REVIEW: THE LIGHTHOUSE #15 – THE QUEER ISSUE

by Eli Lambe

Timeliness occupies this issue. Reflections on what queer writing has been and what it is now are shown through this collection to be vital, contemporary, and necessarily complex. The readings at the launch were accomplished, and the variety of writing spoke to the talents of the editing team in recognising and celebrating each piece. The pieces were arranged and selected to be complementary, to offer common threads and common goals, while still preserving the singularity of each piece – the queer writing here is collected as moments of solidarity, of community.Continue Reading

REVIEW: UNDERPASS – UEA UNDERGRADUATE CREATIVE WRITING ANTHOLOGY

by Eli Lambe

The Underpass Anthology launch was a real testament to the work and co-operation evident in the newly student-run EggBox publishers – a packed celebration of new talent and potential, and a true contribution to the uniquely welcoming and encouraging style of the Norwich arts scene.

The anthology itself worked in the same way, amplifying both familiar and new voices, and bringing them together in a truly collaborative and beautiful book. The experimental and the traditional complement each other, and every writer and editor involved should feel immensely proud of themselves.Continue Reading

REVIEW: BETTER WATCH YOUR MOUTH, BY JENN HART

by Carmina Masoliver

The cover of Better Watch Your Mouth displays a set of lips and teeth pulling the kind of expression you would make after being told such a thing. It suggests an unapologetic rejection of censorship, which is later reflected in the poem ‘Ugh, Men’ with the statement ‘we will not censor ourselves (x3)’.

This is a collection that mixes everyday language with profound metaphor, and beautiful imagery with emotive stories. It begins with the telling of others’ stories and gradually becomes more personal, yet in a way that is also relatable, as time skips back and forth like the mind floating back to memories, some singed with pain and others with nostalgia.

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THE HARBOUR

by Alex Valente

Original Italian by Anna Belozorovitch, ‘Il porto’ from Il Debito

The harbour breathes as everything changes;
it carries in its womb the still change,
the evolution to turmoil-based unexpectedness,
the summer heat. And it makes no soundContinue Reading

UNTITLED

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by Alex Valente

Original Italian by Nadia Campana (1954-1985), untitled from Verso la Mente

more of the living during the journey
many horizons for hours and hours
submerged in distanceContinue Reading

SEX & LOVE & ROCK & ROLL: TONY WALSH ON WOMEN

by Carmina Masoliver

CW: mentions harassment, domestic violence

When I first saw Tony Walsh, aka longfella, it was as a feature act at the Genesis Poetry Slam in Whitechapel. I remember being struck by a line about how growing breasts being something that labels some people ‘women’. This was a revelation to me, and yet something that I could identify with as a cis-gender woman reflecting on adolescence; it felt profound that a man could understand this experience in a way that made me feel understood in a way I hadn’t yet articulated myself.

When I later read what I assumed to be these same lines in Sex & Love & Rock&Roll, they didn’t strike me in quite the same way, as they offered something different. In ‘Start All the Clocks’, Walsh repeats ‘tell me how it feels’, as he asks of the readers

‘…tell me how it feels when you start to grow breasts
When Mother Nature writes ‘woman’ across a girl’s chest.’

It is in these lines that mean that Walsh is not solely a poet to hear on stage, but also one to read on the page, where you have the time to reflect and think.Continue Reading