by Lotty Clare
Content warning: mentions violence against women, abuse, rape, self-harm, suicide, racism, harassment, homophobia.
Last Saturday, a group of UEA students and Norwich residents travelled to a protest at Yarl’s Wood Immigration Removal Centre in Bedfordshire. This protest was the fifth Movement for Justice by Any Means Necessary (MFJ) has organised to shut down detention centres. As I approached the building, hidden inside an industrial estate, surrounded by fields, in the middle of nowhere, it was just as intimidating and depressing as 6 months ago when I went to Yarl’s Wood for the first time. It looks like a prison, except that it is ‘worse than prison, because you have no rights’, as former detainee Aisha Shua put it. Some women are in Yarl’s Wood because their visa expired, others because their asylum claim was unsuccessful. They have committed no crime. And yet they can be detained there indefinitely.
by Candice Nembhard
I have been living in Berlin for around two months now and generally the transition from the UK to mainland Europe has been a relatively easy process. If we put rising rent prices, endless German bureaucracy, and the future of Brexit aside, Berlin in some ways is a safe haven for a young black Brit such as myself.
Undoubtedly, my ability to move, live and work in Germany is not possible without an immense amount of privilege. I, unlike many people, do not face the same amount of adversity by simply being here; irrespective of my feelings towards my nationality, having a British passport is a golden ticket I didn’t have to work for. However, even with its numerous working and academic advantages, my citizenship does not defend me against the microaggressions of prejudice and racism that I receive almost on a daily basis.Continue Reading
In the aftermath of the Women’s March — a worldwide protest in resistance to Donald Trump on Saturday January 21st 2017 that saw an estimated 4.6million people take to the streets in the US alone — The Norwich Radical’s Tara Debra G and Cadi Cliff put a call out. This article is the product of that call out, which asked for thoughts from those who identified as women and who attended one of the many Women’s Marches on why they marched. These are just some voices, but they speak from across the UK and the US in an act of collaboration, solidarity, and resistance. Continue Reading
by Candice Nembhard
In times of national or personal struggle, we have long since turned to our favourite books, records or films for companionship and reassurance. We find comfort in these creative endeavours – the note of a song or the rhythm of a sentence – that often mirror the nuances of daily existence. Yet, whilst we use these tools of communication, we have yet to fully support them with our time, interest and money. With authorisation from government officials, local authorities have seen their arts funds and budgets cut consistently since 2010. Consequently, libraries, art galleries and museums have been affected most, with numerous closures occurring across the country.Continue Reading
By Julian Canlas
TW: Mental health, racialised violence, racism
The first session at the psychotherapist is always tough. Your psychiatrist is a lanky white man presumably in his 50s. There’s a mosaic of framed medical certificates hanging behind his desk. You’re an 18-year old brown-skinned boy slumped back on this armchair that’s supposed to feel comfortable, but really the fake leather sticks coldly against your sweaty back. He asks about various aspects of your life to get a better evaluation: family history, school, suicide, self-harm, homelessness. He tries to sound nice—this condescendingly sweet falsetto undermined by the mechanical typing in of your diagnosis. Every time you spill yourself, you feel the room closing in.Continue Reading
by Candice Nembhard
In the niche space we call the ‘art world’, the discrediting or downplaying of black artists has not gone unnoticed as it has undocumented. That’s not to say critical discussion of African/African diaspora art has not been made; it is to suggest however that favourable and more accessible criticism is blessed upon the dominant sphere of white, European Art. For many black artists, including the likes of Kerry James Marshall, publicising the potential racist nature of art history opens up the narrative of what really goes on in the art world.
by Julian Canlas
The 2016 Olympics in Rio, Brazil, has resulted in a lot of firsts. Nine countries are celebrating their first ever gold medal, including first-time entrant Kosovo, whose sovereignty the Olympics committee recognised only two years ago. The Refugee Olympic Team (ROT) was also formed to ‘bring global attention to the magnitude of the refugee crisis’. Despite not having won any medals, their significance lies in their representation. The ROT acts as a symbol of hope to those who have been forcefully displaced from their home country that the dreams of these displaced athletes will happen despite all the unfair hardships, injustices and atrocities they have experienced.
by Zoe Harding
Content warning: mentions mass shooting, homophobia, Islamophobia.
