OFFSHORING: A DEMONSTRATION OF CONSERVATIVE CRUELTY AND XENOPHOBIA

by Sarah Edgcumbe

CW: mentions of suicide, sexual assault

The war crime-laden conflict in Syria has not ended; Saudi Arabia (at the time of writing) continues to drop British-made bombs on Yemen; Israel is once again escalating its policy of state-sanctioned slaughter of Palestinians; the Taliban have taken control of Afghanistan, reducing armed violence, but increasing the risk of persecution and repression; Bosnia is teetering on the edge of a relapse into conflict; violence in the Central African Republic is ongoing; human rights abuses in Eritrea and Ethiopia continue. These are merely a few examples of the conflicts and instabilities which blight the lives of civilians who otherwise simply wish to live a life of safety, health and happiness. 

Safe routes of asylum to the UK should be available to all who need them, not least because Britain is complicit in an untold number of conflicts and repressive governments around the globe. Yet of all those who require support and protection, only Ukrainian refugees are deserving of such assistance, according to the Conservative government; one clear demonstration is the introduction of the government’s  ‘Homes for Ukraine’ scheme. Of course, Ukrainians should be welcomed to the UK – or any other country they’d prefer to claim asylum in – but so should refugees from any other context of conflict or persecution. Just as Russia has obliterated parts of Ukraine leaving a trail of war crimes in its wake, so too has it devastated swathes of Syria. Why then, as a nation, are we willing to be so selective as to who we will welcome as refugees?

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POLITICAL ACROBATICS, AMNESTY INTERNATIONAL, AND ISRAELI OPPRESSION

by Sarah Edgcumbe

“A disgraceful attack on the Jewish state” is how one conservative American publication responded to Amnesty International’s most recent report on the 2nd February. The Amnesty report, which bears the title ‘Israel’s Apartheid Against Palestinians: Cruel System of Domination and Crime Against Humanity’ was published by Amnesty on the 1st February this year –  predictably attracting the wrath of Israel whilst generating much controversy. The Israeli government responded as maturely as ever, with Foreign Minister Yair Lapid alleging that “Instead of seeking facts, Amnesty quotes lies spread by terrorist organizations.” Meanwhile, a range of wilfully ignorant journalists and public figures have labelled the report “anti-semitic”. Here we go again. 

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THE FAR-RIGHT THREAT IN 2022: A CROSSROADS FOR EUROPE’S ROMA

by Jonathan Lee

Europe stands at a crucial juncture; as the pandemic enters its third year without an obvious end in sight, the far-right draws ever closer to the centres of power across the continent, and the very existence of the European Union as we know it faces renewed threats from both East and West of the bloc. The Covid-19 pandemic continues to threaten new emergency measures, lockdowns, and school closures in countries across Europe. The impact of these measures would be keenly felt by a vulnerable Romani population, already beleaguered by police violence, illegal quarantines, and distance learning which denies their children an education. The threat from the far-right, however – already steadily growing over the last decade within European politics – will have several opportunities to move even closer to the hallways of power this year, with potentially dire consequences for the continent’s largest and most marginalised ethnic minority group. In the midst of what could prove to be a tumultuous year for European politics, Europe’s 12 million strong population of Romani people stand to lose out more than most if the political pendulum swings the wrong way.

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BEST LEADERSHIP FORWARD: WHERE’S THE OPPOSITION?

by Sunetra Senior

To mount successful opposition, Labour Leader, Keir Starmer, must embody an Evolved Left.

The ambiguous outcome of the recent by-election at North Shropshire has been telling: screaming even. Starmer is a leader of airs over recognisable reformative action. A microcosm of the calamity of the general election in the summer, the traditionally Tory stronghold in the North of England was lost to the Liberal Democrats as opposed to Labour, despite it being fertile territory for the latter in the wake of recent Conservative catastrophe: the explicit exposure of corruption, incompetent handling of the pandemic and the creeping economic fallout of Brexit, have seen the Tories floundering in the polls. Starmer’s red party should enjoy a stronger lead. A piece for Open Democracy states: “After the Conservatives, the biggest loser from this by-election is Labour. The party shed more than half of its vote share, from 22% to 10%, and was pushed into third place.” This is a deepening of the disillusionment from the nation-wide local election held earlier this year. Labour failed to make substantial gains, while also unable to regain Hartlepool as the party’s traditional heartland.  For someone who made ‘winning’ a lynchpin of his manifesto as announced at the annual Labour conference in Autumn, Starmer’s performance has been persistently poor. 

