The cover of Better Watch Your Mouth displays a set of lips and teeth pulling the kind of expression you would make after being told such a thing. It suggests an unapologetic rejection of censorship, which is later reflected in the poem ‘Ugh, Men’ with the statement ‘we will not censor ourselves (x3)’.
This is a collection that mixes everyday language with profound metaphor, and beautiful imagery with emotive stories. It begins with the telling of others’ stories and gradually becomes more personal, yet in a way that is also relatable, as time skips back and forth like the mind floating back to memories, some singed with pain and others with nostalgia.
I was given this book shortly after its publication in 2013 by mi abuelito, Juan Antonio Masoliver Ródenas, whose work is featured in the anthology of short stories, memoirs and poems. Currently living in Spain, it felt like a good time to read the whole book. The collection showcases twelve contemporary writers, in both Spanish and English translation, and definitely has a modern, experimental feel to it. The use of first person throughout blends the line between truth and fiction, and despite often feeling personal, there is always a sense of the political throughout.
by Norwich Rising
Content warning: mentions sexual assault and violence against women
The United Nations estimate that one in three women will be raped or beaten in her lifetime. That’s one billion women. On Sunday 30th April 2017 there will be a flashmob-style dance at 1pm in Chapelfield Gardens to demand an end to violence against women. This is the 5th Norwich Rising, part of the global One Billion Rising campaign. Dancers will be dancing to the “Break the Chain” dance, choreographed by Debbie Allen from Fame. There are a series of free rehearsals where people can learn the dance.
by Alex Valente
Original Italian by Biancamaria Frabotta (1946 – ), ‘L’estate delle stelle…’
The summer of stars less striking
encouraged locals and strangers
to hope in a return of ancient climates.
On the yellow grass unstable in the sparse
humours drinks remained half-full
another fuel to have sleepless nights.
by Rose Knapp
Odd Jung Freudian
Salem salām kalam
Still the same Paul?
For the past few weeks I have been mulling over the phrase ‘What’s in a name?’
Famously posed in Shakespeare’s Romeo and Juliet, the question itself addresses a complex struggle between society’s influence and personal principles. For Juliet, Montague is a cursed history and a treasured ill fate. By virtue of being Capulet, her query is a forceful defiance to alter the course of her history, thus changing the alliance to her name, her lover’s name, and the relation between the two families.