In the aftermath of the Women’s March — a worldwide protest in resistance to Donald Trump on Saturday January 21st 2017 that saw an estimated 4.6million people take to the streets in the US alone — The Norwich Radical’s Tara Gulwell and Cadi Cliff put a call out. This article is the product of that call out, which asked for thoughts from those who identified as women and who attended one of the many Women’s Marches on why they marched. These are just some voices, but they speak from across the UK and the US in an act of collaboration, solidarity, and resistance.
In times of national or personal struggle, we have long since turned to our favourite books, records or films for companionship and reassurance. We find comfort in these creative endeavours – the note of a song or the rhythm of a sentence – that often mirror the nuances of daily existence. Yet, whilst we use these tools of communication, we have yet to fully support them with our time, interest and money. With authorisation from government officials, local authorities have seen their arts funds and budgets cut consistently since 2010. Consequently, libraries, art galleries and museums have been affected most, with numerous closures occurring across the country.
TW: Mental health, racialised violence, racism
The first session at the psychotherapist is always tough. Your psychiatrist is a lanky white man presumably in his 50s. There’s a mosaic of framed medical certificates hanging behind his desk. You’re an 18-year old brown-skinned boy slumped back on this armchair that’s supposed to feel comfortable, but really the fake leather sticks coldly against your sweaty back. He asks about various aspects of your life to get a better evaluation: family history, school, suicide, self-harm, homelessness. He tries to sound nice—this condescendingly sweet falsetto undermined by the mechanical typing in of your diagnosis. Every time you spill yourself, you feel the room closing in.
In the niche space we call the ‘art world’, the discrediting or downplaying of black artists has not gone unnoticed as it has undocumented. That’s not to say critical discussion of African/African diaspora art has not been made; it is to suggest however that favourable and more accessible criticism is blessed upon the dominant sphere of white, European Art. For many black artists, including the likes of Kerry James Marshall, publicising the potential racist nature of art history opens up the narrative of what really goes on in the art world.
The 2016 Olympics in Rio, Brazil, has resulted in a lot of firsts. Nine countries are celebrating their first ever gold medal, including first-time entrant Kosovo, whose sovereignty the Olympics committee recognised only two years ago. The Refugee Olympic Team (ROT) was also formed to ‘bring global attention to the magnitude of the refugee crisis’. Despite not having won any medals, their significance lies in their representation. The ROT acts as a symbol of hope to those who have been forcefully displaced from their home country that the dreams of these displaced athletes will happen despite all the unfair hardships, injustices and atrocities they have experienced.
by Asia Patel
by Rob Harding
Content warning: mentions mass shooting, homophobia, Islamophobia.
As you know, on Sunday a homophobic mass-murderer killed 49 people and seriously wounded 53 others in the Pulse nightclub in Orlando, Florida. He used a handgun and a semi-automatic rifle, took hostages and was only finally killed when the Orlando police rammed the wall of the club with an armoured vehicle and forced him to come out, before gunning him down.
News media and political statements have been full of Islamophobic vitriol and scaremongering. Owen Jones walked off Sky News after deciding he was sick of listening to Mark Longhurst and Julia Hartley-Brewer trying to downplay the homophobic aspects of shooting up a gay club in favour of a more anti-Daesh approach — despite the attack not yet being confirmed either way if in any way connected to Daesh. As Julian Canlas commented for The Norwich Radical, ‘It is not just an ‘Orlando nightclub massacre’. It is an Orlando lgbtQ+ Latinx nightclub massacre.’ Florida governor Rick Scott suggested that the best thing one could do to aid victims of the shooting was pray, and dodged questions about what could be done to stop further shootings— the NRA logo practically glistening behind his eyes.