In the process of putting together our reporting on the far-right presence and pro-LGBTQIA+ counter-protest at Storytime with Auntie Titania in Norwich last Wednesday, we received a number of accounts from people who attended the counter-protest. We were not able to reproduce all of those accounts in our original article, but we believe that they offer valuable insight into the events in question, the strength of LGBTQIA+ solidarity in Norwich, and the lessons that can be taken forward from this action. This article reproduces more of the content of those accounts, with small edits in places for clarity and to maintain anonymity.
Content Warning: descriptions of fascist violence & racist ideology
Following the anti-LGBT protest outside a Drag Queen Story Hour (DQSH) event in North Walsham library on 2nd August, a new event, titled ‘Storytime with Auntie Titania’ and featuring local drag artist Titania Trust, was scheduled for August 17th at the Millennium Library, Norwich. A counter-protest gathered outside the library on Wednesday ahead of the event to defend the national DQSH initiative and protect attendees from the presence of far-right protestors.
On Saturday 3rd July 2021, Romani man Nevzat Jasharov (pictured above) marched through the streets of Skopje, North Macedonia with his fellow Romani citizens against racialised police brutality. The protest was in response to the death of a Czech Romani man, Stanislav Tomas, who died after police intervention in the Czech town of Teplice. Video footage of the incident showed a police officer kneeling on the back of Stanislav’s neck; scenes disturbingly reminiscent of the police killing of Black American George Floyd in June 2020.
At long last, the Johnson juggernaut has run out of road. The Bohnson’s repeated scandals, criminal convictions, outright racism and transphobia were not enough to unseat him; in the end all it took was a few opportunistic cronies seeing a chance to pull their knives. Et tu, Gove?
The most important intergovernmental organisation of the last year, the World Health Organisation, defines violence as:
the intentional use of physical force or power, threatened or actual, against oneself, another person, or against a group or community, that either results in or has a high likelihood of resulting in injury, death, psychological harm, maldevelopment, or deprivation.
The media in this country have used the terms ‘violence’ and ‘violent’ to categorise the recent civil disruption surrounding the Kill The Bill protests. Norwich’s recent protests couldn’t be called ‘violent’ by any stretch of the imagination, but there have still been reactionary responses attempting to write off their importance, including from the EDP. However in the case of places like Bristol, the word ‘violence’ has been openly used against protestors by the media and influential reactionary figures.
Content warning: references to and short descriptions of sexual harassment, sexual violence, xenophobia, homophobic & transphobic abuse.
Made by Sea and Wood, in Darkness, the debut novel by Alexandros Plasatis, weaves together a collage of stories that tell the experience of Egyptian immigrants in Greece through a variety of voices. The stories are primarily set in and around Café Papaya in Kavala, where Pavlo the waiter works nights, acting as both a main character and an observer of the Egyptian fishermen. In snapshots of a male underworld, violence dominates this narrative, as the central female character Angie the barmaid fights against being cast as a victim.
While Archant published clickbait headlines in the EDP and Norwich Evening News that chose to spotlight the pink chalk ‘vandalism’ of a war memorial, Saturday’s Kill the Bill protest in Norwich city centre was in fact a peaceful display of solidarity, and an empowering antidote to the violence that protesters elsewhere in the country have been subjected to. In Bristol, boards reading ‘People Over Property‘ now surround the former plinth of the Edward Colston statue, and act as a visual reminder of both the police and the media establishment’s skewed priorities when it comes to covering protests. Chalk gets washed away with a spell of wet weather. Authoritarian bills don’t.
Sunday’s events in Bristol have made headlines. Predictably, however, mainstream media has fallen into the trope of shortsighted reporting, indulging in simplistic, one-sided narratives of protestors as ‘mobs of animals’ who ‘attacked’ and ‘badly injured’ police officers. Whilst they make good headlines, these intentionally inflammatory discourses, alongside powerful images of burning vans, serve to eclipse the bigger story.
Content warning: references to police violence, racist violence.
The revival of the Black Lives Matter movement has inspired an array of haunting artistic responses. Black Lives Matter: Poems for a New World, edited by Ambrose Musiyiwa, is no exception. With over 100 contributions from writers of diverse ages and backgrounds, the collection is a poignant exploration of an era of renewed protest and newfound solidarities, against the backdrop of the coronavirus pandemic.
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