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‘REAL INTIMACY’ – THE NEUTRINOS LIVE

by Rowan Gavin

Sometimes you go to a gig not quite knowing what to expect. I found out I would be covering The Neutrinos’ recent double-set Norwich Arts Centre show for the Norwich Radical at relatively short notice, and decided on a whim to perpetuate my ignorance of the band’s work until I could hear it live. What I discovered, one December Saturday evening in that beautiful converted church hall, was all the more delightful for my lack of expectation – in fact, I’m not sure that any amount of pre-listening could have quite prepared me for the experience of this show.

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THE NORWICH RADICAL IN 2021

by The Norwich Radical team

If we’ve learned one thing at The Norwich Radical this year, it’s that solidarity is our strongest tool. It has been for the past year, and it will continue to be for the year just started.

Solidarity is what is keeping most of us going on this fascist little island, filled with transphobia and xenophobia; this island in which the government is enacting destructive and violent repression of migration, of self affirmation, of any form of protest; this island in which the media and arts establishment are complicit instigators of a mental and physical retreat to the dying nightmare of empire and colonisation.

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FIGHTING THE MEDIA MAN – A GUIDE TO THE UK’S INDEPENDENT, ANTI-CORPORATE MEDIA

By Rowan Gavin

Content warning: mentions transphobia in media

A friend recently described infamous podcaster Joe Rogan as “an independent broadcaster that you might not like/agree with but [who] actually has a voice to push back against corporate media”. Has the standard of anti-establishment commentary really fallen so low that we must turn to a UFC commentator for any effective criticism of the corporate status quo? 

Short answer: hell no!

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UNITED STATES OF AMERICA IN… AFGHANISTAN

by V Arun Kumar
Image description:

The frame is divided into three sections, with the top heading - 'United States of America In'. All three section has a United States Airforce aircraft, visually moving from one section to another. In the first frame, on the left, the US Airforce aircraft is coming in dropping weapons like assault rifles and stringer missile launchers, each attached to a parachute. They are being dropped to the ground where a sign board pointing ahead appears on which Afghanistan is written. On the top of this first frame, 1979 is written, to indicate the US support to the Mujaheddin in Afghanistan, who later formed the Taliban.  

In the second section, in the middle, the US aircraft is dropping bombs on Afghanistan (a sign board is visible on ground) and on the top 2001 is written marking the US invasion of Afghanistan. The third and last section, with the text 2021 written at the top shows the US aircraft flying away with two people falling off the plane to the ground with a sign board 'Afghanistan' pointing back, representing the actual incident of Afghans, trying to leave the country after US withdrawal and Taliban takeover, falling off a US air force aircraft during take off from Kabul International Airport. 

Image description:

The frame is divided into three sections, with the top heading – ‘United States of America In’. All three section has a United States Airforce aircraft, visually moving from one section to another. In the first frame, on the left, the US Airforce aircraft is coming in dropping weapons like assault rifles and stringer missile launchers, each attached to a parachute. They are being dropped to the ground where a sign board pointing ahead appears on which Afghanistan is written. On the top of this first frame, 1979 is written, to indicate the US support to the Mujaheddin in Afghanistan, who later formed the Taliban.  

In the second section, in the middle, the US aircraft is dropping bombs on Afghanistan (a sign board is visible on ground) and on the top 2001 is written marking the US invasion of Afghanistan. The third and last section, with the text 2021 written at the top shows the US aircraft flying away with two people falling off the plane to the ground with a sign board ‘Afghanistan’ pointing back, representing the actual incident of Afghans, trying to leave the country after US withdrawal and Taliban takeover, falling off a US air force aircraft during take off from Kabul International Airport. 


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FOOTBALL, ENGLISH PATRIOTISM AND THE LEFT

by Callum James

Perhaps Marcus Rashford was trying to be too precise. Whilst Frank Lampard, my dad and thousands of others criticised Rashford’s stuttering steps in the build-up to his penalty, he successfully sent Gianluigi Donnarumma the wrong way. Had his effort been just a few inches to the right it would have been hailed as a brilliant penalty. But elite sport is a game of inches.

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HANCOCK’S HALF-HOUR – THE DARK COMEDY OF UK POLITICS IN 2021

By Howard Green

Sometimes, it’s hard not to laugh at contemporary British politics. The fall of Matt Hancock is the latest instalment in this ongoing political sitcom. Hancock, the Partridge-esque Health Secretary who came to prominence during the pandemic, was forced to resign a few weeks ago through external pressure following an extramarital affair with one of his aides, Gina Coladangelo.

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