By Bradley Allsop
The world is on the brink. A shattered environment, gargantuan inequality, a burgeoning mental health crisis, fascism openly spreading across Europe, public services at breaking point… but also the possibility of more radical and progressive change than we’ve seen in decades. Higher education specifically also faces two radically different paths ahead of it: continued marketisation, eroding academic integrity, burdening a generation with enormous debt, crushing academics under enormous workloads, increasingly insecure employment and workplace stress – or publicly funded higher education that opens up space to imagine and create a different sort of campus.
by Laura Potts
Artistic culture and practice has changed drastically over the past few centuries. From Renaissance painting and its high-minded focus on aesthetic and documentary purpose, to the eruption of absurdist Dada work in 1915, to the stark political statements of much modern art. The aesthetics of art and its chosen themes are not the only thing that has changed though; the spaces where we encounter art have also transformed.
by Laura Potts
‘If anything, art is…about morals, about our belief in humanity.
Without that, there simply is no art’
Norwich’s own Space Studios hosted Bridges, a fascinating exhibition by artists Marcia X and Karis Upton, earlier this month. Entering through a small alley, I climb stairs up to the first few works, which I find in a dark setting, immersing me in the exhibition. Up another staircase, long enough for me to begin reflecting on what I’ve seen, is a much lighter space, with works hung from the sloped ceiling. Afterward, I’ll go on reflecting for some time – the themes and issues that Bridges explores are of such magnitude that every viewer is forced to sit up and listen.