As you know, on Sunday a homophobic mass-murderer killed 49 people and seriously wounded 53 others in the Pulse nightclub in Orlando, Florida. He used a handgun and a semi-automatic rifle, took hostages and was only finally killed when the Orlando police rammed the wall of the club with an armoured vehicle and forced him to come out, before gunning him down.
News media and political statements have been full of Islamophobic vitriol and scaremongering. Owen Jones walked off Sky News after deciding he was sick of listening to Mark Longhurst and Julia Hartley-Brewer trying to downplay the homophobic aspects of shooting up a gay club in favour of a more anti-Daesh approach — despite the attack not yet being confirmed either way if in any way connected to Daesh. As Julian Canlas commented for The Norwich Radical, ‘It is not just an ‘Orlando nightclub massacre’. It is an Orlando lgbtQ+ Latinx nightclub massacre.’ Florida governor Rick Scott suggested that the best thing one could do to aid victims of the shooting was pray, and dodged questions about what could be done to stop further shootings— the NRA logo practically glistening behind his eyes. Continue Reading
by Julian Ignacio Canlas
Content warning: mentions racism, homophobia, suicide, arson, massacre, mental health
On June 12th 2016, a mass shooting happened at Pulse, gay nightclub in Orlando, Florida, USA. 49 people were killed and 52 injured, mostly of Latinx descent. Across the world, lgbtQ+ communities and allies have been organising vigils and other events to express support and condolences.
‘Look, you don’t understand this because you’re not gay,’ Owen Jones said, before storming out of a Sky News debate on the massacre, after the two presenters refused to see the incident in a lgbtQ+ context.Continue Reading
By Eve Lacroix
John Ehrlichman, an aide to President Richard Nixon, has confirmed what black activists and drug policy reformists have known for decades: the War on Drugs is not only a failure, but it is also a racist and controlling political tool.
by Candice Nembhard
From #oscarssowhite to #rhodesmustfall, a spotlight has been shone on the lack of diversity and positive representation for POC across numerous institutions. Although these discussions have been catalysed in online spheres, the implications of these hashtags reference the real experiences of silencing and downplaying the importance of solidarity among BME (Black and Minority Ethnic) people — particularly in student environments.
In 2015, the Institute for Fiscal Studies (IFS) conducted a study that suggested more BME students as opposed to White British students were enrolling in university — despite statistically ‘underperforming’ in academia. A general consensus made by researchers was that students from minority households have higher aspirations regarding education than their white counterparts, even with the increase made to tuition fees and the potential privatisation of student loans at hand.Continue Reading
by Candice Nembhard
Throughout my two, soon to be three, years at UEA I have not only witnessed racial discrimination but have also been a victim to it; everything from casual uses of racial slurs to instances of fetishes and exoticism. It may come as a surprise to some, but not once have I felt that the union has provided an opportunity, be it caucuses or panels to discuss the safety of ethnic students, unless pressured by activist groups or even the media. As October and Black History Month ends, I thought it would serve me and perhaps some other people of colour (POC) well, to reflect on how racial issues, in particular; the experience of black or brown students are often overlooked, diminished, or outright rejected, unless given a socially acceptable platform such as Black History Month or student elections.
by Emmanuel Agu
Let’s face it, the history we are exposed to in this state is white-oriented, Eurocentric and frequently glamourizes the power and history of Britain’s Imperialism. School curriculum’s explain theorems, recount stories and literature of white heroes, white professors and white creatives. Our history museums and art establishments are filled to the brim of treasures looted from Africa and Asia that continue to remain in our state for claims of ‘greater accessibility’ for the rest of the world– Infact even within the castle of our Monarch sits the remains of buried princes forcibly taken from their homes. In the supremacist society we live in- white history is celebrated and panegyrized daily, don’t be so ignorant as to ask for your time of remembrance when society does not exclude you.
Black history month exists in defiance of the structures that chose to exclude those that supremacy excludes- but one must, ask what does it mean to be black?
by Carmina Masoliver
When the Conservatives came to power this year, without even the Liberal Democrats to soften the inevitable multiple blows, many artists buckled up for more difficult years. I’m not one to buy the starving artist cliché, but it’s a reality that in these times, where arts funding is being cut (despite receiving a proportionally meagre amount), that being any kind of artist is going to be a struggle. It also means that it is sold as a less viable career path for young people, and the arts are placed back in the hands of the wealthy elite.Continue Reading