The frame is divided into three sections, with the top heading – ‘United States of America In’. All three section has a United States Airforce aircraft, visually moving from one section to another. In the first frame, on the left, the US Airforce aircraft is coming in dropping weapons like assault rifles and stringer missile launchers, each attached to a parachute. They are being dropped to the ground where a sign board pointing ahead appears on which Afghanistan is written. On the top of this first frame, 1979 is written, to indicate the US support to the Mujaheddin in Afghanistan, who later formed the Taliban.
In the second section, in the middle, the US aircraft is dropping bombs on Afghanistan (a sign board is visible on ground) and on the top 2001 is written marking the US invasion of Afghanistan. The third and last section, with the text 2021 written at the top shows the US aircraft flying away with two people falling off the plane to the ground with a sign board ‘Afghanistan’ pointing back, representing the actual incident of Afghans, trying to leave the country after US withdrawal and Taliban takeover, falling off a US air force aircraft during take off from Kabul International Airport.
Perhaps Marcus Rashford was trying to be too precise. Whilst Frank Lampard, my dad and thousands of others criticised Rashford’s stuttering steps in the build-up to his penalty, he successfully sent Gianluigi Donnarumma the wrong way. Had his effort been just a few inches to the right it would have been hailed as a brilliant penalty. But elite sport is a game of inches.
Sometimes, it’s hard not to laugh at contemporary British politics. The fall of Matt Hancock is the latest instalment in this ongoing political sitcom. Hancock, the Partridge-esque Health Secretary who came to prominence during the pandemic, was forced to resign a few weeks ago through external pressure following an extramarital affair with one of his aides, Gina Coladangelo.
In recent years, Italy has undergone enormous internal change as a result of mass immigration from sub-Saharan African countries. The situation has been exploited and manipulated from every angle by the Italian media, politicians and organised crime gangs, fostering hostility towards migrant labourers as well as fuelling their exploitation. Right-wing political elites are adept at harnessing the power of social media to influence the masses; but this is a tactic that needn’t be irreplicable for social justice movements and activists on the Left, too.
There is an elephant in the room with Amie Marie’s mischievous comedy The Play About Theresa May: why publish a satire on May’s bungled and mayhemic term in government in 2021? When placed beside the burning wreckage of policies created by her etonian man-child of a successor, there is a risk of the text losing its relevance before you’ve even passed the cover. Marie navigates this hurdle gracefully, however; its name-sake target has been out of office nearly two years, but The Play About Theresa May is still an extremely timely exploration of political engagement in 21st Century Britain.
On March third, Chancellor Rishi Sunak announced his annual budget for 2021. As you would expect from a modern Conservative government, the budget showed an unwillingness to borrow and spend more than a moderate amount, despite the continuing economic pressures posed by the pandemic, and reaffirmed the government’s commitment to benefitting their rich donors while denying the most basic of help to the victims of years of Tory austerity. Sunak is spending just enough pocket change to maintain the appearance that the government isn’t just doing the bare minimum during the pandemic, but, typically, even this amounts to high praise from the largely right-wing mainstream media.
On December 16th, the UN General Assembly passed a proposal entitled ‘Combating glorification of Nazism, neo-Nazism and other practices that contribute to fuelling contemporary forms of racism, racial discrimination, xenophobia and related intolerance’. 130 out of 193 UN members voted in favour of it, and only two against: the United States and Ukraine. Similarly alarmingly, all EU member states and the UK abstained from the vote. Why are the nations who take so much pride in having defeated Nazism 75 years ago now refusing to vote in favour of combating it?
There are few people in this world who have had a more eventful life than Diego Armando Maradona, who has unfortunately passed away aged 60 years on Wednesday 25th. His existence has been a tale of spectacle and interest. The man has died as one of the best footballers ever to play the game, and a hero to the Argentine people.
The last days of Trump have come at last, heralding an inevitably vast amount of journalistic analysis. Trump has been criticised continually through his presidency from many angles by commentators across the media spectrum. Now, as we seek to understand the terrifying exceptionalism of the past four years, classical political thought has once again reared its head. In order to criticise Trump, many invoke writers who have become associated with a collective anxiety – Orwell, Kafka, and, most frustratingly, Machiavelli. Niccolò Machiavelli and his writings have been associated with despotism and evil ever since his works were placed in the Index Librorum Prohibitorum by the Catholic church. But to describe Trump as Machiavellian is a misunderstanding of the controversial but frustratingly correct political theorist who warned against tyrants like him.