by Carmina Masoliver
On a rainy Friday, people in-the-know gathered to listen to poetry in Ugly Duck for the launch of Sophie Fenella’s debut poetry collection The Rich Nothing. Ugly Duck is actually a series of different event spaces, with this particular one being located at 47/49 Tanner Street in Bermondsey. Inside this old Victorian tannery (where leather skins are processed), therein lies ‘The Garage’. On the ground floor, the space is described as having ‘a grungy urban warehouse feel’, and without much natural light at the back, it has an underground vibe in more than one sense of the word. With genuine caution signs for wet floors from leaks, it feels like an abandoned building that has been turned into an exhibition space – but in a cool way.
by Jake Reynolds
The city centre smells of McDonald’s
and SPF stands for exactly what you thinkContinue Reading
by Carmina Masoliver
I was told that The Empty Horizon was a sequence of poems written in the voice of Roisin, a writer and illustrator of children’s books who is losing her sight due to the genetic condition Retinitis Pigmentosa. Initially, I wondered why – if Rosin is a writer – why she could not write these poems herself. Although it seems obvious that there is a mutual relationship established, why should a man tell the story of a woman who is a writer, and thus capable of writing it herself? Although losing her sight, as a writer, would it not be better to tell her own story through her own spoken words, rather than Carney being the author of this text?Continue Reading
by Chris Jarvis
They talk of dreaming spires
sleeping beneath them is routine
Crammed into a shop front
derailed carriage lost steam
Through the spiralled alleyways
off the beaten track
A dampen sodden mattress
a man laid on his backContinue Reading
by Carmina Masoliver
Inspired by my experience of Being a Man Festival, I attended an evening in appreciation of poet and educator, Jacob Sam-La Rose. The night consisted of speeches and moving poetry in tribute to his teachings. The energy was reminiscent of the Burn After Reading nights, and despite this occasion being a one-off, it captured what I love about live literature events. Often, it can seem that poetry is such a niche medium, that outsiders can struggle to find their place. However, these spaces provide a place where people can share both pain and joy, and connect with others through words. Sam-La Rose is mostly known for the incredible work he does with young people. He has tremendous influence on poetry today, and on the opportunities that many young people have to be exposed to, and enveloped by, this art form. It comes as no surprise then to read on the back cover of Breaking Silence, that his work ‘is grounded in a belief that poetry can be a powerful force within a community’.
It felt right to return to the well-thumbed pages of my copy of Sam-La Rose’s debut book-length collection from Bloodaxe, one of the most reputable poetry publishers in the UK. Breaking Silence was shortlisted for the Forward Prize for Best First Collection and the Aldeburgh First Collection Prize, but many feel it has not had the recognition it deserves. Linking with themes from Being a Man Festival, the collection explores issues of manhood and masculinity, and how these intersect with race and dual heritage, as well as broader issues of identity.
by Mark Pearson
Info war perverts.
Cold hard cash agendas set.
Truth is not out there.Continue Reading
by Alex Valente
Original Italian by Verusca Costenaro (1974 – ), ‘Il coraggio che fa primavera’
It’ll be from your comicseyes
that a new courage will rise
for the autumn, it’ll tangle in the wind
and the wind will paint it snowinter
so that the sun may thaw it
fresh in spring, it’ll be
a bearing of violets and mixture of calls,
cerulean choir bearing life in the background to desire,
the sprint of wings on the field, to feed on the grass that will grow,
summervoice adorned of an evergreen yellow,
a remedy to the fears brought by good
dreams of a small evening in august.
Featured image via caffellattefirenze
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