by Robyn Banks
Video media have always had a way of tapping into the current fears of the watcher. Be it in horror movies or films aimed at children, they show us topical fears in either exaggerated gory fashion or in subtle ways that stay with you well past the end of the credits. This has never been more true of the fear of screens. Over the decades, the screen has often been used on screen as a device that either projects our worst fears or captivates us and holds us against our will. The fear of screens warping our minds is a form of mild technophobia, an attitude dismissed by many as socially conservative. Nonetheless, many filmmakers have used it to their advantage to create horror and thrills, as well as using it as a form of social commentary.
by Sunetra Senior
For my first article, I thought it would be fitting to explore the relationship between two neglected areas of society that I feel passionately about: the representation of women and mental health issues. Deep down, the thought of a connection existing between emotionality and the female sex might evoke those uncomfortable, backward cultural connotations – women as fragile, women as prone to hysteria, and on the softer side of it, women as the ‘gentler’ sex.
However, bringing Freud into the discussion in general might not be so wrong because the real problem, the ongoing obstacle for both those with depression, bipolar, borderline personality disorder and the whole host of legitimate clinical disorders that I couldn’t possibly all list here, and the limitations that women still face day-to-day, is the wider, ideological practice of repression: namely society’s refusal to acknowledge the significance of psychology itself. Continue Reading