by Lotty Clare
Content warning: mentions violence against women, abuse, rape, self-harm, suicide, racism, harassment, homophobia.
Last Saturday, a group of UEA students and Norwich residents travelled to a protest at Yarl’s Wood Immigration Removal Centre in Bedfordshire. This protest was the fifth Movement for Justice by Any Means Necessary (MFJ) has organised to shut down detention centres. As I approached the building, hidden inside an industrial estate, surrounded by fields, in the middle of nowhere, it was just as intimidating and depressing as 6 months ago when I went to Yarl’s Wood for the first time. It looks like a prison, except that it is ‘worse than prison, because you have no rights’, as former detainee Aisha Shua put it. Some women are in Yarl’s Wood because their visa expired, others because their asylum claim was unsuccessful. They have committed no crime. And yet they can be detained there indefinitely.
by Candice Nembhard
I have been living in Berlin for around two months now and generally the transition from the UK to mainland Europe has been a relatively easy process. If we put rising rent prices, endless German bureaucracy, and the future of Brexit aside, Berlin in some ways is a safe haven for a young black Brit such as myself.
Undoubtedly, my ability to move, live and work in Germany is not possible without an immense amount of privilege. I, unlike many people, do not face the same amount of adversity by simply being here; irrespective of my feelings towards my nationality, having a British passport is a golden ticket I didn’t have to work for. However, even with its numerous working and academic advantages, my citizenship does not defend me against the microaggressions of prejudice and racism that I receive almost on a daily basis.Continue Reading
In the aftermath of the Women’s March — a worldwide protest in resistance to Donald Trump on Saturday January 21st 2017 that saw an estimated 4.6million people take to the streets in the US alone — The Norwich Radical’s Tara Gulwell and Cadi Cliff put a call out. This article is the product of that call out, which asked for thoughts from those who identified as women and who attended one of the many Women’s Marches on why they marched. These are just some voices, but they speak from across the UK and the US in an act of collaboration, solidarity, and resistance. Continue Reading
by Candice Nembhard
In times of national or personal struggle, we have long since turned to our favourite books, records or films for companionship and reassurance. We find comfort in these creative endeavours – the note of a song or the rhythm of a sentence – that often mirror the nuances of daily existence. Yet, whilst we use these tools of communication, we have yet to fully support them with our time, interest and money. With authorisation from government officials, local authorities have seen their arts funds and budgets cut consistently since 2010. Consequently, libraries, art galleries and museums have been affected most, with numerous closures occurring across the country.Continue Reading
By Julian Canlas
TW: Mental health, racialised violence, racism
The first session at the psychotherapist is always tough. Your psychiatrist is a lanky white man presumably in his 50s. There’s a mosaic of framed medical certificates hanging behind his desk. You’re an 18-year old brown-skinned boy slumped back on this armchair that’s supposed to feel comfortable, but really the fake leather sticks coldly against your sweaty back. He asks about various aspects of your life to get a better evaluation: family history, school, suicide, self-harm, homelessness. He tries to sound nice—this condescendingly sweet falsetto undermined by the mechanical typing in of your diagnosis. Every time you spill yourself, you feel the room closing in.Continue Reading
by Candice Nembhard
In the niche space we call the ‘art world’, the discrediting or downplaying of black artists has not gone unnoticed as it has undocumented. That’s not to say critical discussion of African/African diaspora art has not been made; it is to suggest however that favourable and more accessible criticism is blessed upon the dominant sphere of white, European Art. For many black artists, including the likes of Kerry James Marshall, publicising the potential racist nature of art history opens up the narrative of what really goes on in the art world.
by Julian Canlas
The 2016 Olympics in Rio, Brazil, has resulted in a lot of firsts. Nine countries are celebrating their first ever gold medal, including first-time entrant Kosovo, whose sovereignty the Olympics committee recognised only two years ago. The Refugee Olympic Team (ROT) was also formed to ‘bring global attention to the magnitude of the refugee crisis’. Despite not having won any medals, their significance lies in their representation. The ROT acts as a symbol of hope to those who have been forcefully displaced from their home country that the dreams of these displaced athletes will happen despite all the unfair hardships, injustices and atrocities they have experienced.