by Chris Jarvis
Culture and politics are inseparable. Culture is more than mere entertainment, more than escapism. Culture is central to how we understand the world, build our value sets and perceive our fellow people. It stirs human emotion in unique ways, pulling different levers in the brain. Sometimes overtly, sometimes with subtlety, the dominant cultural practices, institutions, icons and outputs are used to reinforce the dominant political system and defend the status quo. Establishment weaponise culture as a means of influence.
But this isn’t the sole preserve of the political right.
Looking through history, many of the most important moments of popular revolt have an accompanying soundtrack. The resistance to the Vietnam War had the protest folk singers. Rage Against the Machine were agitators of the US anti-globalisation movement. Riot Grrrl acts built feminist infrastructure, led pro-choice campaigns and brought ‘the personal is political’ sentiments to the fore of a cultural phenomenon. And so on, and so on.
This isn’t coincidental.Continue Reading
by Fern Richards
Over the past couple of years, the UEA Poetics Project has been doing the important job of sneaking radical poets into the institution without much fanfare. The Norwich Radical featured an article by Linda Russo fairly recently – one of the readers at the last Poetics Project event – but apart from that, not a huge amount has been written about these readings. As a fan of radical poetry, political poetry, anti-establishment poetry, I thought it might be worth giving a small preview of the second UEA Poetry Festival, or at least its featured readers, Sandeep Parmar and Sean Bonney.Continue Reading
by Carmina Masoliver
Deborah ‘Debris’ Stevenson is founder of The Mouthy Poets, based in Nottingham, who are a collective of 50 young poets. A poet herself, with a blurb of incredible achievements, I can’t help but envy her success as someone so near my age (she’s actually younger). Watching from the outside, I can see how much she has grafted to get where she is today, and her enthusiasm for what she does shines through at workshops, performance events, and is inside every well-chosen word on the pages of the Pigeon Party (2014) collection with flipped eye publishing.
Poems are enclosed in two-part poem After The Blackstone Rangers, which sets the scene for the collection. They describe a childhood growing up in cities, where “everyone was learning”, whether rolling cigarettes, or dancing. The words are both familiar and unexpected; a place where love and friendships are based on fun that is “still disposable and warm” — referring to the “can of Scrumpy Jacks”— but also holding a wider resonance, like most of Stevenson’s work.Continue Reading
by Carmina Masoliver
Hannah Silva’s work can be difficult to penetrate; there is not necessarily a fixed meaning, and in the notes given prior to ‘Schlock!‘ she quotes Kathy Acker by saying to ‘get rid of meaning. Your mind is a nightmare that has been eating you. Now eat your mind.’ This in itself requires interpretation: we place so much emphasis on meaning in our lives, this can destroy our minds, and so perhaps the best way to remove the self-doubt that I’m going to be “wrong” in my view of the work is to eat my mind, take control of the way the dots connect, and the ways they don’t.Continue Reading
by Carmina Masoliver
Homework nights used to be a bit of a boys’ club, being a product of the all-male poetry collective Aisle 16. I’d been to an event where they shared that in their youth they had the rule that no girls were allowed. They became somewhat of a poetry boyband, and original members – Luke Wright, Joel Stickley, Chris Hicks, Ross Sutherland, John Osborne, Joe Dunthone and Tim Clare – have gone on to achieve great things. Most of these poets also have a Norwich connection, having attended UEA.
They’re also very much still involved in Homework, with Sutherland hosting this particular one. The premise of this night, based in Bethnal Green Working Men’s Club, is that each poet has a month to create a new piece of work and the show itself is a presentation of their homework in the form of a literary cabaret. Each month is themed and features a special guest. It’s very popular, so arriving early for a good seat is a must. Honorary female members, Molly Naylor and Katie Bonna, have been making their mark here for some time, and I thought it would be worthy of a feature to shine the spotlight on them.Continue Reading