countless other bands and solo artists with catchy, accessible lyrics and melodies against guitar-heavy backgrounds. I will fully admit to being an indie fan at heart; these artists generally make up a large proportion of my ‘heavy rotation’ on Spotify at any given moment. But the genre can’t always be credited with much lyrical originality, or indeed, with much engagement with the world beyond the singers’ own personal dilemmas and often relentless self-deprecation.

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THE RICH NOTHING AT UGLY DUCK

by Carmina Masoliver

On a rainy Friday, people in-the-know gathered to listen to poetry in Ugly Duck for the launch of Sophie Fenella’s debut poetry collection The Rich Nothing. Ugly Duck is actually a series of different event spaces, with this particular one being located at 47/49 Tanner Street in Bermondsey. Inside this old Victorian tannery (where leather skins are processed), therein lies ‘The Garage’. On the ground floor, the space is described as having ‘a grungy urban warehouse feel’, and without much natural light at the back, it has an underground vibe in more than one sense of the word. With genuine caution signs for wet floors from leaks, it feels like an abandoned building that has been turned into an exhibition space – but in a cool way.

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STORY AND SONG – AN INTERVIEW WITH SKINNY LISTER

By Rowan Gavin

Skinny Lister play one hell of a live show. In fact, so raucous and rousing are the London six-piece folk outfit’s performances, I’ve yet to encounter any journalism about them that doesn’t start by stating that fact – and I see no reason to change that here. With guitar and accordion and their ever-present flagon of rum, they set the Norwich Arts Centre a-jumping last Friday night, just as they did the Waterfront on their last visit to Noz in late 2017. This time, I was lucky enough to sit down with frontwoman Lorna Thomas in the bar beforehand, to talk all things Skinny.
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THERE’S MORE TO STUDENT ACTIVISM THAN #PEOPLESVOTE

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By Lewis Martin

Amatey Doku is right: student activism isn’t dead. In a recently published interview with the Guardian, the NUS Vice President of Higher Education proclaimed that students’ response to Brexit and their engagement with the People’s Vote campaign has shown that student activism is thriving anew, after years without a “unifying cause”. But what about the fight for free education that has been active on our campuses since 2012? For many activists in the last few generations of students, it was the issue that brought us together and gave us the skills to take the fight to the powerful. But for Doku, it was too “inward looking” to inspire a “genuine” movement.

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ECONOMIES OF RECOGNITION

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by Liv Barnett

Academics are often accused of failing to make their research matter to audiences other than themselves. Anthropologists are particularly criticized for writing theories and ethnographies that not only go unread by non-anthropologists, but are also too inaccessible to those they may be writing about. Here I hope to try and explain a central aspect of my PhD research in Papua New Guinea and share some of the ways it has got me thinking about politics and economics in the UK.

The stereotyped anthropologist gets criticized for using the experiences of a usually colonised ‘other’ for their own project of producing knowledge that counters the taken for granted understandings people have of humanity or society in ‘the West’, which are presumed to be universal to human nature. This is a legitimate argument which has to be taken seriously. Therefore, I self-consciously use some of my observations in Papua New Guinea (enabled by the generosity of those who I lived with in PNG) and the ideas of European/western social theorists.

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