THE GREAT COPYRIGHT SCAM

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by Alex Valente

Consider this example: Marvel Comics publishes Spider-Man, Sony makes a Spider-Man film or videogame, and your local queer fan-artist sells an art zine or print inspired by that film. There is a cost associated with each of these items: the floppy or trade collected comic; a cinema ticket or streaming subscription; the art print itself. But, there is no ethical consumption. ‘Illegally’ downloading or streaming the film, torrenting or finding a hosting site for the comic, or pirating the zine are all the same act: you are overcoming the monetary gatekeeping of art. With one exception: if you ‘steal’ from Marvel, Sony or any other megacorp you might even be doing some good (with reservations); if you do it to an artist who is trying to pay their bills, you’re an asshole.

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REVIEW: AUTUMN, BY ALI SMITH

by Eli Lambe

Rich with reference and metaphor, Ali Smith’s Autumn is a triumph. Published incredibly quickly following the chaos of the EU Referendum in June 2016, it fully captures the feelings of isolation, division, and distrust that seems to have characterised the 12 months since. The atmosphere of unreality is masterfully tied together with dream-sequence, ekphrasis, and lies. The principal character, Elisabeth sums it up concisely as an eight year old in 1993: “It’s about history, and being neighbours.”Continue Reading