REVIEW: MOONRISE BY ELLA CHAPPELL

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by Lewis Buxton

Moonrise’s publisher, As Yet Untitled, is an ‘independent press that specialises in limited edition, handmade works that embrace the breadth of possibility in the book’s form’. The book is beautifully made, a fragile thing one worries about reading with a cup of tea too close. Interesting then to consider the fragility of the book’s form with the robustness of the poems. Moonrise, by Ella Chappell, is a book about sex and love and flowers and moons and stones and good nights and bad nights and scientific theories and the gravity that pulls at us all. These aren’t new themes. But that’s what I like about this book; there is at once a familiarity to it but still a newness in the words, a fresh light on the scene.Continue Reading

FRIEND SISTER COMRADE ENEMY

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by Alex Valente 

Original Italian by Edith Bruck (1932-), ‘Amica sorella compagna nemica’

Friend sister comrade enemy
for one gesture of yours my pain
could still change and dissolve
at the tip of a mulberry tree
on the sleigh of two planks nailed
by the boy who behind the stable
would caress between our legs with feathers so soft.Continue Reading

REVIEW: ROWENA KNIGHT’S ALL THE FOOTPRINTS I LEFT WERE RED

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by Carmina Masoliver

Rowena Knight has been making waves both in terms of poetry on the page (including Magma, Cadaverine and The Rialto) and on the stage, being a regular at poetry nights across London, as well as a team member of She Grrrowls. Self-identifying ‘Feminist Killjoy’, the collection deals with becoming a woman and growing up as an immigrant from New Zealand as a teenager.Continue Reading

REVIEW: LUKE WRIGHT’S THE TOLL AT NORWICH ARTS CENTRE

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by Hannah Rose

Luke Wright’s eighth solo show The Toll is a razor dipped in sugar: Ian Duncan Smith is a “jiggling tit” and rumour has it that a lion stalks the good people of Essex. It’s an hour of truth or dare, but not without the candid insight that self-reflection demands of performance poetry. Wright connects with his audience through just the right amount of personal anecdote tinged with good times and bad, and a generous scattering of cultural and political satire.

Brexit, Question Time and John Betjeman. It’s all in there. This line is hard to walk when it’s just you on the stage—too much waxing-lyrical about good times with your mates and you’ll bore your audience. Equally, too much of the dark stuff and the lights go out. People don’t generally pay £12 to be brought down by bad news.Continue Reading

A CREATIVE DISTANCE

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by Candice Nembhard

For the past few weeks I have been mulling over the phrase ‘What’s in a name?’

Famously posed in Shakespeare’s Romeo and Juliet, the question itself addresses a complex struggle between society’s influence and personal principles. For Juliet, Montague is a cursed history and a treasured ill fate. By virtue of being Capulet, her query is a forceful defiance to alter the course of her history, thus changing the alliance to her name, her lover’s name, and the relation between the two families.

Continue Reading